People & Music Industry

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People & Music Industry

Welcome to the Sound On Sound People & Music Industry podcast channel. Listen to experts in the field, company founders, equipment designers, engineers, producers and educators. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo

8 OTT

Universal Audio

Universal Audio - Behind The BrandAs CEO of Universal Audio, Bill Putnam Jr has pioneered some of the most important innovations of the last 35 years. In conversation with Sound On Sound's Sam Inglis, he traces the Universal Audio story back to its founding by his father Bill Putnam Sr in 1958. We hear how and why Bill Jr decided to relaunch the Universal Audio brand, and how they moved from meticulously recreating Bill Sr's analogue designs to cutting-edge digital modelling, culminating in today's launch of the latest generation of Apollo recording interfaces. Chapters (00:00) - - Introduction (00:25) - - Bill Putnam Sr. (04:24) - - A Natural Entrepreneur (05:49) - - From Physics To Electrical Engineering (10:44) - - Early Technological Hurdles (12:46) - - Digitally Emulating Analogue Equipment (14:39) - - The Challenges Of Emulating Tape And Speakers (17:35) - - The SHARC Processing Chip (18:18) - - The Endurance Of DSP Platforms (20:44) - - Developing The Apollo Audio Interface (21:47) - - The Advantages Of Thunderbolt (23:16) - - Adding DANTE To The x16D (25:02) - - The New Generation Of Apollo Interfaces (26:09) - - Multichannel Speaker Calibration With Sonarworks (28:21) - - Getting Digital Corrective EQ Accepted (29:43) - - Townsend Labs And Mic Modelling (30:40) - - The Bock Microphone Range (32:26) - - The Motivation For Creating LUNA (36:55) - - Developing Products For Guitarists (38:46) - - The Next Steps For Universal Audio #ApolloInterface #Sonarworks #x16DUniversal Audio BiogUniversal Audio was founded in 1958 by Bill Putnam Sr., a passionate innovator and favourite recording engineer of Frank Sinatra, Nat King Cole, Ray Charles and more. Putnam was the inventor of the modern recording console, the multi-band audio equaliser and the vocal booth, and he was the first engineer to use artificial reverberation in commercial recording. Alongside his friend Les Paul, he was also involved in the early development of stereophonic recording. Many of his legendary studio and equipment designs are still in use today. Universal Audio was re-founded in 1999 by Bill's sons, James Putnam, a skilled audio engineer and Bill Putnam Jr, who earned a degree in Electrical Engineering. Their two main goals were to faithfully reproduce classic analogue recording equipment in the tradition of their father and to design new digital recording tools with the sound and spirit of vintage analogue technology. Their award-winning products include the UAD Powered Plug-Ins platform and the Apollo audio interface, first introduced in 2012. Universal Audio is headquartered near Silicon Valley in Scotts Valley, California. A few miles away in Santa Cruz is the Universal Audio Custom Shop, where their classic analog gear is still hand-built, one unit at a time. Sam Inglis BiogEditor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

45 min
1 OTT

Augmented Instruments Laboratory - Andrew McPherson

Andrew McPherson is a composer and Professor of Design Engineering and Music in the Dyson School of Design Engineering, based at Imperial College. Here he talks to Nick Rothwell about the Augmented Instruments Laboratory, a music technology research team that he leads, whose ongoing projects include the Magnetic Resonator Piano and the Bela open-source platform. Chapters00:00 - Introduction00:30 - A Background In Composition And Electronic Engineering01:57 - The Magnetic Resonator Piano09:50 - TouchKeys USB Touch Sensor13:05 - Developing Ideas Within A Community15:47 - Using The Piano Within Different Genres17:19 - Bela Open-Source Hardware Platform22:15 - Augmented Instruments Laboratory23:50 - Laurel Pardue / Augmented Violin25:15 - Getting Nuanced Performances26:22 - Overcoming Latency Issues27:31 - Future Predictions Andrew McPherson BiogAndrew McPherson is a computing researcher, composer, electronic engineer, and musical instrument designer. He is Professor of Design Engineering and Music in the Dyson School of Design Engineering, Imperial College London, where he leads the Augmented Instruments Laboratory. Andrew holds undergraduate degrees in both engineering and music from MIT, an MEng in electrical engineering from MIT, and a PhD in music composition from the University of Pennsylvania. Prior to joining Imperial in 2023, he has been a professor in the Centre for Digital Music at Queen Mary University of London. Andrew’s musical instruments are widely used by performers and composers across many genres, and his research has led to three successful crowdfunding campaigns and the spinout of Augmented Instruments Ltd, which develops Bela, an open-source audio maker platform. He currently holds two fellowships: a Senior Research Fellowship from the Royal Academy of Engineering on embedded hardware for audio and music, and an ERC/UKRI Consolidator Grant investigating the cultural implications of engineering decisions. He is deeply committed to teaching: Bela is used in the classroom by dozens of universities, and his online course on audio programming has been followed by learners around the globe. https://andrewmcpherson.org/https://instrumentslab.org/ Nick Rothwell BiogNick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the body>data>space collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London. Nick Rothwell - Project Cassiel - https://cassiel.com Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

31 min
6 SET

Caesar Edmunds - Mix Engineer, Producer

Mix Engineer and Producer Caesar Edmunds talks to Kevin Paul about his route into the industry via formal education at LIPA, before gaining work experience with Alan Moulder at Battery Studios which earned him a permanent position as an Assistant Engineer. He now works out of his own Dolby Atmos approved studio in London. Chapters00:00 - Introduction00:45 - Education And Work Experience05:44 - Moving From LIPA To The Studio09:02 - Working For Alan Moulder13:00 - Moving To Own Studio Space13:33 - How To Approach A Mix16:17 - Enhancing Drums And Guitars18:19 - Listening Carefully And Getting The Right Feel 21:04 - Mixbus Setup22:50 - Favourite Hardware And Plug-ins24:21 - Using Your Ears And Your Eyes To Mix25:34 - Looking After Your Health In The Studio Caesar Edmunds BiogCaesar Edmunds is a Grammy Award winning mixer, engineer & record producer based in London. He trained at the Liverpool Institute For Performing Arts (LIPA), gained work experience at Battery Studios assisting Alan Moulder and won the MPG Breakthrough Engineer Of The Year award in 2020. He now works out of his own Dolby Atmos approved studio in London. Caesar has worked with artists such as Beach House, Queens of the Stone Age, PJ Harvey, The Killers, St Vincent, Ozzy Osbourne, Foals, Code Orange, Frank Carter & The Rattlesnakes, Wet Leg, Ride, Suede, Two Door Cinema Club, The Last Dinner Party and Hinds. https://www.caesaredmunds.com/ Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

28 min
2 AGO

Danny Briottet - Music Producer and DJ

Music Producer and DJ Danny Briottet gives a fascinating insight into his formative years, including the global musical influences that shaped his career, being part of Rhythm Riders and organising warehouse parties across West London. Chapters00:00 - Introduction00:30 - Rhythm Riders03:15 - London Sound Systems06:02 - Getting Into Music and Visiting Berlin12:33 - DJing in New York17:05 - Renegade Soundwave22:28 - Warehouse Parties24:20 - The First Singles on Mute 26:59 - Equipment Used in Early Recordings30:03 - Creating A Unique Sound 35:50 - Releasing 'In Dub'39:35 - Favourite Equipment and Workflow Kevin Briottet BiogMusician, DJ and producer. Founder member of Renegade Soundwave, UK electronic music pioneers at the forefront of the original dance / electronica explosion of the late 80s/ 90s with seminal tracks such as The Phantom, Women Respond To Bass and Probably A Robbery. RSW name-checked as a primary influence on artists such as The Prodigy and the Chemical Brothers, whist the 1988 release Ozone Breakdown is often cited as the first Jungle tune. Danny’s production and remix credits include Depeche Mode, Cypress Hill, Grace Jones, Aswad, Radiohead, Moby and Orbital, together with a wealth of World Music artists such as Esma Redzepova (Macedonia), Amina Anabi (Tunisia) and Cheick Tidiane (Mali). Danny Briottet continues to DJ globally playing his unique mix of dub-influenced sounds from bass and breaks, through dubbed-out deep house and downtempo electronica, and hosts The ElectroScope Show on London’s Soho Radio, mashing up electronic music from the 70s to the present. Danny’s new full-length artist album is due for release next year. https://www.dannybriottet.com/ Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

45 min
5 LUG

Daniel Miller - Mute Records

Daniel Miller, founder and chairman of Mute Records, talks to Kevin Paul about his entry into the music industry, the origins of the label and of his enduring love of modular synthesis. Chapters00:00 - Introduction00:58 - Early Musical Influences 03:57 - First Encounter With Synths06:14 - The Korg 700s08:50 - Setting Up The Label And The First Release11:56 - How To Choose Artists To Sign14:10 - The Music Business17:38 - A More Relaxed Atmosphere19:07 - What Makes A Good Producer20:49 - Getting Started With Modular Synths 24:35 - Discovering Eurorack29:21 - Modular Live Performances32:11 - Working As A DJ Daniel Miller BiogDaniel Miller is the founder and chairman of Mute, a record label and publishing company with a long history of global Number One chart successes. Since its launch in 1978, Mute now has an artist roster that includes Goldfrapp, New Order, Can, KÁRYYN, Daniel Blumberg, Desire Marea, Louis Carnell, Josh T. Pearson, Erasure, Swans and Miss Grit, with offices in London and New York. Miller's early interest were electronics and synthesizers and he studied for a Diploma in Film and TV at Guildford School of Art (1969-72). After college, he worked as an assistant editor and editor in TV and advertising, before travelling and DJing across Europe. In 1976 he returned home and with a Korg 700S keyboard and a TEAC four-track recorder, made The Normal’s first single. He set up Mute to release the single in 1978 and the initial plan was for a minimum pressing of 500, but Rough Trade offered to distribute the single nationally, persuading Miller to press 2,000 copies. Called ‘TVOD’, it was backed with ‘Warm Leatherette’ and this electro-pop classic was later covered by Grace Jones on her epochal 1980 album of the same name. Further Mute releases soon followed and in 1980 Miller met Depeche Mode. When their original songwriter Vince Clarke left to form the synth-pop duo Yazoo in 1981, Miller suddenly found himself with two highly successful pop acts. Throughout the 1980s, Mute expanded at a careful pace, bringing Nick Cave and Erasure to the roster and expanding its international reach. New labels The Grey Area and NovaMute were launched plus a deal with Blast First saw the ‘Theme from S’Express’ become their first Number One single in 1988. Moby’s 1999 album ‘Play’ grew slowly from a modest success into a 10 million selling phenomenon. After several years working within the structure of the Labels Division of EMI, 2010 saw the label return to its independent roots. Mute continues to nurture fresh talent and Miller remains heavily focussed on Mute’s creative output and is also a well-respected and sought after techno DJ, playing regularly worldwide.https://mute.com/artists Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & Th

42 min
20 MAG

Arturia - 25 Years Of Software Synthesis

President and co-founder of Arturia, Frédéric Brun, talks to Sam Inglis about the company's eventful history, taking in highlights such as the innovative MiniBrute, the epic PolyBrute and the company's first stage keyboard, the new AstroLab. Chapters00:00 - Introduction01:52 - Storm & The Early Days Of Software Synthesis02:53 - Emulating Classic Analogue Synths07:23 - How To Approach An Emulation08:24 - IRCAM And Physical Modelling10:56 - Expanding Into Hardware13:43 - The MiniBrute: Arturia's First Analogue Synth18:16 - Synths For iPad & iOS20:03 - The MatrixBrute24:26 - The Importance Of User Feedback26:48 - Development Time28:53 - Moving Into Different Market Sectors30:36 - Pigments: An Original Soft Synth31:37 - The PolyBrute Morphing Analogue Polysynth33:32 - AstroLab: Arturia's Stage Keyboard Arturia BiogBased in the French city of Grenoble, Arturia have built on their roots as pioneering developers of virtual instruments to become one of the world's leading manufacturers of analogue, digital and software synthesizers, controller keyboards and audio interfaces. Launched in 1999 by college friends Frédéric Brun and Gilles Pommereuil, the company initially started out by developing software that could accurately emulate retro analogue synths. In 2003 they started to work with some of the major manufacturers, turning out virtual versions of classic Moog, Roland, Yamaha and Sequential Circuits synths. In 2012 they launched their first analogue synth, the MiniBrute, later followed by the MicroBrute, MatrixBrute and PolyBrute. Celebrating their 25th anniversary this year, the company continues to grow and their product line now includes a wide range of soft synths, apps, controllers, audio interfaces and hardware synths. Sam Inglis BiogEditor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

41 min
8 MAG

Alan Moulder - Mixer/Producer and Engineer

Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas, plus tips on how aspiring producers and engineers can get started in the industry today. Chapters00:00 - Introduction00:30 - Starting Out In Indie Rock02:28 - The Route Into Trident Studios04:50 - Going Freelance With Dave Stewart06:48 - Learning To Mix On An SSL Desk09:03 - Developing The Studio With Flood09:42 - Hiring Studio Assistants13:14 - Structured Working Methods14:27 - Actively Promoting Studio Assistants16:48 - Deciding How To Handle A Mix19:21 - MIDI Mapping With Battery20:38 - Adding Intensity To The Mix23:49 - Favourite Pieces Of Kit25:43 - What's On The MixBus26:08 - Method For Creating Stems28:13 - Things To Avoid30:31 - Making Use Of The Reference Mix Alan Moulder BiogAlan Moulder is a leading global Mixer/Producer and Engineer. Working mainly in the UK and USA since the 1980’s, Grammy award winning Alan Moulder has been at the helm of some of rock music’s most iconic records. His production, engineering and mixing credits include Nine Inch Nails, The Killers, The Smashing Pumpkins, Foo Fighters, Then Crooked Vultures, My Bloody Valentine, The Jesus and Mary Chain, Arctic Monkeys, Led Zeppelin, Death Cab For Cutie, Ride, Queens of the Stone Age, Frank Carter and the Rattlesnakes, Suede, Interpol, Iggy Pop, Simple Minds, Ozzy Osbourne and Wet Leg. Alan also received the prestigious ‘Icon of the Year’ award at the recent MPG Awards 2024. https://www.alanmoulder.com/ Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

33 min
5 APR

Tim Bran - Music Producer

Producer and Engineer Tim Bran talks us through his early career at Island Records, being invited to tour as a session musician, recording London Grammar and setting up his own collaborative tech and studio projects. Chapters00:00 - Introduction 01:22 - The Early Days At Island Records 04:58 - Musical Taste 06:33 - Informative Years In The Bunker 08:10 - Being Invited To Tour 10:40 - Rez Rocket Surfer - A Virtual Band 15:47 - Developing Artist Management Skills 21:17 - Being Diplomatic In A Team 24:20 - Taking Chances And Being Creative26:10 - Working With Roy Kerr And London Grammar 31:42 - Collaborative Projects And Learning New Techniques38:07 - Being Respectful Of Other Talent In The Room41:07 - Mixing During The Recording Process45:17 - Dealing With Demo Love47:14 - Favourite Hardware And Software52:54 - Avoiding Dither And Delay Tim Bran BiogTim Bran began his production career in his own studio in Guernsey where he grew up. He then worked in the legendary Fallout Shelter Studios at Island Records in London where he collaborated with artists such as Julian Cope, Mica Paris, Omar and ex-Big Audio Dynamite band Screaming Target (with whom he formed an alliance and created the seminal dub/ambient band Dreadzone later on). He toured for ten years then decided he needed to be in his home from home- the studio - so gave up touring and dedicated himself to production and writing. He co-produced London Grammar’s debut album If You Wait with his production partner Roy Kerr as MyRiot and has worked with artists such as Birdy, Paul McCartney, Rae Morris, La Roux, KT Tunstall, Halsey, The Verve, Imelda May and Primal Scream. Recently his work includes Haevn, Abby Sage, Axel Flovent and Wild Rivers. Today, Tim Bran continues to make waves in the music scene, working with both established and up-and-coming artists. With each project, he brings a fresh perspective and a dedication to pushing musical boundaries, ensuring that his influence on the industry remains as vibrant as ever. http://www.echobeachmanagement.com/artist/tim-bran/ Kevin Paul BiogKevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Award

59 min

Elenco completo (56)

12/05/2020

SOS Podcast Trailer

Introducing the Sound On Sound Podcasts. Yes, that’s podcasts, because we’re launching three dedicated channels each with their own series of episodes to keep you entertained throughout each month. You’ll hear interviews, features, discussion, opinion and occasional demos of the gear we’re reviewing from many of the SOS magazine staff and our expert Freelance team. The People & Music Industry channel will feature the great and good in engineering, production and manufacturing. You should also hop over to our other channels and subscribe there for even more shows. The Recording & Mixing channel takes the practical approach and will keep you inspired with expert hints and tips. The Electronic Music channel is for everyone interested in synths, samplers and the world of electronic music. We launch our first two shows on May 21st so subscribe now on Apple Podcasts, Google Play, Spotify or wherever you get your podcasts. All shows are mastered to the highest quality the podcast channel will support and are in stereo. Check out our website page for further details www.soundonsound.com/podcasts

12/05/2020

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3 min

Welcome to the Sound On Sound People & Music Industry podcast channel. Listen to experts in the field, company founders, equipment designers, engineers, producers and educators. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo

Creatore

Sound On Sound
Anni di attività

2020 - 2024
Puntate

56
Classificazione

Contenuti adatti a tutti
Copyright

© Copyright 2024 Sound On Sound Ltd
Sito web del podcast

People & Music Industry