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Hailed as a “fully committed saxophonist and visionary” by The New Yorker, Ingrid Laubrock has evolved a distinctive, fascinatingly complex and richly layered sonic vocabulary that spans her efforts as an improviser, as leader of her own diverse ensembles or, as in the case of her captivating new album Purposing The Air, as composer and conceptualist for other musicians.Out April 11, 2025, Purposing The Air marks yet another adventurous exploration in a career marked by bold innovations. The album continues Laubrock’s engagement with the voice, following the blend of orchestra and choir on Contemporary Chaos Practices (2018). Purposing the Air is an expansive collection of 60 miniatures setting the words of poet Erica Hunt and her emotionally incisive piece “Mood Librarian – a poem in koan.” Approaching the poem’s succinct two- or three-line fragments as separate compositions, Laubrock tailored each of them for one of four duos: vocalist Fay Victor with cellist Mariel Roberts, vocalist Sara Serpa with pianist Matt Mitchell, vocalist Theo Bleckmann with guitarist Ben Monder, and mezzo-soprano Rachel Calloway with violinist Ari Streisfeld, aka the contemporary classical music ensemble Duo Cortona.While she’s never before so fully integrated words and voice into her work, Laubrock has enjoyed a lifelong appreciation for poetry and literature. Her father was a Goethe scholar, while her mother instilled a love for language in her children from an early age. During the early years of her career in London, Laubrock was a member of the Brazilian-influenced band Nois 4, which featured the Brazilian singer Mônica Vasconcelos as well as vocal contributions by Laubrock herself.

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