Music Licensing Profits John DeFaria & Craig Garber

LOADS of fun on this Adam Wakeman (Rick’s son) Interview: cool stories about working with Ozzy, Black Sabbath, Annie Lennox, Travis, Atomic Kitten, Headspace… the brilliant genesis of Jazz Sabbath, dark days during the Pandemic, getting into music licensing and starting ThePerfectMusicLibrary.com, 6 ways to get your music accepted by music libraries, running as a catharsis, happiest moments of his life, most important lesson his dad Rick Wakeman taught him, parenting, valuing his time and more fun stuff. Really cool and very open convo!
Discover How to Get Your Music Licensed & Placed in TV, Movies, Video Games & Streaming Services: https://MusicReboot.com
Adam Wakeman’s been the keyboardist and rhythm guitarist for Ozzy Osbourne & Black Sabbath band since 2003. He’s a founding member of the prog rock band Headspace & the jazz rock band Jazz Sabbath. He also plays keyboards and guitar for Black Sabbath and has toured or recorded with Annie Lennox, Travis, the Company of Snakes, Strawbs, Will Young, Victoria Beckham, Atomic Kitten, and Martin Barre (Jethro Tull).
Adam owns a production music library, called The Perfect Music Library, which creates and licenses music for film, television & other media. The company has placed music across most major TV networks in the UK, including the BBC, ITV and Sky.
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Here are some real world stories of several music artists who CRUSHED it in Music Licensing. How did they do it? I’ve done a lot of research on this topic and explain the steps these artists took to achieve their goals! Obviously producing great music is important but there are some other steps that are also crucial to jump-starting your music career with music Licensing.
Discover Where the Money’s Hiding in Today’s Music Business: https://www.MusicReboot.com
There’s nothing like having your song in a successful motion picture or Television show to catapult your artist career to the next level. The artists I mention in this video have Music Licensing to thank for exposing their music to a wider audience not mention the extra income from music licensing can be quite substantial!
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On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn’t easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you’re most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business!
Discover Where the Money’s Hiding in Today’s Music Business: https://www.MusicReboot.com
JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He’s also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He’s had longstanding relationships with composers Hans Zimmer & Cliff Martinez.
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Jeff’s scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others.
Movie soundtracks Jeff’s scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures
Jeff’s written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite
He’s toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award
 

Why is Music Licensing so Mysterious? John DeFaria co-founder of Music Licensing Profits explores his struggles 30 years ago getting into Music Licensing. What is a SYNC contract? Who do you need to get your music to to get placements? How do you register for Royalties owed you? How do you make your music more licensable? John goes over tips and tricks he’s learned over the years.
Discover Where the Money’s Hiding in the Music Business in 2023: https://MusicReboot.com
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You may be composing great songs and/or great music, but how do you make it more licensable for Film, TV and Streaming? On this video I go through several techniques I've used over the years. These techniques I learned from making over 9700 music placements in Film, TV, Commercials,Trailers, Streaming and Social Media. 
Discover Where the Money’s Hiding in Today’s Music Business: https://MusicReboot.com
You'll learn some simple techniques to make your music more licensable in Songwriting, Commercials, Trailers and Composing Underscore. The whole trick here is to make your music as useful as possible to Film Editors, Music Supervisors, Trailer Houses, Commercial Agencies and Production companies. There are also certain styles of music that are really great for licensing that you may be missing. I point this out too!
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John DeFaria, co-founder of Music Licensing Profits on 3 Ways to get your music into the right hands of show producers and Music supervisors… What “Music Licensing” actually means… what happens AFTER you make your placement… the types of royalties you can expect to earn… and why there's never been more of a need for great quality music in a variety of genres and styles that add that polished production value to music licensing media… how to get paid well in today’s day and age of meager streaming payouts… Understanding how emotions in scenes dictate the type of music you need to create in licensing… why “there’s a seat for all music creators” in licensing…
Discover Where the Money’s Hiding in the Music Business in 2023: https://MusicReboot.com
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