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Secret Life of Books

Sophie Gee and Jonty Claypole

Every book has two stories: the one it tells, and the one it hides.The Secret Life of Books is a fascinating, addictive, often shocking, occasionally hilarious weekly podcast starring Sophie Gee, an English professor at Princeton University, and Jonty Claypole, formerly director of arts at the BBC. Every week these virtuoso critics and close friends take an iconic book and reveal the hidden story behind the story: who made it, their clandestine motives, the undeclared stakes, the scandalous backstory and above all the secret, mysterious meanings of books we thought we knew.-- To join the Secret Life of Books Club visit: www.secretlifeofbooks.org-- Please support us on Patreon to keep the lights on in the SLoB studio: https://patreon.com/SecretLifeofBooks528?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkinsta: https://www.instagram.com/secretlifeofbookspodcast/youtube: https://www.youtube.com/@secretlifeofbookspodcast/shorts Hosted on Acast. See acast.com/privacy for more information.

  1. Middlemarch Book 6: you've lost that lovin' feelin'

    23 HRS AGO • SUBSCRIBERS ONLY

    Middlemarch Book 6: you've lost that lovin' feelin'

    We’ve made it to Book 6 – The Widow and the Wife – and we’re catching first glimpses of the Middlemarch finish line, with just two books to go, after this. Mr. Casaubon and Mr. Featherstone are dead and buried, their difficult legacies have been revealed, and our protagonists and other Middlemarchers are adjusting plans accordingly. The widow of this week’s book, Dorothea, decamps from Freshitt Hall, where she’s been staying with her sister, Sir James and their delightful but boring baby Arthur, returning to Lowick. Ostensibly it’s so she can do good work in collab with Mr. Farebrother (her new-ish vicar) — but as she secretly acknowledges to herself — it’s really in hopes of seeing Will Ladislaw. The wayward Fred Vincy, meanwhile, is getting his act together after learning from Mr. Farebrother that Mary Garth is keen on him after all, provided he doesn't become a clergyman. So in a gutsy break with family expectations, Fred asks Mr. Garth for a job as an assistant land-manager. Mr. Garth agrees, but Mrs. Garth is pissed and skeptical. Can Fred really change his lazy, entitled ways? The Lydgates find themselves in desperate need of a copy of Men are From Mars and Women are from Venus. Rosamond and Tertius are drifting, nay tearing apart, with Rosamond recklessly spending money and flirting with other men, and Lydgate desperately trying to dig himself out of debt. Conflict and mutual distrust escalate with each move either party makes. We see the railways starting to rip through the countryside, changing farming and country life forever. There’s a great comic set-piece at a furniture and fine art auction, with a sinister reveal at the end about Will Ladislaw’s parentage. Will manages to engineer not 1, not 2, but 3 dramatic farewell scenes with Dorothea. All the while, the Dickenian under-plot gathers pace around the emerging drama of Messers Bulstrode’s and Raffles’ shared dark past.

    55 min
  2. Toni Morrison 2: Song of Solomon

    3 MAR

    Toni Morrison 2: Song of Solomon

    Song of Solomon (1977) propelled Toni Morrison into mainstream recognition as a major American writer, not just of her own generation but all generations, past present and to come. Song tackled something close to the “whole” of African American history, weaving multi-generational stories that included Africa itself, the southern landscapes of plantation slavery and the Civil War, and the post-abolition north. It’s a family chronicle, focusing on the life story of the well-to-do Macon Dead III, aka “Milkman,” who grows from boy to man in 1930s and 40s Michigan. The book brilliantly combines mythology, history, domestic and magical realism.  Song of Solomon quickly became famous, expressing a growing awareness among American readers in the late 1970s that the Black civil rights movement of the past 3 decades was, at best, a partial success. One of Morrison’s signature qualities was to focus on writing about Black characters for Black readers, in ways that moved beyond the tropes, devices and storylines that white readers could understand and that previous generations of Black writers had been able to immerse themselves in,  In this episode, the second in our series on the great Nobel Laureate, we continue the story of how Morrison disrupted virtually all existing expectations about how a Black woman novelist would sound. In Song of Solomon she chose a male protagonist to retell a deep history of African cultural magic, annexing the names, stories and language of the Christian Bible to create a story that refuses to do anything that readers of other American retellings of biblical epics were expecting. Become a subscriber by signing up at Apple: http://apple.co/slob Or join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcast Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

    1h 2m
  3. Middlemarch Book 5: this goes to 11

    26 FEB • SUBSCRIBERS ONLY

    Middlemarch Book 5: this goes to 11

    We’re half way through Middlemarch and the plot twists are coming thick and fast. George Eliot had the confidence to call Book 5 The Dead Hand – audacious, given that every book would have been sold separately. But The Dead Hand it is, and readers brave enough to buy the volume were rewarded with many of the best scenes in the novel. The book opens with the first encounter between Dorothea and Rosmond Vincy, a high-drama scene worthy of Gossip Girl. Next up, and to most readers’ inexpressible relief, Mr. Casaubon drops dead from heart failure. It’s a twist many readers saw coming, but few will have anticipated the ultimatum he issues to Dorothea the night before he dies, and no one expects the shocking reveal about a secret change to his will. Book 5 gallops on, featuring medical dramas and political satires, culminating in the comic set piece of Mr. Brooke’s disastrous campaign speech. Mr. Farebrother, a SLOB favorite, finds his fortunes taking a major turn for the better, only to veer off track immediately when Fred asks him an impossibly awkward favor involving Mary Garth. Still not content, Eliot turns the screw yet again, and the final chapter of the Book is pure Dickensian melodrama. Nicholas Bulstrode the dreary banker has bought Stone Court from Peter Featherstone’s heir, having always wanted a country pile. But Raffles, a ghastly figure from Bulstrode’s past arrives unannounced, drunkenly demanding money. The reader is left guessing why Bulstrode, striken with fear, accedes. And why does Raffles, left alone in the parlor, suddenly remember the name “Ladislaw,” a man once married to a mysterious new character named Sarah?

    52 min
  4. The Other Bronte Girl: Anne Bronte's Tenant of Wildfell Hall

    24 FEB

    The Other Bronte Girl: Anne Bronte's Tenant of Wildfell Hall

    With all the fuss and fanfare around Wuthering Heights, we’re worried Emily Bronte is getting more than her fair share of attention. So today we shift the SLOB-light to her younger sister Anne, author of the remarkable The Tenant of Wildfell Hall, published in 1848. Anne wrote it in a whirlwind after the successes of Wuthering Heights and Jane Eyre, determined to prove herself a Bronte in talent and spirit. And though Anne is now the least celebrated of the Bronte trio, Tenant at the time of its publication it was considered the most shocking in the Bronte collective oevre. Anne had fearlessly pulled back the veil on marital infidelity, domestic violence, alcoholism, and the systemic torments of Victorian masculinity and marriage laws. Listeners will spot fascinating overlaps with many of the key scenes and motifs in Emily’s and Charlotte’s writing — like the fact Lord Huntingdon, the violent villain of Tenant, shares his initial with Heathcliff; that he sometimes bears an odd resemblance to Mr. Rochester, and that Wildfell Hall itself has the same initials as Wuthering Heights. But Tenant of Wildfell Hall is also uniquely its own creation, and today Sophie and Jonty get to work unpacking what makes it so extraordinary. To wrap this Bronte mini-series up we ask, should Tenant of Wildfell Hall be classed as peak Bronte, the equal of Wuthering Heights and Jane Eyre? And should Emerald Fennell be making Tenant the next stop on her raunchy, irreverent period adaptation-spree? Become a subscriber by signing up at Apple: http://apple.co/slob Or join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcast Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

    1h 7m

Trailer

4.8
out of 5
173 Ratings

About

Every book has two stories: the one it tells, and the one it hides.The Secret Life of Books is a fascinating, addictive, often shocking, occasionally hilarious weekly podcast starring Sophie Gee, an English professor at Princeton University, and Jonty Claypole, formerly director of arts at the BBC. Every week these virtuoso critics and close friends take an iconic book and reveal the hidden story behind the story: who made it, their clandestine motives, the undeclared stakes, the scandalous backstory and above all the secret, mysterious meanings of books we thought we knew.-- To join the Secret Life of Books Club visit: www.secretlifeofbooks.org-- Please support us on Patreon to keep the lights on in the SLoB studio: https://patreon.com/SecretLifeofBooks528?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkinsta: https://www.instagram.com/secretlifeofbookspodcast/youtube: https://www.youtube.com/@secretlifeofbookspodcast/shorts Hosted on Acast. See acast.com/privacy for more information.

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