Artists Telling Stories Studio Aesculapius

Josephine Sacabo’s art seeks transcendence and connection. She eschews any chasing after artistic fashion in favor of diving into what she loves. In this way she connects with those who view her work. The many layers of her work evoke layers of being, some disturbing, yes, but ultimately transcending such disturbance to “come full circle” with compassion and beauty.Artists Telling Stories Podcasts feature the stories of artists and the art of stories. We seek the personal st...

In this extended trailer, please join Austin Tichenor, Aline Smithson, Joe Harjo, Vincent Valdez, Jay Tolson, Alicia Olatuja, and Jim Lavilla-Havelin in discovering the importance of stories, the language of our humanity, and the transformative power of art. Artists Telling Stories Podcasts draw out human stories in the hope that in their telling, artists will offer a new story of our shared humanity, bringing all of us closer together. Join us for a new season in 2024!Artists Telling Stories...

Jim Lavilla-Havelin has written six collections of poetry, with several more in the works. His work has been anthologized widely, and he has been nominated for Poet Laureate of Texas, where he has lived for the last few decades. This episode of Studio Aesculapius is different. Jim reads three poems and has a wide-ranging discussion with co-host, Eddie Dupuy: about the poems, about poetry, about art and activism, about language and knowing and finding patterns, about the human desire to ...

Joe Harjo says he didn’t have “access to seeing ‘artist as profession,’” while he was growing up in Oklahoma as a member of the Muscogee (Creek) nation. When he told a guidance counselor in high school that he wanted to teach, the counselor rebuffed him. When he said he wanted to be an artist, he got a similar response. Now he’s both artist and teacher, and his work tries to counter misrepresentations of Native peoples in popular culture. After a particularly difficult year of isolation, an i...

Aline Smithson was always drawing as a child growing up in Los Angeles. After a stint as a large format painter, Smithson went to New York for 10 years, working in fashion. She returned to LA, took a class in photography and realized she “could use the camera to make art.” She had found her “visual voice,” and now, as a teacher for more than 20 years, savors the moments she sees that voice arise in her students. Smithson is one of the most recognized names in photography, not only because of ...

Adriana Corral credits both sides of her family for her interest in art. Her father's side had several physicians who invited her to see their work of healing and who gave her a strong sense of the body. On her mother's side were an aunt and uncle who opened to her ideas of social justice. Like her place between her father’s and mother’s families, Corral sees between spaces as “where vital content exists.” She invites those who view her installations to do so “bodily.” Looking up, looking dow...