New Books in the American West New Books Network

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture.
In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press.
Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
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In Mexican Exodus: Emigrants, Exiles, and Refugees of the Cristero War (Oxford University Press, 2019), Julia G. Young reframes the Cristero War as a transnational conflict, using previously unexamined archival materials from both Mexico and the United States to investigate the intersections between Mexico's Cristero War and Mexican migration to the United States during the late 1920s. She traces the formation, actions, and ideologies of the Cristero diaspora--a network of Mexicans across the United States who supported the Catholic uprising from beyond the border.
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In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency.
Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China.
In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress.
A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury.
Other links:
—Katie on writing Anna May Wong’s biography, for Lithub
—An excerpt of Not Your China Doll, for PBS
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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The Pacific Ocean is twice the size of the Atlantic, and while humans have been traversing its current-driven maritime highways for thousands of years, its sheer scale proved an obstacle to early European imperial powers. Enter Lope Martin, a forgotten Afro-Portuguese ship pilot heretofore unheralded by historians. 
In Conquering the Pacific: An Unknown Mariner and the Final Great Voyage of the Age of Discovery (Mariner Books, 2021), UC-Davis history professor and Bancroft Prize winner Andrés Reséndez tells the story of Martin and the broader history of trans-Pacific travel in the 16th century. Part environmental history, part imperial expeditionary tale, and part swashbuckling adventure, Reséndez recounts thousands of years of Pacific history, tracking the long story of connection between the western coast of the Americas and the eastern coast of Asia. In doing so, he reveals just how dynamic and metropolitan early imperial Spanish maritime culture was, and broadens our horizons beyond the usual stories of well known explorers such as Columbus and Magellan. By unearthing the long-ignored story of Martin, Conquering the Pacific reveals a rich history of excitement, danger, and of human resilience under remarkable circumstances.
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Imagine an environmentalist. Are you picturing a Birkenstock-clad hippie? An office worker who hikes on weekends? A political lobbyist? What about a modern day timber worker? 
This last group is at the center of University of Oregon historian Steven C. Beda's new book, Strong Winds and Widow Makers: Workers, Nature, and Environmental Conflict in Pacific Northwest Timber Country (U Illinois Press, 2023). In Beda's telling, it's timber workers, as lovers of the outdoors who also rely upon healthy forests for their livelihoods, who are often at the forefront of local environmentalism, including organizing at the crossroads of labor and environmental activism. From the late 19th century onwards, timber works imbued the Pacific Northwest with a sense of place inaccessible to upper-class Northern California newcomers who changed the region's cultural and political calculus in the late 20th century. We live in a timber society, Beda argues, and no one knows what that means nearly as much as the workers who turn trees into books like this.
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In Code Work: Hacking Across the US/México Techno-Borderlands (Princeton UP, 2023), Héctor Beltrán examines Mexican and Latinx coders’ personal strategies of self-making as they navigate a transnational economy of tech work. Beltrán shows how these hackers apply concepts from the code worlds to their lived experiences, deploying batches, loose coupling, iterative processing (looping), hacking, prototyping, and full-stack development in their daily social interactions—at home, in the workplace, on the dating scene, and in their understanding of the economy, culture, and geopolitics. Merging ethnographic analysis with systems thinking, he draws on his eight years of research in México and the United States—during which he participated in and observed hackathons, hacker schools, and tech entrepreneurship conferences—to unpack the conundrums faced by workers in a tech economy that stretches from villages in rural México to Silicon Valley.
Beltrán chronicles the tension between the transformative promise of hacking—the idea that coding will reconfigure the boundaries of race, ethnicity, class, and gender—and the reality of a neoliberal capitalist economy divided and structured by the US/México border. Young hackers, many of whom approach coding in a spirit of playfulness and exploration, are encouraged to appropriate the discourses of flexibility and self-management even as they remain outside formal employment. Beltrán explores the ways that “innovative culture” is seen as central in curing México’s social ills, showing that when innovation is linked to technological development, other kinds of development are neglected. Beltrán’s highly original, wide-ranging analysis uniquely connects technology studies, the anthropology of capitalism, and Latinx and Latin American studies.
Mentioned in this episode, among others:

Anzaldúa, G. (1987). Borderlands / La Frontera: The New Mestiza. Aunt Lute Books.

Hong, G. K., & Ferguson, R. A. (Eds.). (2011). Strange Affinities: The Gender and Sexual Politics of Comparative Racialization. Duke University Press.

Coleman, E. G. (2012). Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press.


Héctor Beltrán is Class of 1957 Career Development Assistant Professor of Anthropology at MIT, where he teaches “Cultures of Computing,” “Hacking from the South,” and “Latin American Migrations.”
Liliana Gil is Assistant Professor of Comparative Studies (STS) at the Ohio State University.
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