Deadhead Cannabis Show Larry Mishkin, Rob Hunt, Dan Humiston, Jamie Humiston, PodConx

Adapting to the Grateful Dead Culture: Mark Karan discusses the welcoming yet challenging atmosphere stepping into a tight-knit group like the Grateful Dead.

Larry Mishkin is joined by special guest, Mark Karan, a musician well known in Grateful Dead circles. They discuss Mark's experience playing with "The Other Ones" after Jerry Garcia's passing, as well as his time with Ratdog and reflections on the dynamics within these groups. They touch on topics such as the challenges of stepping into Jerry Garcia's shoes, the camaraderie among band members, and the influence of substances on musical performance. Additionally, they explore the enduring legacy of Grateful Dead music and fan reactions to different types of songs performed in concerts. Mark expresses his frustration with some Deadheads' reluctance to embrace non-Grateful Dead music, emphasizing the band's eclectic influences and the importance of openness to new sounds.

"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"

Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.

"Neil Young's 2024 Tour with Crazy Horse: A Legendary Performance"

Larry Mishkin discusses the creation of the song "The Music Never Stopped" by Bob Weir and John Perry Barlow. Weir explains his collaborative process with Barlow, where they developed lyrics together over the phone, inspired by Barlow's description of a scene from Wyoming. Weir also reflects on the importance of lyrical and musical cohesion, and the song's debut and history of performances, including at venues like the Great American Music Hall and the Palladium. The discussion transitions to Neil Young's recent tour with Crazy Horse, highlighting the band's performance and Young's energy despite his age. He also mentions upcoming events and concludes with a focus on the Grateful Dead's performance of "St. Stephen" and other songs from 47 years ago.

Brent Midland's First Show 45 Years Ago Today RIP: Dickey Betts, A True Brother

Larry Mishkin begins with a discussion about the significance of April 20th (420 Day) and reminisces about a Grateful Dead concert from 45 years ago on April 22nd, 1979, which marked Brent Midland's first show with the band. He delves into Brent Midland's impact on the band and his musical contributions. He also touches on recent concerts by Phish and the Sam Grisman Project.

Later, there's a surprising revelation that Tucker Carlson is a Grateful Dead fan, and it reflects on the diverse fanbase of the band. Larry also mourns the passing of Dicky Betts, a founding member of the Allman Brothers Band, highlighting his musical legacy and contributions to Southern Rock. Additionally, he mentions Betts' collaborations with the Grateful Dead and concludes with a tribute to him.

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago Today

Larry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show. He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue.

"From Bertha to Dark Star: Analyzing Iconic Dead Tracks"

Insights into iconic Grateful Dead performances from the Europe 1972 tour, anticipation for Fish's upcoming residency in Las Vegas, and a tribute album honoring rock artist Stanley Mouse. Additionally, it touches on the significance of Pigpen's involvement in the psychedelic soundscape during performances.