UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

PJ Mathews
  • 0.0 (0)
  • EDUCATION
UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

This series features highlights from the many presentations in the Archaeologies of Art theme of the Sixth World Archaeological Congress. Douglass Bailey from San Francisco State University reflects on the current relationships between contemporary art and contemporary archaeology and suggests some radical new directions that this disciplinary collaboration can take. Blaze O'Connor discusses the unique synergy that was the archaeological excavation and reconstruction of the studio of modern painter Francis Bacon, meditating on archaeology's relationship to detritus, dust and debitage. In a special presentation from the Sixth World Archaeological Congress artist-in-residence, Kevin O'Dwyer speaks about his own artistic practice in relationship to archaeology and his curation and direction of 'Sculpture in the Parklands', a unique project engaging art, archaeology, ecology and the industrial heritages of Lough Boora, Co. Offaly. Finally, a manifesto challenging the theoretical foundations of archaeological thought and practice through an engagement with artistic and anthropological theory, is put forward by Andrew Cochrane and Ian Russell.

Episodes

  1. 03/12/2008

    Scholarcast 12: Archaeoclash: Manifesting Art and Archaeology

    Is archaeology a science? Is archaeology a humanity? What are the politics of spectatorship and archaeological representation? These initial thoughts form the basis for our archaeological explorations. Within current archaeological discourse, there are a growing number of requests for expressions, which illuminate and expose the interpretive and artistic qualities of presentation and narration. Yet few scholars actively utilise expressive practice to explore these philosophical issues. As such, we feel that this is an opportune time to intervene in the visual and textual discourse by issuing a manifesto for our project, building upon our previous works (e.g. Cochrane and Russell 2007). We call for the development of a critically reflexive practice of visual archaeological expressionism, which seeks to contest traditional modes of thought and action.

    27 min

  2. 03/12/2008

    Scholarcast 11: Art and Archaeology: Reflections of an Artist/Curator

    The presentation is based on my own experience as an artist/practitioner and the experience gained as Director/curator of Sculpture in the Parklands working with both Irish and international artists who have created new artworks that respond to the rich environmental, archaeological and industrial history of Lough Boora, County Offaly. For over 25 years my artwork has explored the subtleties of ritual and imagination. I create artefacts that often combine the textured surfaces and flowing lines of our past with the strong and austere forms of modern architecture. The ultimate goal is to create a work of art that is timeless, thought provoking and responsive to the human spirit. As Director and curator of Sculpture in the Parklands I have been an observer of artistic practice as opposed to directly involved in it. The sculpture park is located in a cut away bog that has been brought back to life over the past ten years through the introduction of lakes and wetland habitats. The sculpture project has added another layer of engagement for visitors to the area by combining visual and conceptual interpretations of geography, landscape, the industrial history of peat harvesting and the people who had lived and worked there. Besides permanent or time based work, the project has a commitment to commissioning video artists, composers, writers and performance artists to interpret and document this unique landscape, archaeology and industrial history.

    10 min

  3. 03/12/2008

    Scholarcast 10: Dust and Debitage: An Archaeology of Francis Bacon's Studio

    This short paper offers a personal reflection based on the author’s involvement in the reconstruction phase of the Francis Bacon studio project. During this project, archaeologists were employed to deconstruct or ‘excavate’ the contents of Francis Bacon’s painting studio in London, and meticulously reconstruct the room at Dublin City Gallery The Hugh Lane. The studio had long been renowned for its wondrously chaotic contents, its floor strewn with the debris of his creative practice, and its walls - which played the role of artist’s pallete - embellished with vibrant pigments. The paper draws on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.

    16 min

  4. 03/12/2008

    Scholarcast 9: Art to Archaeology to Archaeology to Art

    Professor Bailey discusses the various relationships between art and archaeology, and argues that the most exciting current work is pushing hard against the boundaries of both disciplines. His proposal is for archaeologists and artists to take big risks in their work and to cut loose the restraints of their traditional subject boundaries. The result will be work that is neither art nor archaeology, but something else altogether and something that can take the study of human nature into uncharted and exciting new territories.

    33 min

  5. 03/12/2008

    Scholarcast Series 2: Introduction by Ian Russell

    Introduction to Series 2 of UCDscholarcast by Ian Russell. In the summer of 2008, Ian Russell curated a series of contemporary art projects entitled Abhar agus Meon as part of Ireland’s hosting of the Sixth World Archaeological Congress at University College Dublin. The projects were placed in the shared spaces between the contemporary arts, archaeology and heritage in Ireland. This introduction is a reflective statement and contextualization of the projects and the intellectual history of the relationship between art and archaeology.

    10 min
  • 5 Episodes

About

This series features highlights from the many presentations in the Archaeologies of Art theme of the Sixth World Archaeological Congress. Douglass Bailey from San Francisco State University reflects on the current relationships between contemporary art and contemporary archaeology and suggests some radical new directions that this disciplinary collaboration can take. Blaze O'Connor discusses the unique synergy that was the archaeological excavation and reconstruction of the studio of modern painter Francis Bacon, meditating on archaeology's relationship to detritus, dust and debitage. In a special presentation from the Sixth World Archaeological Congress artist-in-residence, Kevin O'Dwyer speaks about his own artistic practice in relationship to archaeology and his curation and direction of 'Sculpture in the Parklands', a unique project engaging art, archaeology, ecology and the industrial heritages of Lough Boora, Co. Offaly. Finally, a manifesto challenging the theoretical foundations of archaeological thought and practice through an engagement with artistic and anthropological theory, is put forward by Andrew Cochrane and Ian Russell.

Information

To listen to explicit episodes, sign in.

Stay up to date with this show

Sign in or sign up to follow shows, save episodes and get the latest updates.
Select a country or region

Africa, Middle East, and India

Asia Pacific

Europe

Latin America and the Caribbean

The United States and Canada