New Books in LGBTQ+ Studies New Books Network

In A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive (T&T Clark, 2024), Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920's Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.
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Evangelical Christians and members of the global LGBTQI human rights movement have vied for influence in Haiti since the 2010 earthquake. Each side accuses the other of serving foreign interests. Yet each proposes future foreign interventions on behalf of their respective causes despite the country’s traumatic past with European colonialism and American imperialism. 
In The Sexual Politics of the Empire: Postcolonial Homophobia in Haiti (University of Illinois Press, 2023), author Erin L. Durban shows two discourses dominate discussions of intervention. One maintains imperialist notions of a backward Haiti so riddled with cultural deficiencies that foreign supervision is necessary to overcome Haitians’ resistance to progress. The other sees Haiti as a modern but failed state that exists only through its capacity for violence, including homophobia. In the context of these competing claims, the book explores the creative ways that same-sex desiring and gender creative Haitians contend with anti-LGBTQI violence and ongoing foreign intervention.
As the episode neared its conclusion, Erin took a moment to shine a spotlight on the vital efforts of various organizations operating within Haiti, emphasizing the significance of their work and expressing a keen interest in bringing their endeavors to the forefront. The aim was not only to acknowledge these organizations but also to explore avenues through which individuals could offer their support, be it through donations, volunteering, or simply by raising awareness about their commendable efforts. These entities represent just a fraction of the many groups making a difference in Haiti, and include:

1. The Haitian Studies Association: An organization dedicated to scholarly research and academic excellence concerning Haiti and its diaspora.

2. The Lambi Fund of Haiti: A group focused on supporting economic justice, democracy, and sustainable development in Haiti through grassroots initiatives.

3. Partners In Health (PIH) in Haiti: A healthcare organization committed to bringing high-quality health care to some of Haiti's most remote areas.

4. Association of Haitian Women in Boston: An organization aimed at empowering Haitian women by providing them with resources to achieve social and economic stability.


Erin L. Durban is an associate professor in the Department of Anthropology at the University of Minnesota–Twin Cities, affiliated with American Studies; Gender, Women, Sexuality Studies; and the Center for Race, Indigeneity, Disability, Gender, and Sexuality Studies. Their scholarship works at the intersections of interdisciplinary feminist and queer studies, transnational American studies, critical disability studies, and critical ecologies.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
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Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library’s Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani.
Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee.
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Kareem Khubchandani’s book Decolonize Drag (OR Books, 2024) explores the intricate interplay among gender, colonialism, and drag performance. It illustrates how gender serves as a tool of colonial governance, stifling diverse forms of expression, while also delving into how contemporary drag both mirrors and disrupts these entrenched institutional hierarchies. Through the lens of select performers, Khubchandani unveils how they use their art to satirize, deconstruct, and resist colonialism and the manifestations of white supremacy embedded within society. Central to the narrative is Khubchandani’s drag alter ego, LaWhore Vagistan, whose firsthand experiences shed light on encounters with depoliticized iterations of drag that fall short of its transformative potential, leaving her disheartened and bewildered. Decolonize Drag advocates for the proliferation of more inclusive and accessible avenues for gender expression while also contemplating how the meaning and impact of drag evolve across different social and geographical contexts.
As an educator, scholar, and performer, Dr. Kareem Khubchandani channels his expertise and passion within feminist, queer, and trans aesthetics, with a focus on South Asia and its diaspora. Khubchandani is an associate professor in theatre, dance, and performance studies at Tufts University.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.
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Until Jessica Hinchy’s latest book, Governing Gender and Sexuality in Colonial India: The Hijra, c.1850-1900 (Cambridge University Press, 2019), there was no single monograph dedicated to the history of the Hijra community. Perhaps this silence can bear the loudest testament of the marginalization this gender non-confirming community was subjected to under British colonial rule. This book is, therefore, important not only because of its efforts to humanize and situate this community amid the anxieties and hubristic ambitions of colonial rule, but also because it documents the ability many Hijras have to preserve in spite of systematic policing and criminalization. More importantly, perhaps, Jessica Hinchy reveals that the Hijras’ were not just surveilled or marginalized; British colonial authorities ultimately aimed to eradicate and eliminate the community entirely.
Jessica Hinchy is Assistant Professor in History at the Nanyang Technological University, in Singapore. Her research examines gender, sexuality and colonialism in India. In addition to studying the history of the transgender Hijra community under British colonial rule, Dr. Hinchy has also explored problems related to slavery, masculinity, and indirect colonial rule in India through several publications on Khwajasarai eunuch-slaves. She has also investigated the history of childhood, in particular in relation to sexuality and slavery.
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Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914.
Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art.
Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review.
Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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