Will Chat's featuring Albert and Gage | Christine Albert and Chris Gage Guests at 11/13/2015 Strings on Grass
Interview With: Albert and Gage, guests for Strings on Grass November 13, 2015 RSVP here. Listen here or podcast here. Interview Conducted By: Will Taylor Will: Christine Albert & Chris Gage are appearing with Strings Attached at our Strings on Grass series, coming up on November 13th—after being rescheduled two times because of rain in Austin!—So, we’re here to talk a little bit about the two of them, and some questions that I have pulled together, as well as some reflections that they have on working with Strings Attached. I hope this interview will get people excited about the show. The special thing about Strings Attached and our concerts, is that we have this one-time experience when we get together with singer-songwriters, and reimagine their music… sometimes to an extreme level. For instance, when we do Beatles tribute shows, we might reimagine the music in a completely different way than the original versions. Along with our ever popular cover shows, we love to collaborate with singer-songwriters in the Austin area,—like Eliza Gilkyson, Slaid Cleaves—which was the original direction our band took in the beginning, years ago. We bring to the table, certain things like jazz improvisation, or different vocal sounds, adding some color to the arrangements. We try to create a unique experience for people to come out and be intrigued. That’s the first thing that I wanted to talk about. If I remember correctly, we had a show about 10-15 years ago. Chris: Has is been that long? Christine: Yeah, I think so, I think it has. Will: Yeah, and it was at Saint David’s church, which is a beautiful space. Yeah, it’s a distant memory for me. I’m curious to see if you remember anything specifically about working with us… or anything in general about what we do. So yeah, my first question is: Was there anything notable about that performance? Chris: I just remember being thrilled to hear our songs envisioned by someone else. Like you said, everyone has a different take on music. Some people come from a more classical background, and some people have a little more jazz. You know, I do this gig at Strange Brew every week where I’m playing with somebody different every each time… it’s a lot of time the same songs, but each person is going to bring something different to it. And what you do with Strings Attached, is real inventive. And plus, you have a core group of people that do this a lot. And so they know what you’re thinking when you write an arrangement, and they can help you bring it to life. It’s just real exciting for me. Christine: Yeah, I think every artist has sort of a fantasy of hearing their music with strings or with an orchestra… more arranged in that way. For me, it brings an elegance to the music that we try to bring that to our performances at Don’s Depot. It’s not always there. Chris: Well, I turn on the string machine sometimes. (Christine laughs.) Christine: So especially at Saint Davids, and in that beautiful environment, it was almost mystical. And I imagine the Strings on Grass is a different kind of environment, but also brings a sort of natural, organic beauty to it that really compliments the music. Will: Exactly! Yes, that’s the same approach that we were taking with the original Strings Attached series in the church; was that context where people walk into it. It’s not just about hearing the music directly, but it’s the environment that you’re in. It really affects the emotional receiving of the song, or the music. So same thing, you’re right! With Strings on Grass, we’re in this beautiful, gorgeous yard with large trees, and there’s lights shining in the trees, along with the stars above. There’s something about hearing music in a natural setting. It’s very different from Saint David’s, but I think it’s very natural. You know, for instance, Karen and I love Kerrville (The folk festival). So there’s a little bit of a being-around-the-campfire
