The History Of European Theatre Philip Rowe

Episode 62
With the Reformation came the final end of the great Religious plays of the medieval period. The episode sumarises the great trends of medieval theatre and charts the final end as Europe descended into religious disagreement.
A reminder of the journey from the religious trope, thorough the folk festivals, the cycle plays, the saints play, the morality play and the interlude.
The end of Medieval Theatre as brought about by the Reformation and political and sociological changes.
Some final thoughts on the legacy of Medieval Theatre.
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Episode 61
Once the medieval theatre had moved out of the confines of the church and away from religious obligation a form of commercial theatre began, but how was money spent and income generated and was it profitable?
The rise of commercial theatre through the Interlude and the Travelling Players
Play expenses and income
The rising costs of the Cycle Plays and other entertainments
The actors contract
The production of 'Mystery Des Trois Doms' and what it tells us about collaboration
The relationship between the concerns of the Church, the State, and the Guilds
The player in the service of a Lord.


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Episode 60
Religious theatre dominated the Medieval period, but there are some examples of works written just for fun and entertainment.
How celebrations like The Feast of Fools, The Boy Bishop and The Feast of Asses developed into secular theatre.
The rise and influence of the travelling players and the church reaction to some of their work.
The French travelling players Rutebeuf and Adam De La Hale.
French Medieval comedy
The establishment of performers guilds and the role of the player in service of a king or lord.
A rare example of political satire in Medieval France.
The Interlude and the work of Henry Medwell and John Hayward


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Episode 59
Everyman is the most well known of all the Morality plays and probably an English adaptation of a Dutch original.
Different types of Morality Plays
The Morality play in Europe and how they differed from the English offering
A synopsys and analysis of Everyman
The Dance Macabre and the role of Death
To support the podcast:
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Episode 58
The Castle of Perseverance is a great example of how difficult it can be to discuss the form of a play separately from the content and in this case we have an illustration that shows how the play might have been presented
A summary of the plot of the play
Details from the manuscript about dating the play
The illustration contained in the manuscript reviewed in detail
The problems with the way the audience might have been positioned and the play presented
The role of the 'Stytlery'
The ditch and how it might have been used.
To see the illustration discussed in this episode go to the website
www.thehistoryofeuropeantheatre.com
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Episode 57
The Morality play is a type of play that for all its similarities and shared heritage with the Corpus Christi cycle plays brought something new to the world of drama and had a profound effect on the future development of theatre.
How the Morality Plays are different from Cycle Plays
The Development of the ideas around the seven vices and virtues and how they developed into personified characters
The development of education in the Middle Ages and the influence on monastic preaching
The presentation of Morality plays and the move away from the church feast day
Examples of the different sort of Morality plays that we have mention of in the records
The five extant Morality Plays
The developing commercial nature of theatre including the travelling troupe of players and the booth stage
For more details on Rosslyn Chapel see:
https://thehistoryofeuropeantheatre.com/blog/
https://www.rosslynchapel.com
Support the podcast at:
www.patreon.com/thoetp
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www.thehistoryofeuropeantheatre.com


This podcast uses the following third-party services for analysis:

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