What Does The Future Hold for "AE's" In the Age of "AI"? | LACPUG Panel Optimize Yourself

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Artificial intelligence is rapidly advancing and causing a stir among creative professionals that ranges from excitement at new possibilities to fear of rendering jobs redundant and unnecessary.
As the responsibilities of assistant editors have morphed into highly technical tasks over the years, a disconcerting question emerges: are their roles at risk of being assumed by AI?
At last year's LACPUG, I was honored to be the moderator of a panel that talked about this very topic. The distinguished panelists were Ashley McKinney, Assistant Editor (Gotham Knights, Shooter, The Last Movie Star); Scott Jacobs, Assistant Editor (Guardians of the Galaxy Vol. 3, Ant-Man and the Wasp: Quantumania, WandaVision, The Orville); and Richard Sanchez, Visual Effects Editor (Ahsoka, Bill & Ted Face the Music, She-Hulk: Attorney at Law).
Whether you are an assistant editor or any creative professional in any industry, this conversation applies to you. AI is not going anywhere and the more we understand how it impacts every job and person we interact with, the more we can adapt and grow with it. Join us for a candid conversation about what this paradigm shift means for all creative professionals. This is a discussion you won't want to miss and I am immensely grateful to LACPUG for allowing me to publish it here.
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Here's What You'll Learn:Why it’s important to say Assistant Editor as opposed to AEShould we allow AI into the creative workflow?Where AI can be dangerous in the workflow and what we can do to avoid thatThe MovieLabs 2030 Vision Initiative and how it affects the assistant editors' worldEfficiency versus effectiveness and which one should you focus on moreWill there be a new path to becoming an editor?Understanding the limitations of AI and using that as leverageHow to protect your boundaries in the midst of efficiency brought about by AIWhere you can start to learn more about AIThe essential skills you need to develop to become irreplaceableUseful Resources Mentioned:EditFest 2023: Exploring the Impact of Artificial Intelligence on the Art of Editing
The 2030 Vision Initiative (MovieLabs)
Continue to Listen & LearnEp249: OpenAI’s Chad Nelson on How Artificial Intelligence Could Shape the Future of Creativity, Collaboration, and How We Can Survive
Ep222: Is Artificial Intelligence Coming for Your Job? Maybe…and Here’s How to Prepare | with Michael Kammes
Ep221: How to Be an Irreplaceable Creative in the Emerging World of Artificial Intelligence | with Srinivas Rao
Ep214: What Creativity Is, How It Works, and the Laws to Learning It | with Joey Cofone
Ep212: The Science of Storytelling, Why We Need Stories, and How to Rewrite Our Own | with Will Storr
Ep246: Building a Career Beyond Your Job Title, Strategically Crafting Your Story, and Diversifying Your Career Portfolio | with Jeff Bartsch
Ep232: How to Future-Proof Your Creative Career, Avoid Burnout, and Build a Life Bigger Than Your Résumé | with Christina Wallace
Ep245: How to Reinvent Yourself, Pursue Your Dreams, and Change Careers at Any Age | with Marcelo Lewin
Ep231: How to Become Resilient In the Face of Change (and Manage an Identity Crisis) | with Brad Stulberg
Mastermind Q&A: How to Successfully Be a “Specialized Generalist” | with Michael Addis
Show Credits:This episode was edited by Curtis Fritsch, and the show notes were prepared by Debby Germino and published by Glen McNiel.
The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).