At Crow Reads, Rayanne Haines interviews intersectional writers, publishers, agents and editors in Canada. Crow Reads in recorded on Treaty 6 territory the traditional home of the Metis, Inuit and First Nations people. Crow Reads focuses on Alberta representation and tackles questions around social movements, cultural trends, feminism, #CanLit, and inclusion / representation. And, at the end of the day, celebrates the people who are making things happen in the literary world. The podcast is presented in partnership with Read Alberta and is a member of the Alberta Podcast Network.
In September’s episode of Crow Reads, Rayanne Haines talks with Trina Moyles, author, writer, and wildfire lookout about her latest book. Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest, is a memoir about Moyles four summers working alone at a remote lookout tower in Canada’s northern boreal forest, offering an eyewitness account of the increasingly unpredictable nature of wildfire. During the conversation, the two talk about Moyles new book, the freedom one finds in isolation, living and working as an artist in rural settings, how social justice sits in her work and how bears play an important role in her life both as an artist and a woman.
Trina Moyles is an author, writer, and wildfire lookout living in the Peace Country of north-western Alberta, Treaty 8, traditional territories of the Cree, Beaver, Dene, and Metis peoples. Her latest book, Lookout: Love, Solitude, and Searching for Wildfire in the Boreal Forest is a memoir about her four summers working alone at a remote lookout tower in Canada’s northern boreal forest, offering an eyewitness account of the increasingly unpredictable nature of wildfire.
Her essay Herd Memory won the Jon Whyte Memorial Essay Award at the 2019 Alberta Literary Awards, and later placed Silver in the Personal Journalism category at the 2020 National Magazine Awards.
Moyles is currently an MFA student in Creative Writing at the University of British Columbia, where she’s working on a non-fiction book about living alone in a black bear corridor in northern Alberta during the first months of the COVID-19 pandemic. She, Bear is a meditation on nature, loneliness, desire, trauma, art, and bodily autonomy in relation to coexisting with a community of bears.
Moyles spends her summers out in the bush, and her winters migrating between the Peace Country and Edmonton.
In August’s episode, Rayanne interviews Titilope Sonuga about her new role as Edmonton’s ninth Poet Laureate, the act of shapeshifting as a writer, artist and women, and the importance of hope and healing through poetry in these times. Sonuga’s most recent book, This is How We Disappear is described as an exploration of the physical and emotional disappearance of women and a celebration of the magic of shapeshifting as an act of survival too. In the collection, she deftly uses storytelling as a lens to critique injustice and offer hope.
Titilope Sonuga is a writer, poet, playwright and performer whose work grasps moments of tenderness and persistent joy at the intersection of blackness and womanhood. She is the author of three award-winning collections of poetry, Down to Earth (2011), Abscess (2014), and This Is How We Disappear (2019) and has composed and released two spoken word albums, Mother Tongue (2011) and Swim (2019). Sonuga has written three plays, The Six; an intergenerational exploration of womanhood, Naked; a one-woman play and Ada The Country, a musical. She has scripted global advertising campaigns for brands including; The Bill and Melinda Gates Foundation, Google, Intel Corporation, Guaranty Trust Bank and The MacArthur Foundation. She was a writer and actor on the hit television series Gidi Up, which aired across Africa. Her writing has been translated into Italian, German and Slovak.
In July’s episode, Rayanne interviews Dr. Micheline Maylor. Dr. Maylor was Calgary’s Poet Laureate from 2016-18. Her latest poetry collection is The Bad Wife (U of A Press, 2021). The Bad Wife is an intimate, first-hand account of how to ruin a marriage. This is a story of divorce, love, and what should have been, told in a brave and unflinching voice. Pulling the reader into a startling web of sensuality, guilt, resentment, and pleasure, this collection asks: what if you set off a bomb in your own house?
During this podcast, Micheline Maylor speaks about elevating the personal to the universal, the importance of studying craft so one can break the rules and how looking at our confessional work as a witness safeguards truth and vulnerability while rebelling within the art form.
In today’s episode of Crow Reads, our first podcast in partnership with Read Alberta and under our new name, we speak with Ellen Kartz, poet and small press publisher. Ellen and I talk about lived experiences as catalysts for change, chasing and catching dreams, the social landscape evolving conversations and creating dialogue within Canadian publishing, and om mani padme hum.
Born and raised in Edmonton, Ellen lived in Calgary for four years while completing her Bachelor of Arts degree. She holds a Master of Fine Arts in Creative Writing from the University of British Columbia and a professional writing certificate from Mount Royal University. As an active writer and freelance editor throughout her career, Ellen worked with and for the Edmonton Poetry Festival for many years as a volunteer coordinator, event planner, founding member, and board member. Currently, she is the Communications and Partnerships Coordinator for the Writers’ Guild of Alberta and the administrative assistant for the Edmonton Stroll of Poets. In 2018, she self-produced a one-person stage show and poetry chapbook, both titled The Tenderness of Stone about a trek she made in 2016 through Nepal’s Khumbu Valley to Mount Everest Base Camp. Most recently, Ellen founded Armistice Press and launched a quartet of chapbooks by emerging queer Edmonton authors.
It is National Indigenous History month and I’m delighted to share this conversation between myself and Metis scholar and poet Marilyn Dumont. During this episode, we talk about discovery of self and place, colonization and survival, the evolution of identity, the strength of Indigenous narratives as part of honouring healing and witnessing through story vs settler shame, and the importance of being you in your writing.
A professor in the Faculty of Native Studies at the University of Alberta, Marilyn Dumont is a Métis writer and scholar and is the author of four collections of poems: A Really Good Brown Girl (winner of the 1997 Gerald Lampert Award) and now in it’s 13th reprint, green girl dreams Mountains (winner of the Writer’s Guild of Alberta’s 2001 Stephan G. Stephanson Award), that tongued belonging (winner of the 2007 McNally Robinson Aboriginal Poetry Book of the Year and Aboriginal Book of the Year Award) and The Pemmican Eaters (published in 2015 by ECW Press). Selections from A Really good Brown Girl are widely anthologized in secondary and post-secondary texts. Marilyn Dumont has been Writer-in-Residence at the Edmonton Public Library and in numerous universities across Canada. In addition, she has been faculty at the Banff Centre for the Arts’ Writing with Style and Wired Writing programs, as well as an advisor and mentor in their Indigenous Writers’ Program.
This podcast also comes out as we learn more about the heartbreaking discovery of 215 murdered indigenous children who were forced into being part of the residential school system. As a settler, I will continue to listen, learn, and act. My family is donating to the Indian Residential School Survivors Association. I am also including a link for those who also wish to donate and to learn more. https://www.irsss.ca/?fbclid=IwAR3fsVTI3RLbQf-mNZyBHqdcpE0OLzO10GJkDWXHL5dUg85bAmQwyxM3zPo
In this episode with spoken word poet, advocate and educator and Andrea Thompson, we talk about Oral Culture, Empowerment through poetry, Mental Health, Gatekeeping and Authenticity, and Powerful Black Artist Movements. It was hard to stop talking!
Andrea has been publishing and performing her work for over twenty-five years. In 2005 her spoken word album, One, was nominated for a Canadian Urban Music Award, in 2009 she was the Canadian Festival of Spoken Word’s Poet of Honour, and in 2019 her poetry album, Soulorations helped earn her the League of Canadian Poets’ Golden Beret Award. Thompson is co-author of the anthology, Other Tongues: Mixed-Race Women Speak Out, and author of the novel, Over Our Heads. Thompson currently teaches through Workman Arts, CAMH (Centre for Addiction and Mental Health), and the University of Toronto’s School of Continuing Studies. She is a member of the Brick Books editorial collective and curator for Brick's multimedia hub, Brickyard. Thompson’s work is featured in the anthology, Best Canadian Poetry: 2020, and she is the recipient of the 2021 Pavlick Prize for Poetry. Her poetry collection, A Selected History of Soul Speak will be published through the Frontenac House series, Quartet in the fall of 2021.
Andrea Thompson is a force of beauty and light. I’m sure after you listen to this podcast, you’ll agree.