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A podcast for writers and readers who are obsessive about their books. Interviews with established and up-and-coming writers, and recommendations for the best in contemporary fiction, poetry, and drama. Chris Holmes. Chris is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

Burned By Books New Books Network

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A podcast for writers and readers who are obsessive about their books. Interviews with established and up-and-coming writers, and recommendations for the best in contemporary fiction, poetry, and drama. Chris Holmes. Chris is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

    Nell Freudenberger, "The Limits" (Knopf, 2024)

    Nell Freudenberger, "The Limits" (Knopf, 2024)

    The most thrilling work yet from the best-selling, prize-winning author of The Newlyweds and Lost and Wanted, a stunning new novel set in French Polynesia and New York City about three characters who undergo massive transformations over the course of a single year.
    From Mo'orea, a tiny volcanic island off the coast of Tahiti, a French biologist obsessed with saving Polynesia's imperiled coral reefs sends her teenage daughter to live with her ex-husband in New York. By the time fifteen-year-old Pia arrives at her father Stephen's luxury apartment in Manhattan and meets his new, younger wife, Kate, she has been shuttled between her parents' disparate lives--her father's consuming work as a surgeon at an overwhelmed New York hospital, her mother's relentless drive against a ticking ecological clock--for most of her life. Fluent in French, intellectually precocious, moving between cultures with seeming ease, Pia arrives in New York poised for a rebellion, just as COVID sends her and her stepmother together into near total isolation.
    A New York City schoolteacher, Kate struggles to connect with a teenager whose capacity for destruction seems exceeded only by her privilege. Even as Kate fails to parent Pia--and questions her own ability to become a mother--one of her sixteen-year-old students is already caring for a toddler full time. Athyna's love for her nephew, Marcus, is a burden that becomes heavier as she struggles to finish her senior year online. Juggling her manifold responsibilities, Athyna finds herself more and more anxious every time she leaves the house. Just as her fear of what is waiting for her outside her Staten Island community feels insupportable, an incident at home makes her desperate to leave.
    When their lives collide, Pia and Athyna spiral toward parallel but inescapably different tragedies. Moving from a South Pacific "paradise," where rage still simmers against the colonial government and its devastating nuclear tests, to the extreme inequalities of twenty-first century New York City, The Limits (Knopf, 2024) is an unforgettably moving novel about nation, race, class, and family. Heart-wrenching and humane, a profound work from one of America's most prodigiously gifted novelists.
    NELL FREUDENBERGER is the author of the novels Lost and Wanted, The Newlyweds and The Dissident, and of the story collection Lucky Girls, which won the PEN/Malamud Award and the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters. Named one of The New Yorker’s “20 under 40” in 2010, she is a recipient of a Guggenheim Fellowship, a Whiting Award, and a Cullman Fellowship from the New York Public Library. She lives in Brooklyn with her husband, daughter, and son.
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    • 54 Min.
    Marie Mutsuki Mockett, "The Tree Doctor" (Graywolf Press, 2024)

    Marie Mutsuki Mockett, "The Tree Doctor" (Graywolf Press, 2024)

    When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it.
    Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's eleventh-century novel, The Tale of Genji, which turns out to resonate eerily with the conditions of contemporary society in the grip of a pandemic.
    The Tree Doctor (Graywolf Press, 2024) is a powerful, beautifully written novel full of bodily pleasure, intense observation of nature, and a profound reckoning with the passage of time both within ourselves and in the world we inhabit.
    Marie Mutsuki Mockett is the author of a previous novel, Picking Bones from Ash, and two books of nonfiction, American Harvest, which won the Nebraska book award, and the northern California book award, and Where the Dead Pause, and the Japanese Say Goodbye, which was a finalist for the Pen Open Book Award. A graduate of Columbia University in East Asian studies she has been awarded NEA – JUSFC and Fulbright Fellowships, both for Japan.
    Recommended Books:

    Royall Tyler, The Disaster of the Third Princess: Essays on The Tale of Genji


    Emily Raboteau, Lessons for Survival: Mothering Against "The Apocalypse"


    Martin Puchner, Culture



    Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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    • 53 Min.
    Scott Alexander Howard, "The Other Valley" (Atria Books, 2024)

    Scott Alexander Howard, "The Other Valley" (Atria Books, 2024)

    Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she'll decide who may cross her town's heavily guarded borders. On the other side, it's the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it's twenty years behind. The towns repeat in an endless sequence across the wilderness.
    When Odile recognizes two visitors she wasn't supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he's still alive in Odile's present.
    Edme--who is brilliant, funny, and the only person to truly see Odile--is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil's top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future.
    A breathlessly moving "unique take on the intersection of fate and free will" (Nikki Erlick, author of The Measure), The Other Valley (Astria Books, 2024) is "a stellar debut, full of heartbreak and hope wrapped up in gorgeous prose" (Christina Dalcher, author of Vox).
    Scott Alexander Howard lives in Vancouver, British Columbia. He has a PhD in philosophy from the University of Toronto and was a postdoctoral fellow at Harvard, where his work focused on the relationship between memory, emotion, and literature. The Other Valley is his first novel.

    Jan Zwicky, The Long Walk


    Morgan Talty, Fire Exit


    Lily Wang, Silver Repetition



    Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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    • 41 Min.
    Marie-Helene Bertino, "Beautyland" (FSG, 2024)

    Marie-Helene Bertino, "Beautyland" (FSG, 2024)

    At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings.
    For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone?
    Marie-Helene Bertino's Beautyland (FSG, 2024) is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introduces a gentle, unforgettable alien for our times.
    Marie-Helene Bertino is the author of the novels PARAKEET (New York Times Editors’ Choice) and 2 A.M. AT THE CAT’S PAJAMAS (NPR Best Books 2014), and the story collection SAFE AS HOUSES (Iowa Short Fiction Award). Her work has appeared in The New York Times, Electric Literature, Tin House, McSweeneys, and elsewhere. She has been awarded The Frank O’Connor International Short Story Fellowship in Cork, Ireland, The O. Henry Prize, The Pushcart Prize, fellowships from MacDowell, Hedgebrook Writers Colony, The Center For Fiction NYC, and Sewanee Writers Conference. Her work has twice been featured on NPR’s “Selected Shorts” program. She currently teaches in the Creative Writing program at Yale University.
    Recommended Books:

    Tea Obreht, The Morning Side


    Diana Khoi Nguyen, Root Fractures



    Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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    • 46 Min.
    Cameron McWhirter and Zusha Elinson, "American Gun: The True Story of the AR-15" (FSG, 2023)

    Cameron McWhirter and Zusha Elinson, "American Gun: The True Story of the AR-15" (FSG, 2023)

    In the 1950s, an obsessive firearms designer named Eugene Stoner invented the AR-15 rifle in a California garage. High-minded and patriotic, Stoner sought to devise a lightweight, easy-to-use weapon that could replace the M1s touted by soldiers in World War II. What he did create was a lethal handheld icon of the American century.
    In American Gun: The True Story of the AR-15 (FSG, 2023), the veteran Wall Street Journal reporters Cameron McWhirter and Zusha Elinson track the AR-15 from inception to ubiquity. How did the same gun represent the essence of freedom to millions of Americans and the essence of evil to millions more? To answer this question, McWhirter and Elinson follow Stoner--the American Kalashnikov--as he struggled mightily to win support for his invention, which under the name M16 would become standard equipment in Vietnam. Shunned by gun owners at first, the rifle's popularity would take off thanks to a renegade band of small-time gun makers. And in the 2000s, it would become the weapon of choice for mass shooters, prompting widespread calls for proscription even as the gun industry embraced it as a financial savior. Writing with fairness and compassion, McWhirter and Elinson explore America's gun culture, revealing the deep appeal of the AR-15, the awful havoc it wreaks, and the politics of reducing its toll. The result is a moral history of contemporary America's love affair with technology, freedom, and weaponry.
    Cameron McWhirter is a national reporter for The Wall Street Journal, based in Atlanta. He has covered mass shootings, violent protests and natural disasters across the South. He is also the author of Red Summer: The Summer of 1919 and the Awakening of Black America. Previously, he reported for other publications in the U.S., as well as Bosnia, Iraq, and Ethiopia.
    Zusha Elinson is a national reporter, writing about guns and violence for the Wall Street Journal. Based in California, he has also written for the Center for Investigative Reporting and the New York Times Bay Area section.
    Recommended Books:

    Robert Caro, The Path to Power


    William Shawcross, Sideshow


    Dexter Filkins, The Forever War


    Adam Winkler, Gun Fight


    Tim Mak, Misfire


    Doug Stanton, Horse Solidiers


    
    Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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    • 1 Std. 8 Min.
    Samantha Harvey, "Orbital" (Atlantic Monthly Press, 2023)

    Samantha Harvey, "Orbital" (Atlantic Monthly Press, 2023)

    A slender novel of epic power, Orbital (Atlantic Monthly Press, 2023) deftly snapshots one day in the lives of six women and men hurtling through space--not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts--from America, Russia, Italy, Britain, and Japan--have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.
    Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.
    Samantha Harvey is the author of five novels, The Wilderness, All Is Song, Dear Thief, The Western Wind and Orbital. She is also the author of a memoir, The Shapeless Unease.
    Her novels have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, the Walter Scott Prize and the James Tait Black Prize, and longlisted for the Man Booker Prize, among many others. She lives in Bath, England, and teaches Creative Writing at Bath Spa University.
    Recommended Books:

    Jenny Erpenbeck, Kairos


    Allen Rossi, Our Last Year


    Miranda Pountney, How to Be Somebody Else


    
    Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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    • 56 Min.

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