The Panpsycast Philosophy Podcast

Jack Symes | Andrew Horton, Oliver Marley, and Rose de Castellane

An 'informal and informative' philosophy podcast inspiring and supporting students, teachers, academics and free-thinkers worldwide. All episodes are available at www.thepanpsycast.com.

  1. 24 AUG

    Episode 146, The Philosophy of Comedy (Part II - The Ethics of Humour)

    In 2021, Netflix released His Dark Material, a Christmas stand-up special by Irish–British comedian Jimmy Carr. The show sparked international outrage. Toward the end of the set, Carr delivered what he called a ‘career ender’ – a joke about the Holocaust, in which he described the Nazis’ murder of thousands of ‘Gypsies’ as a ‘positive’. The Holocaust Memorial Day Trust, the Auschwitz Memorial, and the UK government condemned the joke as ‘appalling’, ‘abhorrent’, and ‘racist’; Carr, critics said, was trading on the ‘last acceptable form of racism’. Comedy touches every part of our lives. We tell jokes at the pub, around the dinner table, and by the office coffee machine. We all know someone who makes us laugh – and someone who seems to take things too far. But is there a line when it comes to humour? And if there is, who gets to draw it? Should we suspend our moral judgements when the lights go down and the curtain goes up? Or do jokes, like most speech acts, carry moral weight? To answer these questions, we need to understand the nature of comedy itself – what exactly it is we’re responding to when we laugh. Humour might be a release of nervous tension, a playful disruption of expectations, or – more troublingly, if it applies to Carr’s joke – a means of asserting social superiority. No doubt, comedy has the power to shape our culture and perceptions. But, as we’ll find out, it also tells us something about who we are, who we ought to be, and the things we value most. Links Abrahams, Daniel – Winning Over the Audience: Trust and Humor in Stand‐Up Comedy (paper) Anderson, Luvell – Roasting Ethics (paper) Bergson, Henri – Laughter: An Essay on the Meaning of the Comic (book) Carroll, Noël – Ethics and Comic Amusement (paper) Carroll, Noël – Humour: A Very Short Introduction (book) Carroll, Noël – I’m Only Kidding: On Racist and Ethnic Jokes (paper) Carroll, Noël – Cruelty and Humour (paper) Critchley, Simon – On Humour (book) Deen, Phillip – What Could It Mean to Say That Today’s Stand‐Up Audiences Are Too Sensitive? (paper) Gimbel, Steven (ed.) – The Philosophy of Comedy (book) Hick, Darren Hudson – Why Can’t You Take a Joke? The Several Moral Dimensions of Pilfering a Ha‐Ha (paper) Morreall, John – Comic Relief: A Comprehensive Philosophy of Humor (book) Morreall, John – Philosophy of Laughter and Humor (book) Morreall, John – Stanford Encyclopedia of Philosophy: Philosophy of Humor (article) Smuts, Aaron – Internet Encyclopedia of Philosophy: Comedy (article)

    38 min
  2. 10 AUG

    Episode 146, The Philosophy of Comedy (Part I - The Nature of Humour)

    In 2021, Netflix released His Dark Material, a Christmas stand-up special by Irish–British comedian Jimmy Carr. The show sparked international outrage. Toward the end of the set, Carr delivered what he called a ‘career ender’ – a joke about the Holocaust, in which he described the Nazis’ murder of thousands of ‘Gypsies’ as a ‘positive’. The Holocaust Memorial Day Trust, the Auschwitz Memorial, and the UK government condemned the joke as ‘appalling’, ‘abhorrent’, and ‘racist’; Carr, critics said, was trading on the ‘last acceptable form of racism’. Comedy touches every part of our lives. We tell jokes at the pub, around the dinner table, and by the office coffee machine. We all know someone who makes us laugh – and someone who seems to take things too far. But is there a line when it comes to humour? And if there is, who gets to draw it? Should we suspend our moral judgements when the lights go down and the curtain goes up? Or do jokes, like most speech acts, carry moral weight? To answer these questions, we need to understand the nature of comedy itself – what exactly it is we’re responding to when we laugh. Humour might be a release of nervous tension, a playful disruption of expectations, or – more troublingly, if it applies to Carr’s joke – a means of asserting social superiority. No doubt, comedy has the power to shape our culture and perceptions. But, as we’ll find out, it also tells us something about who we are, who we ought to be, and the things we value most. Links Abrahams, Daniel – Winning Over the Audience: Trust and Humor in Stand‐Up Comedy (paper) Anderson, Luvell – Roasting Ethics (paper) Bergson, Henri – Laughter: An Essay on the Meaning of the Comic (book) Carroll, Noël – Ethics and Comic Amusement (paper) Carroll, Noël – Humour: A Very Short Introduction (book) Carroll, Noël – I’m Only Kidding: On Racist and Ethnic Jokes (paper) Carroll, Noël – Cruelty and Humour (paper) Critchley, Simon – On Humour (book) Deen, Phillip – What Could It Mean to Say That Today’s Stand‐Up Audiences Are Too Sensitive? (paper) Gimbel, Steven (ed.) – The Philosophy of Comedy (book) Hick, Darren Hudson – Why Can’t You Take a Joke? The Several Moral Dimensions of Pilfering a Ha‐Ha (paper) Morreall, John – Comic Relief: A Comprehensive Philosophy of Humor (book) Morreall, John – Philosophy of Laughter and Humor (book) Morreall, John – Stanford Encyclopedia of Philosophy: Philosophy of Humor (article) Smuts, Aaron – Internet Encyclopedia of Philosophy: Comedy (article)

    54 min
  3. 1 JUN

    Episode 143, ‘The Philosophy of Mental Health’ with Rose Cartwright (Part II - Further Analysis and Discussion)

    We’re living through a mental health crisis. In Europe, use of antidepressant has more than doubled in the past twenty years, and one in five children are now living with a recognised mental health condition. These numbers are striking, and the suffering they reflect personal, and clouded in mystery. But have we always been like this? Or has something shifted – in our politics, our culture, or perhaps in our understanding of what it means to be a person? Is the rise in mental health disorders a product of modern life, or are we simply more willing to talk about them? And what happens when system, designed to help us, ends up making us feel more broken, more stuck, and more alone? In this episode, we’ll discussing these questions with Rose Cartwright – best-known as the author of Pure, a raw and radical memoir about living with OCD, which went on to become a popular Channel 4 television drama. Today, Rose is a screenwriter on the Netflix show 3 Body Problem, and her latest book, The Maps We Carry, takes a deep dive into the territory of trauma, healing, and the limits of the medical model. As shall see, Rose’s work explores how our distress is shaped by the stories we tell – and the stories we’re told – about our minds. She asks whether we need new narratives, new frameworks, and even new states of consciousness to understand and transform our inner lives. Drawing on her own experiences – talking therapies, medications, psychedelic journeys, and the spaces in between – Rose invites us to imagine a more expansive approach to mental health. What does that expansive model look like? And is it really necessary? Well – lie back on the couch, take a deep breath… and let’s find out. Links Rose Cartwright, Website. Rose Cartwright, The Maps We Carry. Rose Cartwright, Pure. Pure – TV Show. 3 Body Problem – TV Show.

    31 min
  4. 18 MAY

    Episode 143, ‘The Philosophy of Mental Health’ with Rose Cartwright (Part I - The Maps We Carry)

    We’re living through a mental health crisis. In Europe, use of antidepressant has more than doubled in the past twenty years, and one in five children are now living with a recognised mental health condition. These numbers are striking, and the suffering they reflect personal, and clouded in mystery. But have we always been like this? Or has something shifted – in our politics, our culture, or perhaps in our understanding of what it means to be a person? Is the rise in mental health disorders a product of modern life, or are we simply more willing to talk about them? And what happens when system, designed to help us, ends up making us feel more broken, more stuck, and more alone? In this episode, we’ll discussing these questions with Rose Cartwright – best-known as the author of Pure, a raw and radical memoir about living with OCD, which went on to become a popular Channel 4 television drama. Today, Rose is a screenwriter on the Netflix show 3 Body Problem, and her latest book, The Maps We Carry, takes a deep dive into the territory of trauma, healing, and the limits of the medical model. As shall see, Rose’s work explores how our distress is shaped by the stories we tell – and the stories we’re told – about our minds. She asks whether we need new narratives, new frameworks, and even new states of consciousness to understand and transform our inner lives. Drawing on her own experiences – talking therapies, medications, psychedelic journeys, and the spaces in between – Rose invites us to imagine a more expansive approach to mental health. What does that expansive model look like? And is it really necessary? Well – lie back on the couch, take a deep breath… and let’s find out. Links Rose Cartwright, Website. Rose Cartwright, The Maps We Carry. Rose Cartwright, Pure. Pure – TV Show. 3 Body Problem – TV Show.

    36 min

Ratings & Reviews

5
out of 5
3 Ratings

About

An 'informal and informative' philosophy podcast inspiring and supporting students, teachers, academics and free-thinkers worldwide. All episodes are available at www.thepanpsycast.com.

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