45 min
Barbara Bloemink on Florine Stettheimer The Great Women Artists
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- Arts
In episode 83 of The Great Women Artists Podcast, Katy Hessel interviews the esteemed scholar, Barbara Bloemink, on the Jazz Age visionary, FLORINE STETTHEIMER!!
*BOOK NEWS!* I have written a book! Order The Story of Art without Men here: https://www.waterstones.com/book/the-story-of-art-without-men/katy-hessel/9781529151145
A feminist, multi-media artist, Jazz-Age saloniste, poet and designer who captured the vibrancy and momentum of New York City’s growth between the World Wars, Stettheimer worked across words, painting, furniture and even costume design. To me was a revelation – and just as Georgia O'Keeffe so aptly observed in her friend: "Fantasy and reality all mixed up. She was perfectly consistent with any of her inconsistencies."
Although painting the glittering world of Europe and New York at the start of the twentieth century, Stettheimer was so much more than that. Above all, she was a visionary, who pioneered every field she found herself in, whether it be making costumes for Getrude Stein’s opera or boldly presenting herself in a fully-nude self portrait aged 46, reclaiming Manet’s Olympia.
Inventing a new language for modernism which was so brilliantly, charmingly and uniquely her own, with its whimsical figures who burst among the skyscrapers of NYC, Stettheimer drenched her paintings in bright shimmering colours and rich thick, textures.
ENJOY!
Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Research assistant: Viva Ruggi
Artwork by @thisisaliceskinner
Music by Ben Wetherfield
https://www.thegreatwomenartists.com/
In episode 83 of The Great Women Artists Podcast, Katy Hessel interviews the esteemed scholar, Barbara Bloemink, on the Jazz Age visionary, FLORINE STETTHEIMER!!
*BOOK NEWS!* I have written a book! Order The Story of Art without Men here: https://www.waterstones.com/book/the-story-of-art-without-men/katy-hessel/9781529151145
A feminist, multi-media artist, Jazz-Age saloniste, poet and designer who captured the vibrancy and momentum of New York City’s growth between the World Wars, Stettheimer worked across words, painting, furniture and even costume design. To me was a revelation – and just as Georgia O'Keeffe so aptly observed in her friend: "Fantasy and reality all mixed up. She was perfectly consistent with any of her inconsistencies."
Although painting the glittering world of Europe and New York at the start of the twentieth century, Stettheimer was so much more than that. Above all, she was a visionary, who pioneered every field she found herself in, whether it be making costumes for Getrude Stein’s opera or boldly presenting herself in a fully-nude self portrait aged 46, reclaiming Manet’s Olympia.
Inventing a new language for modernism which was so brilliantly, charmingly and uniquely her own, with its whimsical figures who burst among the skyscrapers of NYC, Stettheimer drenched her paintings in bright shimmering colours and rich thick, textures.
ENJOY!
Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Research assistant: Viva Ruggi
Artwork by @thisisaliceskinner
Music by Ben Wetherfield
https://www.thegreatwomenartists.com/
45 min