38 min

Adriana Varejão The Great Women Artists

    • Arts

THIS WEEK on the GWA Podcast, I interview one of the most renowned artists living today, Adriana Varejão

Best known for her sculptural, almost architectural, paintings that extend far beyond the frame, Varejão has tackled themes of Brazilian cultural identity, challenged ideas of modern monuments, and in her art exposes colonial truths through traditional processes.

Drawing upon the visual language of the European Baroque, Chinese Song ceramics as well as Brazilian and other South American traditions – just as she once said: interest lies in the interactions between different latitudes of the world.

At once gory and theatrical, Varejão's work is all about what lies under the surface – literally – under the layers of canvas or plaster but also metaphorically, asking whose stories are being hidden, what violence is being covered up.

She has exhibited all over the world with major exhibitions in Sao Paulo, Rio de Janeiro, at the ICA in Boston, and in 2016 designed the Brazilian Olympic Aquatics Stadium. Today, Varejão's practice continues to break ground in how we interpret cross-global intersections and ideas.

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Mikaela Carmichael
Artwork by @thisisaliceskinner
Music by Ben Wetherfield

https://www.thegreatwomenartists.com/

THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

THIS WEEK on the GWA Podcast, I interview one of the most renowned artists living today, Adriana Varejão

Best known for her sculptural, almost architectural, paintings that extend far beyond the frame, Varejão has tackled themes of Brazilian cultural identity, challenged ideas of modern monuments, and in her art exposes colonial truths through traditional processes.

Drawing upon the visual language of the European Baroque, Chinese Song ceramics as well as Brazilian and other South American traditions – just as she once said: interest lies in the interactions between different latitudes of the world.

At once gory and theatrical, Varejão's work is all about what lies under the surface – literally – under the layers of canvas or plaster but also metaphorically, asking whose stories are being hidden, what violence is being covered up.

She has exhibited all over the world with major exhibitions in Sao Paulo, Rio de Janeiro, at the ICA in Boston, and in 2016 designed the Brazilian Olympic Aquatics Stadium. Today, Varejão's practice continues to break ground in how we interpret cross-global intersections and ideas.

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Mikaela Carmichael
Artwork by @thisisaliceskinner
Music by Ben Wetherfield

https://www.thegreatwomenartists.com/

THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

38 min

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