59 Min.
VISION ON SOUND EPISODE 193 - TX JUNE 16 2024 VISION ON SOUND
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- TV und Film
MICHAEL HERBERT on DOOMWATCH.
First broadcast on FAB RADIO INTERNATIONAL at 19:00 on June 16th 2024.
This week’s returning guest from our ever growing group of returning regulars is MICHAEL HERBERT who, you might remember from some earlier editions of VISION ON SOUND, has spent a lot of the last few years researching the life of MALCOLM HULKE, which, of course, because everything in the world of television is all interconnected somehow, means that he comes across other things that interest him, and he got in touch to see if I fancied having a natter about DOOMWATCH.
Now, despite rumours to the contrary, I absolutely adore DOOMWATCH. Perhaps it’s because it simply appeals to my own inflated sense of pessimism, but there’s just something very entertaining about a television series built around the potential disasters that humanity is capable of causing through its own hubris if we allow ourselves to go ahead with our experimentations unchecked and without a certain amount of accountability, and there is an enduring appeal to the stories it told more than half a century ago, many of which still feel very relevant today, when some of the actions of governments and individuals really do feel as if they still need reining in.
Created by DR KIT PEDLER and GERRY DAVIS following their successful collaborations on DOCTOR WHO, and broadcast on the BBC across three series between 1970 and 1972, DOOMWATCH explored new and unusual threats to humanity which were appearing in many ways, as the human race was busily developing the white heat of technology in the post-nuclear age, in a series of stories involving subjects as diverse as plastic-eating viruses, artificial hearts, toxic waste, and rats with a genetically enhanced taste for human flesh.
The series involved the dramatic experiences of the fictional DEPARTMENT FOR THE OBSERVATION AND MEASUREMENT OF SCIENTIFIC WORK – You can see why they preferred to use DOOMWATCH as a title – as they attempted to protect the world from the dangers of unprincipled scientific research, as they were set up “to investigate any scientific research, public or private, that could possibly be harmful to man” which basically meant that DOCTOR SPENCER QUIST and his team were often irritants to those who were heavily invested in the steady march of progress.
No change there then.
Starring JOHN PAUL, JOBY BLANCHARD and SIMON OATES, amongst others, the series made a star of ROBERT POWELL, whose character TOBY WREN’s untimely demise at the end of the first series sent shockwaves through the pages of the RADIO TIMES in a way that the serious concerns being talked about in the storylines seldom did.
It may surprise you just how many of the stories told in this series seem to be about things humanity has only recently begun to have concerns about, when the writers involved were trying to warn us about it decades ago, but, well, that’s human beings for you, isn’t it?
PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.
MICHAEL HERBERT on DOOMWATCH.
First broadcast on FAB RADIO INTERNATIONAL at 19:00 on June 16th 2024.
This week’s returning guest from our ever growing group of returning regulars is MICHAEL HERBERT who, you might remember from some earlier editions of VISION ON SOUND, has spent a lot of the last few years researching the life of MALCOLM HULKE, which, of course, because everything in the world of television is all interconnected somehow, means that he comes across other things that interest him, and he got in touch to see if I fancied having a natter about DOOMWATCH.
Now, despite rumours to the contrary, I absolutely adore DOOMWATCH. Perhaps it’s because it simply appeals to my own inflated sense of pessimism, but there’s just something very entertaining about a television series built around the potential disasters that humanity is capable of causing through its own hubris if we allow ourselves to go ahead with our experimentations unchecked and without a certain amount of accountability, and there is an enduring appeal to the stories it told more than half a century ago, many of which still feel very relevant today, when some of the actions of governments and individuals really do feel as if they still need reining in.
Created by DR KIT PEDLER and GERRY DAVIS following their successful collaborations on DOCTOR WHO, and broadcast on the BBC across three series between 1970 and 1972, DOOMWATCH explored new and unusual threats to humanity which were appearing in many ways, as the human race was busily developing the white heat of technology in the post-nuclear age, in a series of stories involving subjects as diverse as plastic-eating viruses, artificial hearts, toxic waste, and rats with a genetically enhanced taste for human flesh.
The series involved the dramatic experiences of the fictional DEPARTMENT FOR THE OBSERVATION AND MEASUREMENT OF SCIENTIFIC WORK – You can see why they preferred to use DOOMWATCH as a title – as they attempted to protect the world from the dangers of unprincipled scientific research, as they were set up “to investigate any scientific research, public or private, that could possibly be harmful to man” which basically meant that DOCTOR SPENCER QUIST and his team were often irritants to those who were heavily invested in the steady march of progress.
No change there then.
Starring JOHN PAUL, JOBY BLANCHARD and SIMON OATES, amongst others, the series made a star of ROBERT POWELL, whose character TOBY WREN’s untimely demise at the end of the first series sent shockwaves through the pages of the RADIO TIMES in a way that the serious concerns being talked about in the storylines seldom did.
It may surprise you just how many of the stories told in this series seem to be about things humanity has only recently begun to have concerns about, when the writers involved were trying to warn us about it decades ago, but, well, that’s human beings for you, isn’t it?
PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.
59 Min.