unfinishing

Emily Anderson
unfinishing

unfinishing celebrates projects that are incomplete, abandoned, works in progress, or not public. Guests on unfinishing rediscover and find the value in secret and incomplete schemes. Presented by Emily Anderson. Website: unfinishing.co.uk Instagram: @unfinishingpod Email: emily@unfinishing.co.uk Twitter: @TrueBagglerag

  1. 30/12/2024

    with Kenton Rogers. Treeconomics and the treescapes of the future.

    unfinishing is the podcast about projects that are incomplete, abandoned, or not public. It’s presented by Emily Anderson and the artwork is by Graham Oakes. If you have an incomplete or private project you’d like to talk about, please contact us via our website: https://unfinishing.co.uk/. This episode features Kenton Rogers, the director and co founder of Treeconomics. Treeconomics is an organisation that uses the best available scientific techniques to understand and improve how trees enrich our urban and rural spaces. Kenton talks about some of the projects that the team at Treeconomics has completed, and explains why working with trees is always an ongoing, unfinishing endeavour. Kenton is a Chartered Urban Forester and Environmentalist. He’s worked on a range of commercial, urban and community forestry projects in the UK, Europe and North Africa. Kenton was a Trustee of the International Tree Foundation and is a Fellow of the Royal Geographical Society. He has written for the UK National Ecosystem Assessment and the Springer Handbook of Urban Forests, and co-authored the Haynes Workshop Manual for Trees. ‘Thank the Lord (for Sidmouth  Arboretum)’ was recorded by Kelvin Dent and Tess Bisson, musical director of Sid Vale Folk Choir. Links of interest Treeconomics website and resources: https://treeconomics.co.uk/resources/other-resources/  Birmingham Tree People: https://birminghamtreepeople.org.uk/ Sidmouth Arboretum: https://sidmoutharboretum.org.uk/

    31 min
  2. 17/09/2024

    with Sophia Siddique Harvey. Shirkers, vulnerability, and staying for the credits.

    Sophia Siddique is a film scholar whose area of focus is contemporary Southeast Asian cinemas, film phenomenology, and genre (horror and science-fiction). She is an Associate Professor in the Department of Film at Vassar College. Siddique lives with a lovable feline rascal, Magnus, who is her creative muse! Sophia’s unfinished project is a film called Shirkers, which she created in the early 1990s alongside Sandi Tan and Jasmine Ng. She met Sandi and Jasmine while studying film at Substation, Singapore’s first independent contemporary arts centre. Shirkers is an incomplete film because after shooting was finished the director, Georges Cardona, took the recordings and refused anyone else access to them. The theft meant that Shirkers could never be fully produced and released as a complete feature film. Georges was involved in Shirkers because he taught the film course on which Sophia, Sandi, and Jasmine were enrolled. The footage of Shirkers – but crucially not the sound recordings – was eventually recovered decades later. The recovery took place when, after Georges’ death, his ex-wife found and entrusted the film reels back to Sandi, Jasmine, and Sophia. Sandi Tan tells that story in her excellent 2018 documentary, which is also called Shirkers and is available on Netflix. It contains lots of footage from the original film (which Sophia calls Shirkers 1.0), and features Sophia talking about her experiences of creating it. As Sophia explains in our interview, taking part in the Shirkers documentary (which she refers to as Shirkers 2.0) has allowed her to access whole new ways of thinking about incomplete things, to use exciting experimental forms in her academic work, and to enjoy different, delightful approaches to living creatively. Sophia tells me about the variety of emotions and youthful confidence involved in making Shirkers 1.0; about the vulnerability she experienced when watching Shirkers 2.0; about how her experiences with Georges prepared her for working with difficult people later in her career; about the impact of the Shirkers film on how scholars can think about films that are incomplete or no longer exist; and about the importance of staying for the credits when you go to the cinema. Links of interest: Sophia: https://www.vassar.edu/faculty/soharvey Shirkers: https://www.netflix.com/gb/title/80241061 Incomplete: The Feminist Possibilities of the Unfinished BBC Film, edited by Alix Beeston and Stefan Solomon: https://www.ucpress.edu/books/incomplete/paper Giselle Buchanan: http://www.gisellebuchanan.com/about-1  Allyson Nadia Field, Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity: https://www.dukeupress.edu/uplift-cinema unfinishing is the podcast about projects that are incomplete, abandoned, works in progress, or not public. It’s presented by Emily Anderson and the ⁠artwork is by Graham Oakes⁠. If you have an incomplete or private project you’d like to talk about, please email unfinishing.pod@gmail.com, ⁠contact Em on Instagram @unfinishingpod⁠, or on ⁠Twitter @TrueBagglerag⁠.

    45 min
  3. 23/07/2024

    with Robert Hampson. Publishing an unfinished poem (twice).

    unfinishing is the podcast about projects that are incomplete, abandoned, or not public. It’s presented by Emily Anderson and the artwork is by Graham Oakes. If you have an incomplete or private project you’d like to talk about, please email unfinishing.pod@gmail.com, contact Em on Instagram @unfinishingpod, or on Twitter @TrueBagglerag. My guest in this episode is Robert Hampson, Professor Emeritus in English Literature at Royal Holloway, University of London, where he began teaching in 1973. Robert has dedicated a very large chunk of his career to studying Joseph Conrad, the author who’s probably best known for his novel Heart of Darkness (1899). Robert tells me about two of his unfinished work on Conrad. One is a possible further critical monograph on Conrad, and the other is a recent Ukrainian edition of Conrad’s works for which Robert wrote the introduction. Two volumes of this edition were published before the Russian invasion, with the war then interrupting the project. We then go on to talk about Robert’s poetry. Robert began writing a volume in the 1970s called seaport, which was published in unfinished form in 1995. Robert returned to seaport during lockdown and has now written a (very long) version of the section that was originally missing. We talk about – among other things – the challenges of picking up an unfinished work decades after it was begun. Finally, we discuss another lockdown poetry project of Robert’s that is unfinished, called covodes. This series was – again – interrupted by the Russian invasion of Ukraine. Robert is also kind enough to give a reading of one of the works in this series. About Robert Robert has been engaged in research on Joseph Conrad since 1971. He has published four critical monographs on Conrad  – Joseph Conrad: Betrayal and Identity (1992), Cross-Cultural Encounters in Conrad’s Malay Fiction (2000), Conrad’s Secrets (2012) and Joseph Conrad Cosmopolitanism and Transnationalism (2023) – as well as a critical biography, Joseph Conrad (2020). He has co-edited a number of volumes of essays on Conrad: Conrad and Theory (1998), Conrad and Language (2016), The European Reception of Joseph Conrad (2022) and Conrad’s Cultural Legacy (2024). He is also the current editor of The Conradian. Robert has edited three Conrad texts for Penguin – Lord Jim (1986), Victory (1989) and Heart of Darkness (1995), and two Conrad texts for Wordsworth – Nostromo (2000) and the Lingard Trilogy (2016). He has been on the Editorial Board of the Cambridge Edition of Conrad’s Works since the 1980s. In addition, he has published numerous essays, articles and chapters in books on Conrad. Robert has published some 15 pamphlets of poetry since 1975 as well as five books of poetry: Assembled Fugitives: Selected Poems, 1973-1998 (2001); seaport (1995, 2008); an explanation of colours (2010); reworked disasters (2012); and covodes 1-19 (2021). The volume reworked disasters was long-listed for the Forward Prize, and selections form the covodes have been translated into Italian and published in Italy. Links of interest Robert Hampson: https://en.wikipedia.org/wiki/Robert_Gavin_Hampson William Roscoe: https://en.wikipedia.org/wiki/William_Roscoe William Rothenstein: https://en.wikipedia.org/wiki/William_Rothenstein Charles Olsen: https://en.wikipedia.org/wiki/Charles_Olson

    48 min
  4. 04/03/2024

    with Nathan Waddell. George Orwell and unfinished video games.

    unfinishing is the podcast about projects that are incomplete, abandoned, or not public. It’s presented by Emily Anderson and the artwork is by Graham Oakes. If you have an incomplete or private project you’d like to talk about, please email unfinishing.pod@gmail.com, contact Em on Instagram @unfinishingpod, or on Twitter @TrueBagglerag. My guest in this episode is Nathan Waddell. Nathan is a lecturer at the University of Birmingham, where he works in the English Literature department. He’s got interests in George Orwell, in the modernist painter and writer Wyndham Lewis, and in many other aspects of early 20th century and inter-war culture. Alongside that – and mostly outside of work – Nathan is also an extremely keen pianist. (And actually he admitted that he spends more time playing the piano than he does reading). That’s a subject for a future conversation though – because in this episode we talked about a mixture of unfinished things in relation to George Orwell, the writer who’s best known for his novels “Nineteen Eighty-Four” and “Animal Farm”. Nathan talks me through some stories that Orwell left unfinished when he died in 1950. We then go on to talk about “Half-Life”, an unfinished videogame with Orwellian themes. And, finally, Nathan tells me about his unfinished podcast, which began as a chapter-by-chapter commentary on “Nineteen Eighty-Four”. Links of interest Nathan’s podcast, Reading Orwell is available here:  https://drnjwaddell.co.uk/reading-orwell The podcast I mention about the essay as a form is here: Free Thinking, Essay Writing (broadcast 10 January 2024) https://www.bbc.co.uk/sounds/play/m001v1v4 The LRB podcast is here: https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast

    1 hr
  5. 30/11/2023

    with Andy Jaggard. Printing Shakespeare and the mystery of the unfinished memoir.

    unfinishing is the podcast about projects that are incomplete, abandoned, or not public. It’s presented by Emily Anderson and the artwork is by Graham Oakes. If you have an incomplete or private project you’d like to talk about, please email unfinishing.pod@gmail.com, contact Em on Instagram @unfinishingpod, or on Twitter  @TrueBagglerag. In this episode Andy Jaggard tells the story of an unfinished memoir that was written by his father Gerald. Andy discovered the memoir after his father died, and reading it opened up a maze of mysteries and unanswered questions. The memoir includes a lot of reflection about Andy’s grandfather – who was called Captain William Jaggard and who established a well-known bookshop in Stratford-upon-Avon. Captain Jaggard firmly believed that he was descended from the printers (whose family name is also Jaggard) who published the First Folio of Shakespeare’s work in 1623. In the end Andy hired a professional genealogist to find out whether his grandfather was right... But what’s really central to the memoir is the personal story it tells. When Andy found it, it ended abruptly at a crucial moment in the story. A mysterious call from an American researcher eventually prompted Andy to research his father’s life, and to finish the memoir. In the process, he discovered some truly extraordinary events in the history of his family. The completed memoir was published in April 2023. It’s called "Shakespeare Press" - the memoir of Gerald Jaggard completed by Andy Jaggard. Links of interest The Shakespeare Press: https://www.waterstones.com/book/shakespeare-press/andy-jaggard/9781739307707 Find out more about Gerald’s memoir on Instagram: https://www.instagram.com/shakespeare_press_book/ Find out more online: https://shakespeare-press.com/

    1 hr
  6. 30/10/2023

    with Alix Beeston. Incomplete film, genius, and being batman.

    unfinishing is the podcast about projects that are incomplete, abandoned, or not public. It’s presented by Emily Anderson and the artwork is by Graham Oakes. If you have an incomplete or private project you’d like to talk about, please email unfinishing.pod@gmail.com, contact Em on Instagram @unfinishingpod, or on Twitter @TrueBagglerag. My guest in this episode is Alix Beeston, who is a writer and a Senior Lecturer in English at Cardiff University, where she researches and teaches twentieth and twenty-first century film, photography, and literature. Alix is the perfect guest – in the last few years she’s been studying unfinished creative work. She approaches unfinished films and literary texts as windows onto the realities of artistic production for women, including the systemic barriers that affect that labour, and also as constituting significant artistic work in its own right, even if it doesn't achieve the completion of a distributed film or a published book. In summer 2023 she published Incomplete: The Feminist Possibilities of the Unfinished Film, a collection of essays that she co-edited with Stefan Solomon. Links of interest Incomplete: The Feminist Possibilities of the Unfinished Film: https://www.ucpress.edu/book/9780520381476/incomplete Out of Sight: Modernist Writing and the Photographic Unseen: https://global.oup.com/academic/product/in-and-out-of-sight-9780197673010?lang=en&cc=gb

    49 min

Trailers

Ratings & Reviews

5
out of 5
4 Ratings

About

unfinishing celebrates projects that are incomplete, abandoned, works in progress, or not public. Guests on unfinishing rediscover and find the value in secret and incomplete schemes. Presented by Emily Anderson. Website: unfinishing.co.uk Instagram: @unfinishingpod Email: emily@unfinishing.co.uk Twitter: @TrueBagglerag

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