History Re-Read

Philip Gill
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History Re-Read

You are very welcome to this podcast: History Re-Read. On the first Monday of every month, I present a commentary on a famous text from history. Something familiar that many of you will already have read, while others, myself included, might feel it to be something we should have read, or must have read but can’t remember doing so. Over the other Mondays of the month, I am relating that text audiobook style either in full or abridged form. Hosted on Acast. See acast.com/privacy for more information.

  1. The Futurist Manifesto

    30/11/2021

    The Futurist Manifesto

    Futurism fuelled Italian Fascism, aesthetically; its Russian variant inspired a worker’s revolution and then ameliorated the early years of communism for an erstwhile bourgeois class that then had to behave itself in keeping with proletarian principles. In addition to the analysis, there is the Manifesto related in full, the preface to a Russian volume of prose and poetry, A Slap in the Face of Public Taste, which stands as something of a manifesto for the Russian Futurists. Then there is the Italian Fascist Co-authored by the writer of the Futurist Manifesto, F T Marinetti. Hosted on Acast. See acast.com/privacy for more information.

    1h 7m
  2. The Italian Fascist Manifesto (1919)

    29/11/2021

    The Italian Fascist Manifesto (1919)

    Mussolini had been in peacetime editor of Avanti, the main social newspaper. He was now owner of what was to be the essential organ of the Fascist movement in Italy from 1914. This was ‘The People of Italy.’ Here, the Manifesto of the Fascist Struggle or simply the Fascist Manifesto was first published on June 6, 1919. Hosted on Acast. See acast.com/privacy for more information.

    4 min
  3. Marinetti’s Call from The Summit

    22/11/2021

    Marinetti’s Call from The Summit

    Futurism for Marinetti was about capturing the movement of the machine in art, at immeasurable, still more, unimaginable levels of speed prior to the industrial revolution. The motor car exemplified this. Futurism was about both the violence implicit in the impact of industrialization on society as well as the manner of man needed to operate its machinery, and, for Marinetti, the welcome danger of speed for man by means of the machine as automobile. Hosted on Acast. See acast.com/privacy for more information.

    7 min
  4. Demands of the Futurist Manifesto

    15/11/2021

    Demands of the Futurist Manifesto

    Where Italian Futurism exulted the machine, Russian Futurism was more about the folk traditions of the country. Despite the Russian Futurist expressing no interest in paying homage to their Italian forerunners, the movement in both these countries had much in common. Chiefly, a call for a complete break from the past, with the great Renaissance painters like Leonardo and Raphael being ditched alongside writers of international renown, like Pushkin, Tolstoy and Dostoevsky.  Hosted on Acast. See acast.com/privacy for more information.

    7 min
  5. Marinetti’s Car Crash

    08/11/2021

    Marinetti’s Car Crash

    it could be argued that prior to 1909, Filippo Tommaso Marinetti was a failed writer, and that the Futurist Manifesto was something of a publicity stunt. He had had little success with a drama for the stage performed in Paris the same year the Manifesto appeared, and similarly disappointed with an attempt at writing a novel a year later. He later enjoyed considerably more success with Zang Tumb Tumb, as a self-promoting Futurist. This is a sound poem based on his experience of reporting on the Italo-Turkish war for the French newspaper, Figaro. The onomatopoeic and alliterative elements of this work is somewhat evident in the way his driving into a ditch in described in the manifesto. Hosted on Acast. See acast.com/privacy for more information.

    7 min
  6. The Futurist Manifestos (Italy and Russia: 1909 and 1912)

    01/11/2021

    The Futurist Manifestos (Italy and Russia: 1909 and 1912)

    Futurism fuelled Italian Fascism, aesthetically; its Russian variant inspired a worker’s revolution and then ameliorated the early years of communism for an erstwhile bourgeois class that then had to behave itself in keeping with proletarian principles. Today, Futurism has become part of the consumerist landscape. Modern smartphone cameras have all manner of devices to recreate the iconography of movement established by Futurist artists like Giacomo Balla and Umberto Boccioni.   Moreover, the concept-based multimedia nature of art in the 21st century is evident in art installations rather than room on room hangings of traditional painterly works of art. While this remains part of the movement’s legacy in promotional terms, it acknowledges little of Futurism’s attachment to man and machine in Italy or the folkloric tradition in Russia. Hosted on Acast. See acast.com/privacy for more information.

    42 min
  7. The Communist Manifesto (1848)

    31/10/2021

    The Communist Manifesto (1848)

    The claim that Capitalism is subject to periodic crises, with each in turn making life worse for the proletariat, has been central to Marxist thought since 1848, when the manifesto was published more or less at the same time in French, German and English. The document, itself, reads like a work of Victorian fiction. In English, the modern reader is reminded stylistically of the great European romantic writers, Hugo and Dumas, in original translation, which tends to somewhat obscure the authors’ intentions. This irony, no doubt, would be lost on communist radicals today, when we remember that Marx if not Engels despised both these 19th century French writers. The analysis looks at the communist position in connection with the recent democratic elections in Germany; excerpts have been taken from the first three chapters of Marx and Engel’s Communist Manifesto. The very short fourth chapter is a call to arms based on what was posited in the second. Hosted on Acast. See acast.com/privacy for more information.

    1h 15m
  8. Extract from Chapter 3 of the Communist Manifesto

    25/10/2021

    Extract from Chapter 3 of the Communist Manifesto

    Here, Marx and Engels, discuss three kinds of socialism: Feudal Socialism, Petty-Bourgeois Socialism, and German or "True," Socialism. They talk about each as a stepping-stone to Communism. Each a penultimate stage in the march of history. The literature and no less the readership relating to each is critiqued with contempt. Especially the German ‘philistine’ petty-bourgeoisie:  “To the absolute governments, with their following of parsons, professors, country squires and officials, it served as a welcome scarecrow against the threatening bourgeoisie.” Hosted on Acast. See acast.com/privacy for more information.

    15 min
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About

You are very welcome to this podcast: History Re-Read. On the first Monday of every month, I present a commentary on a famous text from history. Something familiar that many of you will already have read, while others, myself included, might feel it to be something we should have read, or must have read but can’t remember doing so. Over the other Mondays of the month, I am relating that text audiobook style either in full or abridged form. Hosted on Acast. See acast.com/privacy for more information.

Information

  • Creator
    Philip Gill
  • Years Active
    2K
  • Episodes
    26
  • Rating
    Clean
  • Copyright
    © Philip Gill
  • Show Website
    History Re-Read

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