HEAVY Music Interviews

HEAVY Magazine

All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

  1. Watts The Big Idea? LIME CORDIALE’s Biggest Experiment Yet

    5 HRS AGO

    Watts The Big Idea? LIME CORDIALE’s Biggest Experiment Yet

    Interview by Ali Williams Some bands talk about changing the world. Others actually try to rewire the power source.  When HEAVY’s Ali Williams caught up with Lime Cordiale’s Ollie Leimbach, he was literally on the floor, charging his laptop somewhere five hours north of Sydney. Very rock ’n’ roll. Very Northern Rivers. Very “I may or may not be barefoot and slightly stinky.” Which, frankly, checks out.  Between laughs about weather patterns and mild coastal smugness, Ollie casually dropped the fact that Lime Cordiale are putting the finishing touches on album number four . Not that they’re rushing it. “We’re not a three-week studio band,” he admits. This one’s only taken about a year. Growth. Maturity. Slightly less agonising perfectionism.  But the real headline here isn’t just new music. It’s Lime Green Festival, their upcoming off-grid, battery-powered, 5,000-capacity experiment-slash-party happening April 18 off the coast of Adelaide . Yes, battery powered. As in, no diesel generators chugging away backstage. As in, the band is fully prepared to risk a blackout mid-set in the name of progress.  Bold. Slightly terrifying. Excellent content.  The Lime Green concept was born out of a crisis of conscience. During COVID, the band were working on a farm on the Mid-North Coast, diving into regenerative agriculture and learning how to reduce their footprint. Then touring came back. Planes. Diesel buses. Global laps. Cue existential whiplash.  Rather than retreat into eco-guilt or write twelve reggae protest songs (no dreadlocks involved, he promises), Lime Cordiale decided to tackle the industry from within. Their approach is refreshingly non-preachy. No finger wagging. No “stop living your life.” Just practical shifts.  They’ve trialled biodiesel buses in Europe, slashing touring emissions by around 98 percent. They’ve put a dollar from every ticket toward environmental causes they genuinely connect with. In Adelaide, that means supporting awareness around the current algal bloom crisis devastating local waters . Dead fish, stinging water, beaches people can’t swim in. Not exactly tourism brochure material.  The Lime Green Festival, though, is the big swing. Fully off-grid. Fully battery-powered. A case study in proving that you can run a major event without defaulting to fossil fuel generators. The battery companies are confident. The production crews are cautious. Ollie seems almost excited about the possibility of chaos. “If there is a blackout halfway through, that’s part of the journey,” he shrugs .  That’s the spirit. Punk rock, but with renewable infrastructure.  The lineup includes The Dreggs alongside Adelaide locals Alexia, Pash, and a Triple J Unearthed winner . Capacity sits at 5,000, which would make it Australia’s largest fully battery-powered festival to date . Casual.  Beyond the headline tech flex, Lime Green will feature practical green initiatives: better waste sorting, encouragement to bring reusable bottles, conscious messaging. Not exactly radical ideas, but when you’ve ever seen a post-gig floor that looks like a plastic tornado hit a bar fridge, you understand why it matters.  Throughout the chat, Ollie keeps circling back to one core idea: don’t shame people into change. Don’t demand everyone bin their petrol cars tomorrow. Replace things when they break. Upgrade when it makes sense. Let progress feel possible, not punitive. It’s a refreshingly pragmatic take in a space that often devolves into moral Olympics.  At the end of the day, Lime Green will still be what everyone actually shows up for: good music, a crowd, and a reason to forget your inbox for a few hours. The difference is that it might also quietly prove that the industry can do better without killing the vibe.  Album number four is brewing. The future might be battery powered. And if the lights flicker mid-chorus on April 18, at least you’ll know you’re witnessing a social experiment in real time. Tickets for Lime Green Festival are available now at limegreenfest.com Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    20 min
  2. NOTHING: Confronting Decay And Chasing the Uncomfortable

    5 HRS AGO

    NOTHING: Confronting Decay And Chasing the Uncomfortable

    Interview by Angela Croudace In conversation with Dominic (Nicky) Palermo, the driving force behind Nothing, it’s clear that A Short History of Decay isn’t just another chapter for the long-running shoegaze outfit, it’s a reckoning. Described as their most emotionally direct release to date, the record finds Palermo shedding vagueness in favour of brutal self-examination. “I just had to look at myself in the mirror a little bit more,” he admits. Time away from the relentless album-tour cycle forced reflection on family, identity and the distractions that once kept deeper truths at bay. The result is a body of work that feels less like therapy and more like confrontation. Borrowing its title from Romanian philosopher Emil Cioran’s book of the same name, the album also draws inspiration from William H. Gass’s novel The Tunnel, literature steeped in guilt, introspection and uncomfortable honesty. Palermo also carried a stark line from ancient philosopher Anaxagoras with him throughout recording: “The descent to hell is the same from every place.” It became a kind of thesis statement, there's no holding back with this record. Sonically, singles like Toothless Coal push into industrial territory, reflecting a band no longer trying to fit neatly into any box. After 15 years, Nothing still thrives in that tension; not heavy enough for some, not soft enough for others. And for Australian fans? Palermo hints there’s a strong chance we’ll see Nothing return this year — perhaps even for a festival slot. If this turns out to be true, you heard it here first! Fingers crossed. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    19 min
  3. Fast, Feral and Fully Hatched: MEDIA PUZZLE Join REGURGITATOR For JUKEBOXXIN Tour

    18 HRS AGO

    Fast, Feral and Fully Hatched: MEDIA PUZZLE Join REGURGITATOR For JUKEBOXXIN Tour

    Interview by Ali Williams Generally speaking, bands spend years in rehearsal rooms crafting a “carefully curated sonic identity.” Others however, make an EP in a uni dorm room in a single day just to “see what happens”. Meet Tom, the founding member of Lismore’s Media Puzzle, who definately falls in the latter category.  In this week’s chat with HEAVY Mag's Ali Williams, Tom proves that sometimes the best things start as a joke and spiral wildly into something very real. What began as a one-man experiment with a drum machine and a “let’s just put it out and see” attitude quickly snowballed into a full five-piece outfit reverse-engineering lo-fi chaos into tight, high-energy live shows .  Tom describes Media Puzzle as falling somewhere under punk, synth punk and the wonderfully unserious label of “egg punk.” Yes, egg punk. It’s fast, scrappy, lo-fi, and occasionally powered by a drum machine that had to be dragged from bedroom obscurity into full band reality . The early worlds of Media Puzzle had no band at all, it was just Tom in his bedroom with a laptop, guitar ,drum machine he could use with synth samples. After showing his one day work of art to his friends, they loved it and wanted in. Tom found himself pulling apart his own recordings, rebuilding them piece by piece like some musical Rubik’s Cube. ranslating bedroom experiments into something a five-piece could detonate onstage .  There’s something beautifully chaotic about having to reverse engineer your own songs because you can’t quite remember how you made them in the first place. Most bands polish demos. Media Puzzle disassemble them like they’re defusing a bomb.  Their upcoming run supporting Regurgitator is a genuine full-circle moment for the band. Ten shows across Ulladulla, Canberra, Albury, Melbourne, Brisbane, Sydney and Bathurst are locked in , kicking off March 13 , marking their first proper tour invite and easily their biggest leap so far . For a few members, it’s poetic. Bassist Kelly once snuck into a Regurgitator show at 16 . Now she’s sharing the bill. That’s not just ironic nostalgia. That’s rock and roll karma doing its job.  The timing couldn’t be better. Media Puzzle are dropping a new album around the same time the tour kicks off . According to Tom, it’s a step in a “somewhat different direction” while still sounding like them, which in Media Puzzle terms probably means faster, weirder and somehow tighter all at once.  The interview drifts into everything from the widely recognised, now redundant Southern Cross University’s Bachelor of Contemporary Music that helped shape Tom and a generation of musicians drawn to the Northern Rivers, to the glamorous reality of balancing band life with a day job at Bunnings. Rock and roll might be chaotic, but sausage sizzles keep the lights on.  What makes Media Puzzle compelling isn’t just the genre-blending, DIY approach or the scrappy origins. It’s the freedom. Tom describes the project as something without rules, a space to try anything and learn in public . In an industry obsessed with strategy, that kind of creative recklessness feels refreshing.  From dorm-room experiment to national tour support for one of Australia’s most iconic alternative acts, Media Puzzle are no longer just “seeing what happens.” They’re making it happen. And come March 13, they’ll be doing it loud, fast and proudly egg-shaped.  For more info and links to tickets for all of Regurgitators Jukeboxxin Tour head to https://www.regurgitator.net/blog Tell ‘em ya mum sent ya and they'll tell you she loves it. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    11 min
  4. Unburdening The Truth With DAVID SIMONICH From SIGNS OF THE SWARM

    1 DAY AGO

    Unburdening The Truth With DAVID SIMONICH From SIGNS OF THE SWARM

    American deathcore outfit Signs of the Swarm are widely regarded as deathcore's most ferocious bands. After recently completing a sold out US tour to celebrate ten years as a band, Signs Of The Swarm have now set their sights on Australia, heading Down Under for a string of shows with Born Of Osiris in March. Over six studio albums - the most recent of which being last years To Rid Myself Of Truth - Signs Of The Swarm have embedded themselves in the upper echelon of metal bands worldwide, with an unrelenting presence and dynamic output that looks set to dominate well beyond their current decade of dominance. HEAVY caught up with frontman David Simonich to find out more. We question David about their ferocious reputation and ask if it is a badge of honour worn proudly by the band. "Absolutely," he smiled. "I feel like that we bring an attitude that a lot of people can't imitate because it's very organic. We just try to be ourselves and that's just the energy that conveys of us being ourselves, you know? Good old American deathcore, brother." With the band recently celebrating ten years together, we take the opportunity to ask David what sorts of things he has learnt about himself and his music over the journey. "There's been a lot of learning curves professionally and musically," he measured, "always figuring out, like, sometimes you have to find the right balance of what you want to do and what your fans will like, where you'll be happy to play it for 10 more years. You know what I mean? So there's some songs on other records where I'm like, man, I hope I never have to play that one. Just my head was in the wrong place at the wrong time, you know?" In the full interview David answers the last question in more detail, talks about touring with Born Of Osiris and what fans can expect from the shows, celebrating ten years, how Signs Of The Swarm have grown as a band, how their live show has expanded since the last Australian tour with Within Destruction in 2022, some funny tales from that tour and more. BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour Dates Wednesday 18th March ADELAIDE, Lion Arts Factory Thursday 19th March MELBOURNE, Max Watts Friday 20th March BRISBANE, Brightside Outdoors Saturday 21st March SYDNEY, Manning Bar   Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    13 min
  5. Burning Up With DAN MARSALA From STORY OF THE YEAR

    3 DAYS AGO

    Burning Up With DAN MARSALA From STORY OF THE YEAR

    U.S rock/metal outfit Story Of The Year exploded onto the scene with their groundbreaking debut Page Avenue, one of the first albums of its kind to sell over a million copies. The breakout single “Until the Day I Die” quickly became both an enduring anthem and a mission statement for the band. What began as four friends working in a St. Louis pizza joint evolved into a movement, connecting deeply with fans through every era. From Page Avenue (2003) to In the Wake of Determination (2005), The Black Swan (2008), The Constant (2010), Wolves (2017), and Tear Me to Pieces (2023) the band, comprised of Dan Marsala, Ryan Phillips, Josh Wills, and Adam Russell, has delivered a signature blend of melodic aggression, raw vulnerability, and anthems built to scream along to in the dark. And, fans will be pleased to confirm, Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band's signature sound and raw, personal lyricism - elements that have earned the band a dedicated global following. An acronym for “All Rage, Still Only Numb,” the album channels their trademark energy into a powerful exploration of anxiety, emotional turmoil and inner darkness. With a dynamic blend of modern post-hardcore, polished production, and nods to their emo roots, A.R.S.O.N. delivers a compelling, storied sonic journey through the fight of Story Of The Year to make it through this life. HEAVY recently caught up with vocalist/drummer Dan Marsala to find out more, running through our review of the album track by track and listening to his thoughts on our thoughts... Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    17 min
  6. Memoirs Of A Metal Warrior With DAVID GUNN From KING 810

    3 DAYS AGO

    Memoirs Of A Metal Warrior With DAVID GUNN From KING 810

    Hailing from America's Rust Belt, hardened nu-metal underdogs KING 810 have built a towering sonic reputation around themes of poverty, crime and the real-world experiences linked to their hometown of Flint, Michigan. Unleashing their debut album Memoirs of a Murderer in 2014, KING 810's maiden LP reached #18 on the Billboard Top Hard Rock Albums charts and #8 on the Billboard Top Heatseekers charts, with the group since forging their own path as an independent band through numerous albums. Earlier this year, KING 810 unveiled two palpitating releases, Rustbelt Nu Metal and K7 Rustbelt Nu Metal 2, with both LPs captured in front of a live audience in compelling and rambunctious fashion, and a promised third album in the Rustbelt series still yet to come. A band renowned for never holding back when it comes to their performances, KING 810 surge with chaos and intensity in a live setting, balanced with raw catharsis and an unwavering audience connection driven by lead vocalist David Gunn. And while often perceived as controversial due to the reality of their lives spent growing up on the streets of a deeply troubled city, the band's balance of heavy discomfort and spiritual insight has led to them becoming seasoned festival performers, with the likes of Download Festival, Rock am Ring in their wake, along with their own acclaimed headline shows and sharing stages with many of the scene's elite, including Korn, Slipknot and Alpha Wolf.  Previously appearing at the final edition of Soundwave in 2015, KING 810 also most recently toured Australia in 2024, supporting In Hearts Wake, with Everblack Media noting of their Brisbane support slot: "for a band who has not been to Australia in over 10 years, they certainly got a warm welcome back with the crowd moshing to every song". But in 2026, it's headline prime-time for the ferocious quartet; and KING 810 will not be pulling any punches. HEAVY spoke with Gunn to find out more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    17 min

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All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.