Rebecca's Reading Room

Rebecca Budd
Rebecca's Reading Room Podcast

Welcome to my Reading Room where stories dwell and words ignite our imagination. Rebecca’s Reading room is a virtual space that has been set aside for reading and reflection. It is a place where stories and poetry are given voice. I am your host, Rebecca Budd. I look forward to sharing these moments with you

  1. 20 AUG

    Sonnet 18: Shall I compare thee to a summer’s day? By William Shakespeare

    S4 E11: Sonnet 18: Shall I compare thee to a summer’s day By William Shakespeare Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date; Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st; Nor shall death brag thou wander’st in his shade, When in eternal lines to time thou grow’st:    So long as men can breathe or eyes can see,    So long lives this, and this gives life to thee. Sonnet 18 by William Shakespeare is perhaps one of the best-known and most-loved poems in the English language. It is part of the Fair Youth sequence, a series of sonnets that are addressed to a young man of great beauty. The sonnet’s opening line, “Shall I compare thee to a summer’s day?,” immediately sets the tone for the poem. William Shakespeare goes on to describe how the beauty of the young man surpasses that of a summer’s day, which is often seen as the epitome of beauty and vitality. The use of imagery throughout the sonnet allows the reader to vividly imagine the young man’s timeless beauty. The poem also explores the theme of immortality through verse, as Shakespeare promises that the young man’s beauty will be preserved forever in his words. The concluding couplet, “So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee,” further emphasizes the idea that the poem itself will ensure the young man’s enduring legacy. When I recite Sonnet 18 I feel a sense of awe and admiration for the enduring power of love and beauty, the timeless elegance and the transcendence of mortality. Giving voice to William Shakespeare’s words prompts a deep connection to the beauty of nature and an acknowledgment of the immortalizing effect of art and poetry. Music by Epidemic Sound Candelion “Anten Before Dawn” https://www.epidemicsound.com/track/oBHRGzcbsI/

    3 min
  2. 2 AUG

    August Moonrise by Sara Teasdale

    S4 E10: August Moonrise by Sara Teasdale I am on a leisurely walk in a North Vancouver nature park. I feel the tranquil embrace of August enticing me to pause, and breathe deeply under the canopy of trees. I take out a poem by Sara Teasdale that I have chosen to recite to the stillness around me – August Moonrise. Celebrating the coming of August with Sara Teasdale Welcome to a serene exploration of Sara Teasdale’s profound literary legacy amidst the tranquil beauty of August. Nature’s Transcendence In this poignant poem, Sara Teasdale departs from her previous themes of love and loss, delving into the post-World War I disillusionment and embracing a more existential tone. The speaker’s immersion in the beauty of nature provides a brief respite from the harsh realities of life. The vivid imagery of the moonrise and the forest evokes a profound sense of awe and wonder, while the questioning of the soul’s existence is juxtaposed with the solace found in the belief that beauty can transcend death. Through this lens, the poem stands as a testament to the enduring power of nature to inspire and provide meaning in the face of life’s uncertainties. August Moonrise by Sara Teasdale The sun was gone, and the moon was coming Over the blue Connecticut hills; The west was rosy, the east was flushed, And over my head the swallows rushed This way and that, with changeful wills. I heard them twitter and watched them dart Now together and now apart Like dark petals blown from a tree; The maples stamped against the west Were black and stately and full of rest, And the hazy orange moon grew up And slowly changed to yellow gold While the hills were darkened, fold on fold To a deeper blue than a flower could hold. Down the hill I went, and then I forgot the ways of men, For night-scents, heady, and damp and cool Wakened ecstasy in me On the brink of a shining pool. O Beauty, out of many a cup You have made me drunk and wild Ever since I was a child, But when have I been sure as now That no bitterness can bend And no sorrow wholly bow One who loves you to the end? And though I must give my breath And my laughter all to death, And my eyes through which joy came, And my heart, a wavering flame; If all must leave me and go back Along a blind and fearful track So that you can make anew, Fusing with intenser fire, Something nearer your desire; If my soul must go alone Through a cold infinity, Or even if it vanish, too, Beauty, I have worshipped you. Let this single hour atone For the theft of all of me. This poem is in the public domain. Thank you, dear listeners, for embracing the timeless beauty of Sara Teasdale’s “August Moonrise” with me. Your presence added depth and warmth to this poetic journey, enriching our shared experience amidst the time of August. May we continue to cherish the profound themes of love, nature, and existential contemplation woven eloquently by Teasdale’s pen. Here’s to many more moments of poetic inspiration together. Photography and Recitation by Rebecca Budd Location: Lower Seymour Conservation Reserve, North Vancouver Music by Epidemic Sound “Colors in Movement” By Johannes Bornlöf https://www.epidemicsound.com/track/Pomv6C3lbP/

    5 min
  3. 26 JUL

    Change on Change by Elizabeth Barrett Browning

    S4 E9: Change on Change by Elizabeth Barrett Browing Welcome to Poetry in the Evening. We are connected to nature in ways that cannot be fully understood. Poetry allows us to explore the relationship with the world around us. “Change on Change’ by Elizabeth Barrett Browning is a poem about lost love and change envisioned through the lens of changing seasons. Love flourished through spring and summer, but when the cooler winds of autumn arrive, there has been a parting, a loss. What is left is the sound of the river and the blush on the poet’s cheeks. With every transition, we are influenced by the events and experiences that have occurred. As winter comes nearer, the poet recognizes that she is no longer the person of the spring and summer months. Transitions hold emotional nuances that have a poignancy that brings both sadness for what was, but also joy for what has been gained as we move forward. I invite you to join me in reciting, Change on Change by Elizabeth Barrett Browning. 1.  Three months ago, the stream did flow,     The lilies bloomed along the edge; And we were lingering to and fro,— Where none will track thee in this snow,     Along the stream, beside the hedge. Ah! sweet, be free to come and go;     For if I do not hear thy foot,     The frozen river is as mute,—     The flowers have dried down to the root;     And why, since these be changed since May,         Shouldst thou change less than they?  2. And slow, slow as the winter snow,     The tears have drifted to mine eyes; And my two cheeks, three months ago, Set blushing at thy praises so,     Put paleness on for a disguise. Ah! sweet, be free to praise and go;     For if my face is turned to pale,     It was thine oath that first did fail,—     It was thy love proved false and frail!     And why, since these be changed, I trow,         Should I change less than thou? This poem is in the public domain.  Recitation and photography by Rebecca Budd Music by Trevor Kowalski “Courage Endures” #EpidemicSound https://www.epidemicsound.com/track/qrx7ztOb5O/

    3 min
  4. 7 JUL

    Three Girls by Hazel Hall

    S4 E8: Three Girls by Hazel Hall Hazel Hall (1886 - 1924) was an American poet born in Saint Paul, Minnesota on February 7, 1886, and raised in Portland, Oregon. She is often described as the "Emily Dickinson of Oregon" due to her introspective and lyrical poetry, as well as her reclusive lifestyle. Hazel’s work often explored themes of nature, beauty, and the inner world of emotions. Her poetry received recognition for its depth and imagery, contributing to the literary landscape of the Pacific Northwest during the early 20th century. Poem “Three Girls” by Hazel Hall Three school-girls pass this way each day: Two of them go in the fluttery way Of girls, with all that girlhood buys; But one goes with a dream in her eyes, Two of them have the eyes of girls Whose hair is learning scorn of curls, But the eyes of one are like wide doors Opening out on misted shores. And they will go as they go to-day On to the end of life’s short way; Two will have what living buys, And one will have the dream in her eyes. Two will die as many must, And fitly dust will welcome dust; But dust has nothing to do with one — She dies as soon as her dream is done. The poem “Three Girls” depicts the contrasting paths of three schoolgirls as they navigate through life. It portrays the dreams and aspirations of one girl set apart from the others, emphasizing the idea of pursuing individual dreams and the potential hardships that may accompany such pursuits. The poem reflects on themes of resilience, determination, and the significance of following one’s unique aspirations, despite societal expectations. “Three Girls” underscores the lasting impact of the choices individuals make and the distinct outcomes that may result from these choices. Overall, the poem serves as a reflection on the complexities of human ambition and the diverse trajectories that unfold in the journey of life. Recitation by Rebecca Budd Three Girls Image created by Rebecca Budd using Bing Co-pilot from a prompt "three girls in 1800's attire in field of flowers) Music by Epidemic Sound David Celeste “Planting the Seeds” https://www.epidemicsound.com/track/IBlGXBtUbu/

    4 min
  5. 22 JUN

    The Rabbit Hole - A Short Story by Teagan Ríordáin Geneviene

    S4 E7: The Rabbit Hole - A Short Story by Teagan Ríordáin Geneviene Teagan Ríordáin Geneviene’s “The Rabbit Hole – A Short Story” offers an exciting retelling of the timeless classic, “Alice’s Adventures in Wonderland” by Lewis Carroll. In this reimagining, readers are taken on a journey through a fantastical realm, guided by Teagan’s distinctive narrative style and imaginative storytelling. “The Rabbit Hole” introduces a fresh perspective to the beloved tale, weaving together whimsical elements with the rich tapestry of Carroll’s original work. Through Teagan’s creative lens, the familiar characters and settings of Wonderland come alive in a way that both honours the essence of the original story and adds new layers of depth and intrigue. With skillful prose and an evident reverence for the source material, Teagan Ríordáin Geneviene’s retelling invites readers to rediscover the wonder and magic of Wonderland while experiencing a unique and enchanting literary adventure. I invite you to listen in to Teagan's"The Rabbit Hole - A Short Story! Music by Epidemic Sound Arthur Benson "Stay Whimsical" https://www.epidemicsound.com/track/CzXKh5aj7v/ Arthur Benson "How to Tango" https://www.epidemicsound.com/track/bf1W6dALwc/ Arthur Benson "Jello Walking" https://www.epidemicsound.com/track/LGLwURMzSt/ Arthur Benson "Tiny Footsteps" https://www.epidemicsound.com/track/x0o9cgWUve/ Jon Björk "Floating on a Summer Breeze" https://www.epidemicsound.com/track/tQQ0pPHEhU/

    18 min
  6. 14 JUN

    “June” by Douglas Malloch

    S4 E6: “June” by Douglas Malloch Welcome to the month of June. What better way to celebrate than with poetry. I have chosen a poem by Douglas Malloch (May 5, 1877 – July 2, 1938)  which is dedicated to the month of June. The poem is entitled simply, “June.” June by Douglas Malloch I knew that you were coming, June, I knew that you were coming! Among the alders by the stream I heard a partridge drumming; I heard a partridge drumming, June, a welcome with his wings, And felt a softness in the air half Summer’s and half Spring’s. I knew that you were nearing, June, I knew that you were nearing— I saw it in the bursting buds of roses in the clearing; The roses in the clearing, June, were blushing pink and red, For they had heard upon the hills the echo of your tread. I knew that you were coming, June, I knew that you were coming, For ev’ry warbler in the wood a song of joy was humming. I know that you are here, June, I know that you are here— The fairy month, the merry month, the laughter of the year! Douglas Malloch (May 5, 1877 – July 2, 1938) was an American poet, short-story writer, and Associate Editor of American Lumberman magazine. He was known for his poems that celebrated the virtues of the lumberjack and the natural world. Malloch’s work often reflected his deep admiration for the outdoors and the rugged individuals who worked in the logging industry. Photography and Poetry Recitation by Rebecca Budd Music by Epidemic Sound Christoffer Moe Ditlevsen “Soul Temple” https://www.epidemicsound.com/track/QFGbmsiLoc/

    4 min

About

Welcome to my Reading Room where stories dwell and words ignite our imagination. Rebecca’s Reading room is a virtual space that has been set aside for reading and reflection. It is a place where stories and poetry are given voice. I am your host, Rebecca Budd. I look forward to sharing these moments with you

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