E7: Katie Tavini. The realities of work as a mastering engineer and educational experiences Sound Learnings

A podcast about Education in Audio, Music Production, and Music Technology.
Katie Tavini is a Mancunian mastering engineer with credits that include Emeli Sandé, Arlo Parks and the Royal Philharmonic Orchestra. We spoke to this highly in-demand master engineer almost two years ago (and yes, sorry! It has been that long, but we have some more great chats to drop before the end of the year). The conversation is worth the wait, flowing from the requirements of sound engineering, the differences in the profession from classical to pop, from German contexts to British ones, and from London to the North and back to the South. Her versatility in her engineering practice is just as versatile as the locational contexts. Liking a challenge, she has travelled from being a violinist to an in-demand mastering expert, navigating different technologies through the years as well as mastering for different media channels. On top of this, she has started her own creative mastering collective, Weird Jungle. She shares with us some fascinating insights and unmissable advice.
Joining us as usual at our roundtable in this episode is host and tech developer Tim Canfer, music producer and academic Russ Hepworth-Sawyer and Carola Boehm, Professor of Arts and Higher Education at Staffordshire University.
Links and Sources:
Katie Tavini’s Homepage: https://www.katietavini.co.uk/Katie Tavini at Steinberg: https://www.steinberg.net/stories/katie-tavini/Weird Jungle: https://www.weirdjungle.com/
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