121 episodes
Radiotopia Presents Radiotopia
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- Society & Culture
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4.3 • 895 Ratings
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Radiotopia Presents premiers short multi-episode series in one podcast feed, unified by bold, inclusive storytelling pushing the boundaries of audio.With Radiotopia Presents, we’re reaffirming and doubling down on our commitment to supporting independent creators and their ownership of their intellectual property. Because creators own their content, they can pursue additional paths after a series debut, including adaptations and spinoffs of their work. Each series is developed in partnership with independent producers who received financial, production, and promotional support from Radiotopia to bring their idea to the widest possible audience.Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.
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Shocking, Heartbreaking, Transformative 1 - Just a Girl with a Microphone
Jess used to think making documentaries was good for her subjects and good for the world. But she’s not so sure anymore. With this series, she's throwing out the old rules of documentary production and trying out some new ones.
Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Jess’s bibliography is available here.
Support for this project was provided in part by the International Women’s Media Foundation. Special thanks to Eleanor McDowall and Chioke I’Anson.
For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It’s a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.
Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm. -
Shocking, Heartbreaking, Transformative 2 - The Grimy Stuff
Jess begins by documenting Ernesto, a 20-year-old, newly sober fashion model. The plan is to pay Ernesto and let him be in charge of the story he wants to tell in the documentary. Things go sideways when Jess and Ernesto grapple with what will need to be cut out of Ernesto's life to turn it into a viable media product.More about Pooja Rangan’s book Immediations HERE.Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Jess’s bibliography is available here.Support for this project was provided in part by the International Women’s Media Foundation. Special thanks to Eleanor McDowall and Chioke I’Anson.For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It’s a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.
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Shocking, Heartbreaking, Transformative 3 - Win-Win
Jess makes a deal with Judy, an unhoused senior. Judy will let Jess document her, and Jess will help Judy resolve some of her ongoing life problems. As Jess gets sucked into Judy's crises, the rest of the series starts to slip and Jess’ relationships with her other subjects get messy. Jess starts to doubt the premise of this entire undertaking.Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Jess’s bibliography is available here.This reporting was supported in part by the International Women’s Media Foundation’s Howard G.Buffett Fund for Women Journalists.Special thanks to Eleanor McDowall and Chioke I’Anson.For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It’s a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.
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Shocking, Heartbreaking, Transformative 4 - Feedback
With only a few months till launch, Jess plays a draft of the series for her subjects and gives them an opportunity to request major changes.
Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Jess’s bibliography is available here.
This reporting was supported in part by the International Women’s Media Foundation’s Howard G.Buffett Fund for Women Journalists.
Special thanks to Eleanor McDowall and Chioke I’Anson.
For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It’s a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.
Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm. -
Shocking, Heartbreaking, Transformative 5 - Release
After Jess receives feedback that throws a major wrench into her production schedule, she has to make some tough decisions.
Shocking, Heartbreaking, Transformative is written, hosted and produced by Jess Shane. Sara Nics is the story editor. Sound design, mix/mastering by Michelle Macklem. Production support from Mona Hassan. Cover art is by Justin Broadbent. Jess’s bibliography is available here.
This reporting was supported in part by the International Women’s Media Foundation’s Howard G.Buffett Fund for Women Journalists.
Special thanks to Eleanor McDowall and Chioke I’Anson.
For Radiotopia Presents, Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It’s a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.
Learn more about Shocking, Heartbreaking, Transformative at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.
We’d like to thank the extended Shocking, Heartbreaking, Transformative team, without whom you may not have heard about this project. For PRX marketing: Gretchen Borzi, David Cotrone, Sher Delva, Apu Goteh, and Maggie Gourville. For PRX sponsorship: Audrey Davidson, Melissa Garcia-Houle, Carolyn Willander, and Jeanne Yeh.
This series was possible thanks to Ernesto, Michael, and Judy, whose vibrant souls could never fit into the confines of any series.
Most of all, thank you for listening. -
Points of Egress from Love + Radio
Back in 2017, Shocking, Heartbreaking, Transformative host/producer Jess Shane made “Perfect Woman”, an episode of Love Me, the CBC podcast. In 2018, Nick van der Kolk made “Points of Egress” for his show, Love + Radio, inspired by “Perfect Woman”. Today, we come full circle to share “Points of Egress” with you. Listen to the end for Jess’s version of the credits.
Customer Reviews
This one really made me think
This is a very well made podcast that addresses ethics in documentaries and ultimately asks the listener, “what makes you keep listening to someone’s story?” I will be thinking about these questions for a long time.
Producer tells subjects she’ll make series about them, uses their stories to make it about herself
In episode 4, Jess tells her three sources that episodes 2 and 3 are about them. This is not, in fact, true. None of this series is about them. Their stories are simply fodder to tell Jess’s own story. The fact that she isn’t transparent about this with the three of them or even with herself ultimately leads to her unwitting exploitation of three vulnerable individuals, and an experience that leaves the listener shocked at her utter lack of self-awareness.
Def not shocking or transformative
I listened bc I wanted to like it but the more I listened, the more I became annoyed with the narration and banal insights. The stories shared were not very interesting and neither were the insights shared.
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