Team Deakins James Ellis Deakins, Roger Deakins

Wake up! Today’s Team Deakins Podcast forecast: costume designer Ruth E. Carter (MALCOLM X, BLACK PANTHER, LOVE & BASKETBALL). In an insightful conversation, Ruth shares how she integrated 3D printing into the design and production of costumes for BLACK PANTHER: WAKANDA FOREVER and how she collaborates with the visual effects department to augment her designs. Ruth also reveals how she intuits a director’s potential reaction to costume ideas based on how they themselves dress. Finally, we clarify what are and are not a costume designer’s responsibilities, and Ruth advocates for the increased participation of the costume designer in pre-production and post-production. 
 
You won’t regret listening to this episode, “and that’s the double truth, Ruth!”
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This episode is sponsored by TrueCut Motion

Team Deakins is happy to have cinematographer Patrick Tresch (MY ENGLISH COUSIN, DIRTY GOLD WAR, MOTHER LODE) on today’s new episode of the podcast. We discuss gaining a documentary subject’s trust in the early stages of a project and the difficulties of filming someone who intellectually agrees to be filmed but subconsciously resists. Patrick also shares the insight he gained into how people relate with their environment after filming the indigenous peoples of the Amazon, and he reveals what it took to make his mother finally understand what it is exactly he’s doing. Enjoy the episode!
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This episode is sponsored by TrueCut Motion

Team Deakins is happy to host actor Peter Sarsgaard (THE BATMAN, BOYS DON’T CRY, JARHEAD) on today’s new episode of the podcast. Peter shares the types of projects he prefers to work on and the different forms of direction he finds effective. We learn how he became involved in THE BATMAN, and he recounts the grueling six-day-long shoot he survived to capture his pivotal scene in the film. We were so happy to speak with Peter, and we hope you enjoy what he has to say!
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This episode is sponsored by TrueCut Motion

Team Deakins is glad to welcome back sound mixer Stuart Wilson (THE BATMAN, THE RISE OF SKYWALKER, SPECTRE) to discuss his wonderful work on THE BATMAN. Stuart shares how his team used the film’s costumes to their advantage when miking the actors, and we learn how they utilized Catwoman’s wigs to hide mics when the catsuit often offered no other options. We also learn how Stuart juggled a myriad of mixes simultaneously to facilitate communication between the actors and the director between and during takes. We hope you enjoy the episode!
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This episode is sponsored by TrueCut Motion

Team Deakins speaks with cinematographer Russell Carpenter (TITANIC, TRUE LIES, AVATAR: THE WAY OF WATER). We wade through the years-long process of shooting AVATAR: THE WAY OF WATER, and Russell describes the unique environment James Cameron created to realize the film. We compare working on smaller, less effects-heavy projects with the contrary and discuss the joys of knowing what you got on the day and the immediacy of that type of filmmaking. Enjoy!
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This episode is sponsored by TrueCut Motion

Team Deakins is happy to share our conversation with writer, director, and novelist Caroline Thompson (EDWARD SCISSORHANDS, BLACK BEAUTY, THE NIGHTMARE BEFORE CHRISTMAS). We talk about the life of a screenwriter and the commitment Caroline demonstrated throughout her career. Towards the end of our conversation, Caroline also shares some straightforward advice for young screenwriters and filmmakers. Enjoy the episode!
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This episode is sponsored by TrueCut Motion