The History Of European Theatre Philip Rowe

Episode 64
In the first part of season four we bridge the gap between the Medieval and Renaissance periods with a mention of the key artistic movements and historical events that can be used to mark the beginning of the period.
How theatre looked back to the rediscovered plays of Ancient Greece and Rome and the writings of Vitruvius on Theatre Architecture.
The earliest plays of the period, showing how the Renaissance got started in the late 1300s.
A word on the development of Opera and Ballet.
For the chance to see Lazarus Theatre production of Salome by Oscar Wilde on line until 5th December 2021 go to https://www.lazarustheatrecompany.co.uk/salomé
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Episode 65
The development of tragedy and comedy in early Italian renaissance theatre happened on parallel paths as each struggeled to look forward rather than back.
The development of Tragedy following the rediscovery of the plays of Sophocles.
The continuing influence of Aristotle and Seneca.
Playwrights Giovani Trissino and Giovanni Giraldi (aka Cinthio)
The court at Ferrara and bloody tragedy
Other notable tragedians from the period.
The development of comedy as 'Comedy Erudite' and the continuing influence of Terence and Plautus
The court at Ferrara and a new form of comedy
Three great comic writers: Lodovico Ariosto, Niccolo Machiavelli and Pietro Aretino


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Episode 66
Continuing from the last episode with more comedic dramatists from the Italian renaissance we meet Angelo Beolco who, under the tutorage of Ariosto, created, and became synonymous with, the character of Ruzzante.
Then on to Alessandro Piccolomini and Giovan Maria Cecchi, who both left indelible traces on the development of comedy in the sixteenth century.
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Episode 67
In this third part of the story of theatre in the Italian Renaissance the counter reformation overshadows the work of playwrights.
We conclude the story of Giovan Maria Cecchi with a look at his later sacred drama that still managed to amuse and entertain.
The plays of Leone de'Sommi are mostly lost thanks to a library fire, but his surviving plays are of interest as we see a Jewish playwright operating both in and for the culture of his community and in the context of broader renaissance theatre.
The review concludes with the work of Giambattista della Porta, a Neapolitan playwright who was outspoken in his plays and paid and fell foul of the Italian Inquisition.
Support the podcast at:
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Episode 68
A detailed look at 'La Pellegrina', a play written for the wedding celebrations of Grand Duke Fernando of Sienna in 1589.
The background to the writing of the play commissioned by Cardinal Fernando Di Midici
A description of the plot of the play
Some commentary on the play, its relationship to Ancient Greek and Roman drama, the changes in stop characters since the beginning of Renaissance Italian Theatre and its legacy.
Support the podcast at:
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Episode 69
The Renaissance met the Reformation in the Germanic States of Northern Europe so we start with a word on Martin Luther and his love of music and qualified approval of theatre.
Latin drama of Jacob Wimpheling and Thomas Naogeorgus.
The history of Hanswurst and Brandt's 'Ship of Fools'
'Students' by Christoph Stumble gets it's second mention on the podcast.
The versatility of Johannes Reuchlin
German biblical plays
The German plays of Henrich Julius von Braunschweig, Duke of Brunswick
The extraordinary life of Nicodemus Frischlin and his comedy 'Julius Redivivus’
The impact of the thirty years war.
Support the Podcast at:
www .thehistoryofeuropeantheatre.com
www.patreon.com/thoetp
www.ko-fi.com/thoetp


This podcast uses the following third-party services for analysis:

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