Dear Multi-hyphenate

Broadway Podcast Network
  • 5.0 (2)
  • PERFORMING ARTS
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Dear Multi-hyphenate

Are you a combination of actor, director, producer, designer, or anything else? Congratulations, you're a multi-hyphenate! A multi-hyphenate is an artist who has multiple proficiencies that cross pollinate to help flourish professional capabilities. Dear Multi-hyphenate explores the full potential of artists in show business who have taken the paths less traveled. Are you unsure how to stay creative and garner income during the pandemic? Are you sitting on a project and you have no idea how to get started? What if others have cornered you into thinking that you are just an actor, or just a director, or just a producer? Let go of the rules and take agency of your full potential! Listen to me and my guests, the leaders of the multi-hyphenation station, as we dissect the mentality and possibilities about artistic agency."Michael is the glue that holds the Broadway community together." - Tony Award Winner Alice Ripley (Next to Normal)

  1. Lindsey Ferrentino: The Fear of 13

    OCT 8

    Lindsey Ferrentino: The Fear of 13

    Where does a playwright start from? Would a playwright identify as a multi-hyphenate if they span genre, style, and medium of writing? How does a playwright break into both Broadway and the West End? Lindsey Ferrentino is one of our contemporary prolific voices in playwriting and she’s full of inspiring nuggets that will get anyone to put their ideas on paper.  In this episode we also discuss her upcoming play THE FEAR OF 13. Based on the extraordinary true story of Nick Yarris, Academy Award winner Adrien Brody makes his London theatre debut at the Donmar Warehouse in the world premiere of THE FEAR OF 13; a new play by Lindsey Ferrentino (Ugly Lies the Bone) directed by Justin Martin (Prima Facie).  Lindsey Ferrentino is an American playwright with three world premieres in the 2024 season. In May, she opened The Artist in the UK (co-adapted with Drew McConie, Theatre Royal Plymouth,) and this August, she will premiere the new musical The Queen of Versailles (book by Lindsey Ferrentino, music and lyrics by Stephen Schwartz, starring Kristin Chenoweth and F. Murray Abraham, The Colonial Theater). Her other produced plays include Ugly Lies the Bone (The Lyttleton - National Theatre, UK, Roundabout Theatre Company, NY, over 100 productions worldwide), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse) — among others. Her plays have been translated into Spanish, German, and Portuguese and have been produced across the US, in London, Germany, Spain, and Venezuela. This winter, Lindsey will direct her first feature film - an adaptation of her play Amy and the Orphans for Jason Bateman’s Aggregate Films. She has various film projects in development at Netflix and Sony Pictures — with producers including Higher Ground, 3 Dot Entertainment, Dylan Clark Productions, Defiant by Nature. Lindsey is the recipient of The Arc’s prize for Entertainment Industry Excellence for her writing centered on disability inclusion. Other prizes include: the Kesserling, ASCAP Cole Porter Playwriting Prize, Paul Newman Drama Award, Laurents/Hatcher Award, NYU Distinguished Alumna Award, and Hunter College’s 40 Under 40 Distinguished Alumna. Lindsey is repped by CAA, Anonymous Content and Felker & Associates. You can purchase tickets to The Fear of 13 here. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 6m
  2. Cameron Monaghan & Natalie Rebenkoff: Great Work Survives

    OCT 1

    Cameron Monaghan & Natalie Rebenkoff: Great Work Survives

    Many people go to college for theatre so one can become an educated actor. Through technique and tools, this will help the actor sustain a healthy and rich career. But what are students getting in terms of theatre business? My NYU student, Natalie Rebenkoff, graduated and took off with flying colors by digging into her multi-hyphenate potential and producing her first piece of work, The Nursery, an unpublished Clifford Odets one-act. The production co-stars Cameron Monaghan from the ever popular television show, Shameless. So how does one graduate and produce their own work? What comes easy? What comes hard? What do we learn along the way? This episode is a great resource for actors who are deep in learning their technique but can also understand how to produce their own work – and not let each artform distract the other.  Natalie Rebenkoff is a New York-based actor, writer, and producer from Hermosa Beach, California. Her recent theater credits include Smokeshow (Edinburgh Fringe), Hamlet (RADA), MotherBoard (Experimental Theatre Wing), and I’m Sorry for Your Troubles (Lee Strasberg Theatre and Film Institute). Her film credits include Don’t Look Up opposite Leonardo Dicaprio and Jennifer Lawrence. She would like to thank Walt Odets, Robert Ellerman, her family, and friends for all the support in bringing The Nursery to life and is excited to finally share this story. Cameron Monaghan is an American actor, writer, director, and photographer. With a career of over 25 years, he is perhaps best known for his series regular roles as Ian on ‘Shameless’ and ‘The Joker’ on Gotham. In addition, he stars in the ‘Star Wars: Jedi’ game series. Supporting roles include ‘The Giver’ with Meryl Streep and Jeff Bridges, ‘Paradise Highway’ with Juliette Binoche and Morgan Freeman, and the lead role in ‘Jamie Marks is dead’ which premiered at Sundance, amongst countless other projects. He studied screenwriting at SNHU and has attended directing courses at the Australian Film and Television School (AFTRS), The Actors Studio at Pinewood UK, and Marjorie Ballentine Theatre Company. He most currently filmed TRON: ARES for Disney. Clifford Odets' The Nursery will be staged Off-Broadway October 10-12 at The Sam Theatre, with Stella Diji directing. The unpublished one-act will be presented by Point 5 Collective, in collaboration with The Lee Strasberg Creative Center.  Set in the 1950s, The Nursery follows an upper-middle class couple who are forced to confront the long-simmering fault lines in their troubled marriage. When the suppressed emotions of their union explode during a pivotal conversation, the strength of their love is tested. The Nursery was discovered in the archives of The Lee Strasberg Theatre & Film Institute. Visit TheNurseryPlay.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 7m
  3. Hannah Solow: Oh, Mary!

    SEPT 16

    Hannah Solow: Oh, Mary!

    Hannah Solow is probably one of the funniest people on the planet. She creates hysterical characters on social media, is a stand up comic, and musical theatre performer. In this very funny episode, we dive into specific social media practices, grabbing control of your career, how getting cast in Broadway’s hit OH, MARY! came to be, and brilliant gems of stories from being in the industry – including what it was like to tour the country in Daniel Fish’s OKLAHOMA!, for instance.  Hannah Solow is currently understudy to Mary Todd Lincoln and Mary’s Chaperone/Bill in Oh, Mary!, written by Cole Escola and directed by Sam Pinkleton, at The Lyceum Theatre on Broadway.  She received her BFA in drama from New York University's Tisch School of the Arts and has performed everywhere from The Kennedy Center to a hostel in Chinatown. She traveled to over 20 cities across the country performing as “Gertie Cummings” in Rodgers and Hammerstein’s “Oklahoma!” directed by Daniel Fish. She performed on Broadway at The Cort Theatre as the “understudy” to Mike Birbiglia in his show, The New One.  For many years she performed weekly at the Upright Citizen’s Brigade with musical improv team, Rumpleteaser, and monthly with house sketch teams. She has performed her original standup, characters and songs at The Bell House, Caroline’s, Club Cumming, Littlefield, and many more places/basements. She has taught improvisation to students pre-K through fifth grade across both Manhattan and Brooklyn. They were way funnier than she is. @babymcgoo Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 10m
  4. Michael Cyril Creighton: Only Multi-Hyphenates in the Building

    SEPT 16

    Michael Cyril Creighton: Only Multi-Hyphenates in the Building

    Who is absolutely loving HULU’s Only Murders in the Building? I am! On this episode of Dear Multi-Hyphenate, we have the loveable Michael Cyril Creighton who plays Howard Morris on Only Murders in the Building on HULU. We discuss how Michael was compelled to create his own work and how it created a domino effect of constant work in the industry. It’s all about writing what you know, and Michael certainly proves that theory. How did he end up from working the box office to working on some of the most successful tv shows and films of all time? TELEVISION: Hulu’s “Only Murders in the Building” (Series Regular), Amazon’s “The Marvelous Mrs. Maisel” (recurring) Showtime’s “Dexter: New Blood” (recurring), Netflix’s “Dash & Lily” (recurring), HBO's "High Maintenance" (recurring), EPIX's "Graves" (recurring), Amazon’s “A League of Their Own”, Netflix’s “AJ & the Queen”, FOX's "Bob's Burgers," Showtime's "Billions," "Horace and Pete," FOX’s “Bob’s Burgers,” CBS's "The Good Fight," Adult Swim's "Neon Joe Werewolf Hunter," Showtime's "Nurse Jackie," Netflix’s “Orange is the New Black,” NBC’s “30 Rock,” FX’s “Louie,” CBS's "2 Broke Girls," CBS’s “Person of Interest," FX's "Sex&Drugs&Rock&Roll," LOGO’s “Jeffery & Cole Casserole.” FILM: Cord Jeffereson’s “American Fiction,” Steven Spielberg's "The Post," "Game Night," "Spotlight," "Can You Ever Forgive Me?," “Seneca,” "Home Again," "Coin Heist," "Sleeping With Other People," "Fits and Starts," "3rd Street Blackout," “Towheads,” “How To Follow Strangers,” “Paper Spiders” and “The Outside Story.” THEATRE: Jordan Harrison's The Amateurs (Vineyard Theatre), Sarah Ruhl's Stage Kiss (Playwrights Horizons), Blood Play, Buddy Cop 2, You're Welcome and Cape Disappointment (all with The Debate Society), Joshua Conkel's MilkMilkLemonade and more. I was a founding member of the New York Neo-Futurists and performed weekly in “Too Much Light Makes The Baby Go Blind.” WEB: Michael created a web series called “Jack in a Box,” which he starred in, produced, wrote and co-directed. The series ran from 2009-2012 and consisted of 31 episodes, dozens of cupcakes and a fair amount of funny-sad humor. It was written about in several publications and on several websites, including The New York Times, The Huffington Post, Time Out New York, Le Monde Paris, The New York Daily News, The AV Club and Michael was named a “Digital All Star” by Backstage. The series won Best Web Pilot at the 2010 New York Television Festival and was nominated for a Writers Guild of America Award for Outstanding Achievement in Original New Media two consecutive years in a row (2012 & won in 2013). Other work on the web includes "High Maintenance," "The Outs," "Very Mary-Kate," "Eat Our Feelings" and more. Proud member of SAG-AFTRA, Actors Equity and the Writers Guild. Learn more about your ad choices. Visit megaphone.fm/adchoices

    57 min
  5. Lea Delaria: The Gay Agenda

    SEPT 16

    Lea Delaria: The Gay Agenda

    Welcome back to Dear Multi-Hyphenate! It is Season Two and let’s kick it off with superstar multi-hyphenate Lea Delaria. In this episode we discuss all about how and when to identify as a certain type of artist, unheard stories of working with Lea’s idols, hysterical and inspiring stories about projects like POTUS and Orange is the New Black, and of course Lea’s new brunch show at 54 Below… Brunch is Gay, currently running one Sunday a month at 54 Below.  Lea was the first openly gay comic on television in America, and is an accomplished Jazz performer who has performed in concert venues all over the world. She is best known as ‘Big Boo’ from Orange is the New Black (3 SAG Awards). Lea can currently be seen in the indie feature film Potato Dreams of America, and in the Indigo Girls jukebox feature film, Glitter & Doom. Lea recently starred in the Off-Broadway Revival of Tennessee Williams' play, The Night of the Iguana, directed by Emily Mann. TV credits include Girls5Eva, Awkwafina is Nora from Queens, East New York,The Blacklist, Physical, Reprisal, Kipo and the Age of Wonderbeasts, Shameless, and Broad City. Film credits include Cars 3, Support The Girls, and First Wives Club. Broadway credits, POTUS Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive (Bernadette), The Rocky Horror Show (Eddie/Dr. Scott) and On The Town (Hildy), Obie and Theatre World Awards. @realleadelaria www.leadelaria.com Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 3m

  6. MAR 11

    Adam DeCarlo: Post Pandemic Practices

    “I love self tapes in the post pandemic world.” Why? Why does Adam love self tapes when so many other actors don’t? How can we embrace them? In fact, how can we embrace and adapt post-pandemic practices into our lives? Let’s face it – the industry looks different. So, we have to shift. And Adam DeCarlo has done a great job at doing just that.  Adam DeCarlo is an award-winning actor and filmmaker based in NYC. Adam was born and raised in Orange County, California; where he began studying acting at the Tony Award-Winning regional theatre, South Coast Repertory. After graduating High School, he studied as a Theatre major at Fullerton College, where he performed in many of their productions and served as a Theatre Arts Ambassador for the department for two years. He then transferred to the University of California, Riverside (UCR) where he continued to study theatre and graduated with a BA, as a double major in Theatre and Media/Cultural Studies. Upon graduating from UCR, Adam moved to New York City and studied at the renowned Circle in the Square Theatre School. While living in NYC, he has appeared on several hit TV shows on Netflix, FOX, HULU, HBO, and A&E. Adam is the writer & director of two award-winning short films, ‘Lost & Found’ & ‘Skeletons’. Proud member of SAG-AFTRA and AEA. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 13m

  7. FEB 27

    Jodi Carter: Taxes and Financial Mentality

    “What ever jobs you have on your path to where you're trying to get to to your vision all matter. And the fact that we call these things a side hustle or we talk about ‘the unwanted jobs' and all of those types of descriptions… it's not empowering people.” -- Jodi Carter When it comes to being an artist, what is the first thing we have to know about money?  According to Jodi Carter, it’s a new language. A wow, do we discover a new language in this episode. This episode is deeply, deeply personal and Michael and Jodi truly get into a vulnerable conversation about money. It might be something all artists can relate to.  What is “ifcome” and how does it change our perspective of money managing? How do we work around the starving artist paradigm? The pressure to say yes and show up. Is it healthy? The myth of uncertainty and the myth of someday. Things we make up to ourselves when it comes to money.  A big financial hug. Jodi Carter, CPA, has spent decades helping individuals, couples, and families – from all different financial levels and circumstances – make countless choices. This unique view sparked her desire to reach people how to live their best lives. Jodi founded Financial Insight Training to help people shift their lives from stress to freedom. As a lifelong supporter of the arts, Jodi knew she has to create a program specifically tailored to the unique needs of artists, who live with fluctuating income and need specialized guidance for managing their finances. The IfCome® Paradigm is the framework for creative people to live as thriving artists.  Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 22m

  8. FEB 14

    Scott Barnhardt: The Worth of a College Degree

    “If I were king of the mountain and I got to say how all arts education was – I would actually say the idea of being curiously creative is key; testing out all the ideas and options.” – Scott Barnhardt This is a wildly fun and informative podcast for artists of all ages – especially those looking into studying theatre in college. Here’s what you’ll find in this episode: The college audition mindset The falsehoods of being a “starving artist” What is true about being a “starving artist”? Lucrative ways of working in the theatre Leaning into the type of artist you want to be known as The worth of a college degree SCOTT BARNHARDT is a musical theatre actor, theatre maker, writer, educator and Independent Education Consultant (IEC). He is also the owner and creator of The Creative College Journey, a bespoke approach to college guidance working exclusively with creative applicants (writers, filmmakers, actors, dancers)—helping families handle both the academic and artistic aspects of a college application with the goal to lower stress and increase clarity and enjoyment throughout the process. As a teacher and administrator, he most recently served as Lead Faculty for the Contemporary Musical Theatre + Film BFA program at Hussian College Los Angeles, and before that as the Director of Musical Theatre at the Orange County School of the Arts (OCSA). He is a graduate of Wagner College (BA, Theatre/Speech) and UCLA (MFA, Playwriting). His acting credits include the original Broadway cast of The Book of Mormon (Elder Harris/Elder Thomas, u/s Elder McKinley, Asst. Dance Captain) and the Deaf West Broadway Revival of Big River at Roundabout. Other NYC: Yank! (The Old Globe Workshop), Bye Bye Birdie (City Center Encores!). National tours: The Boy Friend directed by Julie Andrews, Deaf West's Big River, the Detroit company of White Christmas and the Japanese tour of Disney on Classic with the Tokyo Philharmonic. At OCSA, along with teaching audition prep and a class called Mind|Body|Voice, he directed the virtual production of Now. Here. This. (the first full-length musical to be shot and presented entirely during quarantine), Evita (in association with Musical Theatre West), the High School premiere of Jasper in Deadland, The Drowsy Chaperone, Xanadu, 9-to-5 (alongside Jessica Lea Patty). He was also seen in concert with students at the Irvine Barclay Theatre in Coming Home with Krysta Rodriguez and Scott Barnhardt. Scott has taught workshops, master classes and built programming for UCLA, The Grammy Foundation, Professional School for the Arts, American Ballet Theatre, University of Michigan, Segerstrom Center for the Arts, MTCA of OC, Cal State Fullerton, Broadway Dreams, Broadway Classroom, International Thespian Festival, EdTA Professional Development, Florida Thespian Festival and The Performing Arts Project among others. Awards and grants include the 2004 Tony Honor (Big River), Grammy Citation for Best Cast Album (The Book of Mormon), Tim Robbins Playwriting Award, Sono Osato Scholarship, Caroline H. Newhouse Scholarship and the George Burns & Gracie Allen Fellowship in Comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 1m
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Ratings & Reviews

5
out of 5
2 Ratings

About

Are you a combination of actor, director, producer, designer, or anything else? Congratulations, you're a multi-hyphenate! A multi-hyphenate is an artist who has multiple proficiencies that cross pollinate to help flourish professional capabilities. Dear Multi-hyphenate explores the full potential of artists in show business who have taken the paths less traveled. Are you unsure how to stay creative and garner income during the pandemic? Are you sitting on a project and you have no idea how to get started? What if others have cornered you into thinking that you are just an actor, or just a director, or just a producer? Let go of the rules and take agency of your full potential! Listen to me and my guests, the leaders of the multi-hyphenation station, as we dissect the mentality and possibilities about artistic agency."Michael is the glue that holds the Broadway community together." - Tony Award Winner Alice Ripley (Next to Normal)

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