Tales from the Potts House: William Hope Hodgson Paul R. Potts

In the spring of 2020, while stuck in isolation due to the COVID-19 pandemic, I began experimenting with streaming live audio to Twitch. I wanted to mix, chop, and screw with Creative Commons-licensed music live while reading weird fiction no longer restricted by copyright. My elderly Mac Pro from 2008, connected to even older audio interfaces and a Reloop Mixage Controller Edition USB DJ controller, running El Capitan and old versions of Traktor and Logic, gave me endless troubles. I originally wanted to use MainStage, but it would not behave reliably for me at all and I had to give up. Audio was glitching occasionally, but I kept the setup limping along long enough to finish this live reading. This is a challenging story to read aloud, as much of it is in the form a single monologue of extremely long sentences that flow together into extremely long paragraphs in a hypnotic, stream-of-consciousness style. Because there is continuous background music, no editing was possible. Enjoy!

A captain returns to his home town and the woman he loves after twenty years on the high seas.

A ship at sea in the dead of night is hailed by a solitary figure in a small boat. Who is he, and why does he refuse to allow the crew to see him?

The good ship Seabird is repaired, and all aboard her long to see England once agan. A vicious fight with the weed men claims one final victim before the ship is finally free of the Land of Lonesomeness. The friendships forged in that strange land will not be quickly forgotten. The music is by Samsa, from the album "The Laurentian Divide," and by PHOLDE, from the album "In Favor or More Permanent Pleasures."

Aboard the ship, the men use long reeds from the island to help push the weed aside, and as the line is tightened the ship inches ever closer to the island. Our narrator and Mistress Madison find that they are in love, and at last the ship pulls itself free of the weed and into open water! The music is by Adaptcore, from the album "Sunset After Wind," and by Formication, from the album "Pieces for a Condemned Piano."

The narrator rides aross the rope to the vessel in the weed. There he meets the dead Captain's wife and young niece, Mary Madison. But the rope line is already beginning to show signs of fraying, and so it is too risky for the narrator to return to the island. Can the hulk pull itself free from the weed before the rope breaks? The music is by Samsa, from the album "Sounds Good on Paper."