Rebecca's Reading Room

Rebecca Budd

Welcome to my Reading Room where stories dwell and words ignite our imagination. Rebecca’s Reading room is a virtual space that has been set aside for reading and reflection. It is a place where stories and poetry are given voice. I am your host, Rebecca Budd. I look forward to sharing these moments with you

  1. 1 DEC

    The Elephant Child by D. Wallace Peach

    S5 E18: The Elephant Child by D. Wallace Peach © An elephant child, carefree and wild Walked into the wintry woods He followed fox tails and jackrabbit trails Ignoring his mother’s “shoulds” Of course, he got lost and chilled by the frost As night began to fall To his rump he sunk and tooted his trunk But no one answered his call Oh, that cold night, to the elephant fright The clouds began to snow He sniffled and shivered, shook and quivered His nose he needed to blow The blizzard swirled and snowflakes twirled He plodded on wobbly knees His head grew stuffy, the snow so fluffy He blew out a honking sneeze Losing hope, he started to mope When in an evergreen tree He spied a house, just right for a mouse And he let go a trumpet of glee Alas the place hadn’t the space To fit an elephant’s bulk The lost little guy plunked down for a cry His head hung low in a sulk The house was quite nice, chock full of mice Who whispered quiet and low What was that? Did you hear a cat? Lurking out in the snow? Across the wood floor, they dashed to the door Flicked on the outside light In a rodent flurry, they squeaked and scurried An elephant! What a sight! Let’s offer a seat for a tea and a treat Said a mouse who felt overly bold I think he is lost so covered in frost And surely his ears are cold. Full of care and courage to spare They crawled out on a limb They slipped on the ice those brave little mice And their mission turned quite grim But they held on tight with all their might And called to the elephant Come in from the storm, come in and get warm But the elephant said I can’t! Though I’m only four, I’ll bust the door I’ll break the branch from the tree I’ll crack your stairs and squash your chairs I’m far too heavy, you see. You have to try, hurry in and dry Get up! Please give it a go! The elephant groaned, he mumbled and moaned Though he longed to get out of the snow. With strength galore, he pushed on the door The tree branch started to bend The home nearly fell, and the mice had to yell Please stop, or we’re end-over-end! The elephant frowned as the flakes tumbled down His trunk a bright shade of blue Oh, what a glitch, mice-whiskers did twitch. What were the rodents to do? Now, due to their size, mice aren’t very wise Their brains are as tiny as seeds They may not be smart, but they have lots of heart And sometimes that’s all that you need. They sketched out a plan as only mice can And piled his back with sweaters And blankets and sheets, and curtains with pleats Tiny coats of wool and black leather With the elephant warm, and safe from all harm They dialed their old-fashioned phone We’re seeking his mother, a father or brother! This elephant’s all alone! Well what do you know, because of the snow His parents were suffering fits They dashed to him fast and hugged him at last And stayed for some tea and biscuits. Thus ends the plight of the elephant’s night Be careful when out in the woods You might meet some mice who are caring and nice But just in case… Remember your mother’s shoulds Poem by D. Wallace Peach Recitation by D. Wallace Peach Photography by Rebecca Budd Music by Howard Harper-Barnes “A Leaf Falls” #EpidemicSound https://www.epidemicso...

    5 min
  2. 4 NOV

    October by Robert Frost

    S5 E17 October By Robert Frost O hushed October morning mild,Thy leaves have ripened to the fall;Tomorrow’s wind, if it be wild,Should waste them all.The crows above the forest call;Tomorrow they may form and go.O hushed October morning mild,Begin the hours of this day slow.Make the day seem to us less brief.Hearts not averse to being beguiled,Beguile us in the way you know.Release one leaf at break of day;At noon release another leaf;One from our trees, one far away.Retard the sun with gentle mist;Enchant the land with amethyst.Slow, slow!For the grapes’ sake, if they were all,Whose leaves already are burnt with frost,Whose clustered fruit must else be lost—For the grapes’ sake along the wall. October: A Celebration of Quiet Resilience When I first recited “October” in 2020, the world was standing still. Streets were empty, gatherings were postponed, and even the air seemed to hesitate. Yet in that pause, poetry found its voice again. Frost’s gentle invocation to ‘retard the sun with gentle mist’ became a kind of prayer. Not for escape, but for endurance. Resilience does not always roar. Sometimes, it whispers ‘slow, slow.’ It asks us to hold on just a little longer, to find beauty even in uncertainty. In Frost’s world, the falling of each leaf is not a loss but part of the rhythm of survival. Each pause, each delay, each quiet act of attention becomes an affirmation that life continues in tender, imperfect, and enduring ways. Looking back now, “October” reminds me how we learned to adapt: to find comfort in small rituals, to connect through words when touch was forbidden, and to let art and poetry become our gathering places. The mist that Frost imagined became, for us, a shelter with a soft veil through which we could still see light. So today, as leaves again turn to gold and wind stirs through the trees, I read “October” not as a farewell, but as a renewal. It is a reminder that even in seasons of loss, resilience grows quietly, leaf by leaf, word by word, morning by morning. Until the next page turns, Rebecca Music by Epidemic Sound Snow In June by Martin Landh https://www.epidemicsound.com/music/tracks/6a1b6e6b-a192-3195-9c4b-fa9f1e322cdd/

    3 min
  3. 31 OCT

    Celebrating Halloween with Carl Sandburg

    S5 EX: Celebrating Halloween with Carl Sandburg Happy Halloween! Why do we love Halloween? Maybe it’s the thrill of shadows, the whispered stories of ghosts and goblins, or the sheer joy of transforming the ordinary into the extraordinary with costumes, pumpkins, and flickering candles. Halloween is a night where imagination takes the lead — where even the wind seems to carry secrets. Tonight, I’m celebrating Halloween with Carl Sandburg, who had a gift for finding poetry in the everyday. His short poem, Theme in Yellow, doesn’t dwell on fright or fear. Instead, he turns to the pumpkin — that bright, round companion of autumn — and gives it a mischievous voice. The jack-o’-lantern smiles with a glow that is equal parts harvest warmth and playful trickery. Sandburg’s images — yellow balls on the hills, orange and tawny gold in the cornfields, the harvest moon rising — remind us that Halloween isn’t just about spooks and scares. It’s also about autumn’s abundance, the laughter of children, and the community that gathers around the simple magic of light in the dark. So when you see a pumpkin glowing on a porch tonight, think of Sandburg’s words, and know that you are part of a tradition that stretches across fields, front steps, and generations Theme in Yellowby Carl Sandburg  I spot the hillsWith yellow balls in autumn.I light the prairie cornfieldsOrange and tawny gold clustersAnd I am called pumpkins.On the last of OctoberWhen dusk is fallenChildren join handsAnd circle round meSinging ghost songsAnd love to the harvest moon;I am a jack-o’-lanternWith terrible teethAnd the children knowI am fooling. As October draws to a close, I am reminded that Halloween is more than a night of costumes and candy. It is a pause at the threshold between seasons — a moment when the glow of a pumpkin lantern can carry us back to the wonder of childhood and forward into the quiet of November.  Carl Sandburg’s Theme in Yellow shows me that even in the simplest of images — a smiling jack-o’-lantern, a harvest moon — there is both playfulness and grace. This Halloween, I celebrate not only the mysteries of the night, but also the gift of imagination that lets us find light, even in the gathering dark. Thank you for joining me in celebrating Halloween with Carl Sandburg. Until next time we meet, keep reading and reciting poetry. Rebecca Photography and Poetry Recitation by Rebecca Budd Music by Epidemic Sound“Creepy Crawly” by Arthur Benson “Creepy Crawly” https://www.epidemicsound.com/track/h6bdDl6AwC/ Location Simon Fraser University, Burnaby Campus

    2 min
  4. 21 SEPT

    Letting Go – A Reflection on Sara Teasdale’s Poem, “Leaves”

    S5 E16: Letting Go – A Reflection on Sara Teasdale’s Poem, “Leaves” “One by one my leaves fall. As the wind wills I let them go.” So begins Sara Teasdale’s quietly powerful poem Leaves. With just two lines, she opens a meditation on release — not as an act of despair, but as an act of grace. Teasdale often wrote at the edges of feeling, where the heart meets the natural world. In Leaves, she surrenders to change — not passively, but with the wisdom of someone who has lived through many seasons. Each falling leaf becomes a metaphor for what we are asked to release in life: expectations, grief, youth, even love. And yet, there is no bitterness in her words. Only stillness. Only wind. This poem reminds me that letting go doesn’t always need to be loud. There is a quiet strength in yielding, a power in choosing not to hold too tightly. In my own life, I have found this kind of gentle release in moments of transition — the closing of a chapter, the farewell to a place or person, the shift from one season of being to the next. Teasdale captures that threshold with exquisite simplicity. Leaves by Sarah Teasdale One by one, like leaves from a tree, All my faiths have forsaken me; But the stars above my head Burn in white and delicate red, And beneath my feet the earth Brings the sturdy grass to birth. I who was content to be But a silken-singing tree, But a rustle of delight In the wistful heart of night I have lost the leaves that knew Touch of rain and weight of dew. Blinded by a leafy crown I looked neither up nor down But the little leaves that die Have left me room to see the sky; Now for the first time I know Stars above and earth below How Sara Teasdale Speaks to Our World Today Though Sara Teasdale wrote in the early 20th century, her poetry carries an intimacy that feels strikingly relevant to our 21st-century lives. In an age of rapid change, digital noise, and constant performance, her voice is a balm — spare, honest, and deeply human. My Takeaway Leaves, in particular, mirrors the quiet struggles of letting go — of identities, relationships, dreams, or expectations. While the world often celebrates noise, speed, and achievement, Teasdale reminds us of the sacredness of stillness, the dignity of sorrow, and the strength it takes to soften. Her work did not shy away from isolation, longing, or existential reflection. Those same emotions feel even more present today, in the midst of uncertainty, climate anxiety, and personal reinvention. In her words, we find a mirror for our contradictions: desire and solitude, hope and melancholy, beauty and transience. Perhaps that is why she still feels so alive to us now. Teasdale gives us permission to linger — to feel deeply, to let things go at our own pace. In her gentleness, there is a kind of rebellion. And in her vulnerability, a timeless strength. For me, this poem is an invitation to trust the seasons of our lives. We cannot stop the leaves from falling, but we can choose how we let them go. To release what no longer serves us is not weakness — it is wisdom. And how fitting to reflect on this now, in September — the month when the air sharpens, the light softens, and the trees begin their quiet surrender. September has always been my favourite month, a time when endings and beginnings weave together. In Teasdale’s words, I hear not only farewell, but also the promise of renewal. So today, I invite you to pause with her poem. Let it stir your own memories, your own moments of soft surrender. Perhaps you, too, are releasing something right now. If so, may the wind be kind. Thank you for joining me in Rebecca’s Reading Room. Rebecca Photography & Recitation by Rebecca BuddMusic by Epidemic Sound Music by Ström “Vila” https://www.epidemicsound.com/track/Z...

    3 min
  5. 29 AUG

    Happy Birthday Johann Wolfgang von Goethe

    S5 E15: Happy Birthday Johann Wolfgang von Goethe Today, August 28, 1749, Johann Wolfgang von Goethe was born in Frankfurt am Main, Germany. Poet, playwright, novelist, philosopher, scientist — Goethe embodied the boundless energy of creativity. His words carried the currents of human longing, joy, and striving into every corner of life. Centuries later, we still turn to him, not out of duty to the “canon,” but because his voice feels startlingly alive. He reminds us that literature is not static; it is a living, breathing companion to our journeys. For me, Goethe has become a guide through the labyrinth of Faust. That great, mysterious work continues to reveal new pathways each time I open its pages. It is not just a play but a meditation on being human: on ambition, temptation, wonder, and the search for meaning. “Whatever you can do or dream you can, begin it; Boldness has genius, power, and magic in it.” Today, I lift my glass in a toast to Goethe — to his courage in dreaming, to his insistence on beginning, and to the enduring magic that his words offer to every reader who dares to follow. Here in Rebecca’s Reading Room, I invite you to pause with me. Perhaps read a line of Goethe aloud. Perhaps take a quiet moment to dream. And most of all, to celebrate the wonder of words that outlive time. Happy Birthday, Goethe! May your voice continue to echo in our lives. With joy and gratitude Rebecca Note: As Don and I explore the creative possibilities of voice, we are experimenting with ways to artistically reimagine how past voices might sound if they could speak to us today. What might Goethe say, if he could step across centuries to offer us a lesson? These are not impersonations but tributes — a way of bringing literature to life in new forms, so that it may continue to echo in our present. This audio performance was created in collaboration with Don and with the help of ElevenLabs AI voice technology. Our aim is not impersonation but artistic reimagining — a way of bringing literature to life for a new generation of listeners. Music is by Epidemic Sound: “All that you will be” by Gavin Luk The photograph of is of Johann Wolfgang von Goethe at age 79 by Joseph Karl Stieler, Public domain, via Wikimedia Commons

    4 min
  6. 27 JUN

    “Benediction” by Georgia Douglas Johnson

    S5 E14: Benediction by Georgia Douglas Johnson There are moments in life when we are called to let go — not out of indifference, but out of deep, abiding love. Georgia Douglas Johnson’s Benediction captures such a moment with tenderness and strength. It is the voice of an elder, perhaps a parent or mentor, sending their beloved into the world with a heart full of hope and release. When I first read this poem, I felt a sense of destiny — not just for the speaker’s son, but for my own. We want the best for our children. We dream for them, pray for them, and carry them with our whole hearts. And yet, there comes a time when we must let them go. We send them forward, knowing that they are stepping into parts of life we may never see. This is the quiet ache and the deep joy of parenthood: to be the wind beneath their wings, even as we step back and watch them rise. Here is the poem that stirred these reflections: Benediction by Georgia Douglas Johnson Go forth, my son, Winged by my heart’s desire! Great reaches, yet unknown, Await For your possession. I may not, if I would, Retrace the way with you, My pilgrimage is through, But life is calling you! Fare high and far, my son, A new day has begun, Thy star-ways must be won! This poem is in the public domain Legacy, Light, and the Harlem Renaissance Georgia Douglas Johnson’s Benediction belongs to the cultural and literary movement of the Harlem Renaissance — a time when Black poets, artists, and thinkers brought forth a powerful creative surge that reshaped American arts and letters. It was a renaissance of voices long silenced, expressing pain, pride, resilience, and joy. This poem, though intimate in tone, echoes a collective history. It feels like a passing of the torch — from one generation that has endured much to another with boundless possibility. In this way, Benediction speaks to all of us, especially today, as we reckon with legacy and responsibility, past and future. Georgia’s words remind us that every journey is made possible by those who came before — and that blessings given in love can become the wings that carry us forward. Thank you for sharing this special moment with me in my reading room. Rebecca Music by Epidemic Sound Francis Wells “What Might Have Been” https://www.epidemicsound.com/track/qtKx4CYCCe/

    2 min
  7. 29 MAY

    As If The Sea Should Part by Emily Dickinson

    S5 E12: As if the Sea should Part by Emily Dickinson The poem "As If The Sea Should Part" by Emily Dickinson delves into the concept of infinity through the imagery of an infinite ocean. The speaker envisions the sea parting to reveal further seas, symbolizing an endless sequence and emphasizing the vastness of the natural world, ultimately questioning the limits of human perception.In contrast to some of Dickinson's other works, this poem is notably concise and centered on a singular theme, lacking the intricate imagery and complex syntax often present in her poetry. However, it echoes her recurring exploration of the relationship between the finite and the infinite.From a historical perspective, “As If The Sea Should Part” aligns with the Romantic era’s preoccupation with the sublime and the natural world. The speaker’s profound wonder at the boundless ocean and the suggestion of an unseen realm beyond it captures the Romantic aspiration to surpass the constraints of human comprehension.My takeaways from “As If The Sea Should Part” by Emily DickinsonI felt a sense of awe and contemplation about the infinite, the vastness of the natural world and the constraints of human understanding. “Themselves the Verge of Seas to be—Eternity—is Those” inspired a deeper consideration of the infinite and the mysteries of existence. Emily invited me to explore my relationship with the unknown and the profound.As If the Sea should part by Emily Dickinson695As if the Sea should partAnd show a further Sea—And that—a further—and the ThreeBut a presumption be—Of Periods of Seas—Unvisited of Shores—Themselves the Verge of Seas to be—Eternity—is Those—Recitation by Rebecca BuddLocation: Victoria, British ColumbiaMusic by Epidemic Sound“For What Is Right” By Trevor Kowalskihttps://www.epidemicsound.com/track/W...

    3 min

About

Welcome to my Reading Room where stories dwell and words ignite our imagination. Rebecca’s Reading room is a virtual space that has been set aside for reading and reflection. It is a place where stories and poetry are given voice. I am your host, Rebecca Budd. I look forward to sharing these moments with you