Soundcheck WNYC Studios

Julia Holter’s could be in the realm of contemporary classical music, experimental pop, and ambient music. Often dreamy and elusive, her songs defy easy description. As likely to work with adventurous rockers as with contemporary classical musicians, Holter has an unusually keen ear for unexpected sounds. Take her song, “Evening Mood,” where hazy layers of vocals swirl over a rhythm section that seems more about the feeling of movement than the actual sound of it – and it turns out the basis of the song is a heavily processed heartbeat. Her latest record, built around the waterlike flow of the body's internal sound world, is called Something in the Room She Moves. Julia Holter and her band play new music, in-studio.

Set list: 1. Spinning 2. Marienbad 3. Talking to the Whisper

The alternative rock band Guster, formed over bongos and acoustic guitars at Tufts University in 1991, has built its reputation on their striking vocal harmonies, their close connection to their fans, and their sense of humor. So in the wake of Taylor Swift’s bank-busting Eras tour, Guster embarked on their own tour, which they called "We Also Have Eras" – a reminder of their enduring presence and road warrior work ethic on the music scene for over 30 years. Guster has a new record out, their first in 5 years, called Ooh La La, and it brings the band back to our studio for a live set, with bongos.

Set list: 1. Keep Going 2. Black Balloon 3. Satellite (with Max Fine, piano)

Grace Cummings, the Australian singer and songwriter from Melbourne, has a strikingly rich and commanding voice, the kind that can cut through a big production. Which is good because Cummings has become known for her love of big, dramatic productions and gothic atmospheres. Her new album, Ramona, made in L.A., goes for a cinematic, emotional sound, and it brings Grace Cummings and her band to play some of her songs, in slightly smaller arrangements, in-studio.

Set list: 1. Common Man 2. Ramona 3. Work Today (And Tomorrow)




Ramona by Grace Cummings

Graham Haynes, the Bahia, Brazil-based composer, cornetist, and bandleader, “expands and confounds what we understand as jazz and electronic music.” His work grows out of a keen sense of New York’s many histories of music and musical movement, (Graham Haynes’ Instagram.) Haynes has played with jazz luminaries like Vijay Iyer, the late Pharoah Sanders, and of course his own dad, the famed drummer Roy Haynes. But he has always been interested in other styles – electronic music, hip hop, traditional music from other parts of the world, and contemporary classical music. Haynes, along with New York-based multi-instrumentalist Lucie Vitkova, do some improvisations involving cornet, electronics, accordion, synthesizer and more, in-studio.

Set list: 1. Improvisation 1 2. Improvisation with hichiriki / cornet

New York’s The Jazz Passengers – despite the name – don’t just play jazz. Founded in 1987 by sax player Roy Nathanson and trombonist Curtis Fowlkes, the band has worked with spoken word artists, rock stars like Elvis Costello and Deborah Harry, and theatrical elements that have an almost modernist vaudeville flavor. Over the years the band would become a place where some of New York’s most creative musicians could spread their wings and have some fun. 

Their new album, Big Large, is a journey back through the band’s long musical history – it is also the last album made with Curtis Fowlkes, who died last year.  The Jazz Passengers is now a mix of the veterans and a new generation, and Roy Nathanson has led them all to our studio to play tunes by turns angular and searing, warm and masterful from the band’s repertoire.

Band members: Roy Nathanson, sax, voice; with Bill Ware, vibes; Brad Jones, bass; EJ Rodriguez, drums; Marc Ribot, guitar; Sam Bardfeld, violin; Lucy Hollier (Curtis' student, now playing his trombone); Isaiah Barr, sax;  Gabe Nathanson, voice and trumpet.

Set list: 1. Tikkun 2. Kidnapped 3. Jolly Street




Big Large: In Memory of Curtis Fowlkes by The Jazz Passengers

Alice Merton burst out of the starting gate with her 2016 single "No Roots", a song that celebrated her nomadic upbringing in four different countries. Since then, the British-based German-Irish-Canadian singer-songwriter has released two albums of songs with somewhat introspective, perhaps brooding lyrics, set to uplifting and sunny melodies. When we last checked in with her in 2019, she’d just released her debut LP called Mint and was living in Germany. She has lately been touring on music from her new EP called Heron, and plays a stripped-down intimate set, in-studio, including her rearranged single, "No Roots". 

Set list: 1. Don’t Leave Me Alone With My Thoughts 2. Run Away Girl 3. No Roots