Hit Parade | Music History and Music Trivia

Slate Podcasts
  • 4,8 (20)
  • MUSIKGESCHICHTE
  • HALBMONATLICH
Hit Parade | Music History and Music Trivia
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What makes a song a smash? Talent? Luck? Timing? All that—and more. Chris Molanphy, pop-chart analyst and author of Slate’s “Why Is This Song No. 1?” series, tells tales from a half-century of chart history. Through storytelling, trivia and song snippets, Chris dissects how that song you love—or hate—dominated the airwaves, made its way to the top of the charts and shaped your memories forever. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen.

  1. 15. NOV.

    Say a Little Prayer Edition Part 1

    You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1 Std. 1 Min.

  2. 15. NOV. • NUR SLATE PLUS

    Say a Little Prayer Edition Part 2

    You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis.

    52 Min.

  3. 25. OKT.

    With or Without U2 Edition Part 2

    U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony. This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

    59 Min.

  4. 25. OKT. • NUR SLATE PLUS

    The Bridge: All That Bono Can’t Leave Behind

    In this mini-episode of Hit Parade, host Chris Molanphy is joined by music journalist Stephen Thomas Erlewine, who writes for Pitchfork and the Los Angeles Times and has reviewed the entire U2 catalog for Allmusic. Tom says the Irish quartet were never much of a punk-rock band, but they did pick up where the Clash left off. And they always carried themselves like rock stars—especially their impassioned, ridiculous frontman Bono—which made their pivots in the ’90s and ’00s possible. Next, Chris quizzes a Slate Plus listener with some music trivia, gives him a chance to turn the tables with a question of his own, and previews the next full-length episode. Slate Plus members can sign up for a chance to be our trivia contestant on a future episode here. Podcast production by Kevin Bendis.

    36 Min.

  5. 11. OKT.

    With or Without U2 Edition Part 1

    U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony. This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1 Std. 5 Min.

  6. 27. SEPT.

    What’s 1984 Got to Do with It Edition Part 2

    A decade ago, Rolling Stone magazine called 1984 “Pop’s Greatest Year.” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion, and the emergence of metal and hip-hop—made the radio a great place to be. It was a year of fearless genre crossover…cinematic hits…veterans reinventing themselves…ballads that became standards…a newcomer named Madonna…and a movie star who called himself The Kid and made doves cry. Join Chris Molanphy as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” This is what it sounds like when pop’s fly. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1 Std. 4 Min.

  7. 27. SEPT. • NUR SLATE PLUS

    The Bridge: Got My Back Against the Record Machine

    In this mini-episode of Hit Parade, host Chris Molanphy is joined by Michaelangelo Matos, author of Can’t Slow Down: How 1984 Became Pop’s Blockbuster Year. Matos says after the unprecedented cross-cultural success of Michael Jackson’s Thriller in 1982 and ’83, pop stars in ’84 believed they could score multiple hits across genres—and make them danceable. So they all went for it, even the rock stars—whether it was Annie Lennox dressing like Elvis on the Grammys, Bruce Springsteen ordering up club remixes, or Van Halen borrowing their synth sound from Prince. Next, Chris quizzes a Slate Plus listener with some music trivia, gives him a chance to turn the tables with a question of his own, and previews the next full-length episode. Slate Plus members can sign up for a chance to be our trivia contestant on a future episode here. Podcast production by Kevin Bendis.

    35 Min.

  8. 14. SEPT.

    What’s 1984 Got to Do with It Edition Part 1

    A decade ago, Rolling Stone magazine called 1984 “Pop’s Greatest Year.” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be. It was a year of fearless genre crossover…cinematic hits…veterans reinventing themselves…ballads that became standards…a newcomer named Madonna…and a movie star who called himself The Kid and made doves cry. Join Chris Molanphy as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” This is what it sounds like when pop’s fly. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

    1 Std. 7 Min.
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  • In Slow Burn’s 10th season, host Josh Levin takes you back to a crucial inflection point in American history: the moment between 2000 and 2004 when Fox News first surged to power and a whole bunch of people rose up to try and stop it.You’ll hear from the hosts, reporters, and producers who built Fox News, many who’ve never spoken publicly. You’ll also hear from Fox’s biggest antagonists—the political operatives, journalists, and comedians who attacked it, investigated it, and tried to mock it into submission. And you’ll hear from Fox’s victims, who are still coming to terms with how a cable news channel upended their lives. Want more Slow Burn? Join Slate Plus to immediately access all past seasons and episodes of Slow Burn (and your other favorite Slate podcasts) completely ad-free. Plus, you’ll unlock subscriber-exclusive bonus episodes that bring you behind-the-scenes on the making of the show. Subscribe now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9: Gays Against Briggs A nationwide moral panic, a California legislator who rode the anti-gay wave, and the LGBTQ+ people who stepped up and came out to try and stop him. Season 8: Becoming Justice Thomas Where Clarence Thomas came from, how he rose to power, and how he’s brought the rest of us along with him, whether we like it or not. Winner of the Podcast of the Year at the 2024 Ambies Awards. Season 7: Roe v. Wade The women who fought for legal abortion, the activists who pushed back, and the justices who thought they could solve the issue for good. Winner of Apple Podcasts Show of the Year in 2022. Season 6: The L.A. Riots How decades of police brutality, a broken justice system, and a video tape set off six days of unrest in Los Angeles. Season 5: The Road to the Iraq War Eighteen months after 9/11, the United States invaded a country that had nothing to do with the attacks. Who’s to blame? And was there any way to stop it? Season 4: David Duke America’s most famous white supremacist came within a runoff of controlling Louisiana. How did David Duke rise to power? And what did it take to stop him? Season 3: Biggie and Tupac How is it that two of the most famous performers in the world were murdered within a year of each other—and their killings were never solved? Season 2: The Clinton Impeachment A reexamination of the scandals that nearly destroyed the 42nd president and forever changed the life of a former White House intern. Season 1: Watergate What did it feel like to live through the scandal that brought down President Nixon?

    • 4,9 (130)
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    • POLITIK

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What makes a song a smash? Talent? Luck? Timing? All that—and more. Chris Molanphy, pop-chart analyst and author of Slate’s “Why Is This Song No. 1?” series, tells tales from a half-century of chart history. Through storytelling, trivia and song snippets, Chris dissects how that song you love—or hate—dominated the airwaves, made its way to the top of the charts and shaped your memories forever. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Informationen

  • Kanal
    Slate Podcasts
  • Erstellt von
    Slate Podcasts
  • Jahre aktiv
    2017 - 2024
  • Folgen
    179
  • Copyright
    © 2018 The Slate Group
  • Sendungswebsite
    Hit Parade | Music History and Music Trivia
  • Anbieter

    The Slate Group LLC hat sich als Händler für diesen Podcast ausgewiesen und bestätigt, dass dieses Produkt oder diese Dienstleistung den rechtlichen Vorgaben der Europäischen Union entspricht. Adresse 15 Metrotech Ctr Fl 8 Brooklyn New York 11201-3826 Vereinigte Staaten Telefonnummer +1 4022502924 E‑Mail topcasts@slate.com

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