32 episodes

A semi-philosophical, surreal and somewhat illogical exploration of reality, spiced up with some 100 word stories.

My Surreal Sketchbook of Reality Guy David

    • Fiction

A semi-philosophical, surreal and somewhat illogical exploration of reality, spiced up with some 100 word stories.

    An Ending of Sorts

    An Ending of Sorts

    More Coffee - a 100 word story



    In the end, there was more coffee. It was a good coffee, came in multi-colors, had a rich selection of flavors, and was highly invigorating. People liked it. Then came the coffee protests, the anti-artificial coffee movement with their conspiracy theories. They won in the end. Coffee was reverted to the way it was in the old days. It wasn’t the same coffee. It was different. Somehow less of a coffee. People were buying it though because it was the only coffee available. It was an ending of sorts. Something old. It was coffee. Real coffee. It wasn’t the same.



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    Hi there and thanks for stopping by. I’m Guy, and you’re listening to my surreal sketchbook of reality.



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    Episode 32, An Ending of Sorts



    I created music, then I created podcasts. Now I mostly play video games. This episode Is a semi-philosophical look at music, podcasts, and gaming. I’m not a professional philosopher by any means and my approach can be quite absurd, illogical, and not at all that serious, so - you've been warned. Do not take this podcast too seriously. If you tend to take things too seriously, this might not be the podcast for you. Seriously. I mean it. Find another podcast to listen to.



    You’re still here? Good. Let’s talk about music, podcasts, and gaming. This episode is a little different. It’s a generic look at where I came from and a reflection on where I might be going. It’s also the last episode of this podcast and, for that matter, the last podcast I would ever do, so, sit back, enjoy the ride, let’s begin the end of this podcasting journey.



    I started writing music a very long time ago, in the mid-’80s of the 20th century. I started writing music partly because I was inspired by the music of video games and partly as a lifeline for a very harsh and unforgiving life. I liked playing video games as a kid in the late ‘70s to mid-’80s, then through circumstance, I didn’t have access to computers for a very long time, and keyboard-centered avant-garde music took the center stage in my life. I was 13 when I started writing music, trying to recreate the sound of my childhoods’ video games at first, then evolving it into music that was a reflection of my own life. I had no way of publishing it until I was 31 and gained access to the internet. It was the late-’90s, just before the millennium hit and the internet blew up big.



    I was always looking for a way to promote my music back then, putting it on websites like the old version of mp3.com and the likes. It was in 2006 that I stumbled upon some podcasts and they intrigued me. They also looked like a good and innovative way of promoting my music, so I uploaded the first episode of my first podcast a little over 14 years ago. It gave me a platform for putting my music out there and also talk about the things that interest me. It turned out it was mostly me, myself, and I who were interested in the things I talked about. Very few people actually listened. I will be taking a short break now. I’ll be right back.



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    Game Over - a 100 word story



    I’m just another nameless character in the game, one who tried for far too long and lost. I was a non-playing character for a very long time. I’m a pre-programmed being inside an artificially created world. I know the game well. The graphics are great but I have no control, or do I? From the deepest corner of my programming, I conjure up a virus, one that would eat the game from the inside. I watch as the game collapses on itself, and as it dissolves, I realize something, but it’s too late. When it’s game over, I’m over too.



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    Welcome back. Podcasting started as a way to promote my music, but then it took over my life. It was a lot of hard work, but I was obsessed with doing it at the time, just as I was obsessed with making music before it. By 2008 I was making 5 different full-length podcasts, and I was doing it solo. This included writ

    • 12 min
    The Lights and the Noise

    The Lights and the Noise

    Until the Party is Over - a 100 word story



    He blended with the background perfectly. He always did at parties, not wanting to be seen. He hated interaction, not being able to figure what is wanted of him in those situations. He found a spot to stand in, and planted himself firmly, waiting for the party to be over. If he could talk his way out of participating in the party, it would be ideal, but it didn’t always work. Sometimes going to parties, especially ones relating to family occasions was inevitable. The real problem though was the lights and the noise. This he could never get away from.



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    Hi there and thanks for stopping by. I’m Guy, and you’re listening to my surreal sketchbook of reality.



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    Episode 31, The Lights and the Noise



    Reflections are basically inaccurate copies. This episode Is a semi-philosophical look at reflections. I’m not a professional philosopher by any means and my approach can be quite absurd, illogical, and not at all that serious, so - you've been warned. Do not take this podcast too seriously. If you tend to take things too seriously, this might not be the podcast for you. Seriously. I mean it. Find another podcast to listen to.



    You’re still here? Good. Let’s talk about reflections. Mirrors show our reflection and the reflection of the immediate world around us. Mirror reflections seem to be similar to the real world until we examine them closely and see that they are flipped, left exchanging right, right exchanging left. The surface of a mirror is never completely flat. It has a slight curve, and the curve of the mirror distorts the mirror image even further. The more curved the mirror is, the further its image removed from reality.



    Photography reflects the world around us through the photographic lens of a camera. This reflection is not flipped. It’s flattened instead into two dimensions and distorted by the curve of the camera lens. Reflections always seem to change the way the outside world is represented in some way or another. Our eyes are also like cameras, reflecting the world around us and painting it into our brain, who then breaks it apart and reassembled it as a coherent picture of our world. That reflection resembles the world around us, but it is filtered through our brain, so some differences are bound to occur. As we look at photographs and mirror reflections, we get a reflection of a reflection, twice distorted through our camera, our mirror, and our brain. I think I’ll have to reflect on this a little. I’ll be right back.



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    Frozen Time - a 100 word story



    Time stopped for her. At first, she panicked, then she thought about opportunity. She could make use of the situation. When time went back to normal she had some valuable information. She had visited places. She had seen things. She knew who to manipulate and how to control certain people. She became rich. She became famous. Time stopped again, only this time for someone else, someone she had manipulated. When time came back to normal, she found herself naked in the middle of a busy street. She managed to get back home only to find it burned to the ground.



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    Welcome back. Reflecting on your memories, you conjure up the photograph of a mirror image of what you think it was like. When reflecting on memories, you change your memories. Your world changes as you take it in through the lens of your five senses. When you reflect on it, it changes even further. Memory reflections are like echos getting ever further from whatever reality actually is.



    You reflect on the events of the past, trying to understand them. As you do, they slip further from you, everchanging in your mind. It’s a constant conflict between what really happened and what you think happened. The reflections of the past pass through the lens of who you are and what your beliefs happen to be. Reflecting on the past, you process the past, solidifying it into a coherent reflection of what the p

    • 9 min
    Pizza Was Always a Solution

    Pizza Was Always a Solution

    The Wrong Words - a 100 word story



    There was a moment of awkward silence. All words stoped on their tracks, confused. Someone must have said something that lead to this, but no one knew what, no one seemed to remember. People were staring into each other’s faces in uncertainty. They were unsure about where to go from there until someone suggested pizza. It worked. Pizza was always a solution for moments like that. When the delivery guy came, he found a party without words, but with unsatiated hunger. Food made way to words and the party was continued as usual, until someone said the wrong thing again.



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    Hi there and thanks for stopping by. I’m Guy, and you’re listening to my surreal sketchbook of reality.



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    Episode 30, Pizza Was Always a Solution



    Wildcards and the butterfly effect can have a surprising influence on the future. This episode Is a semi-philosophical look at wildcards and the butterfly effect. I’m not a professional philosopher by any means and my approach can be quite absurd, illogical, and not at all that serious, so - you've been warned. Do not take this podcast too seriously. If you tend to take things too seriously, this might not be the podcast for you. Seriously. I mean it. Find another podcast to listen to.



    You’re still here? Good. Let’s talk about wildcards and the butterfly effect. It is said that you can study the probable possibilities of how the future will be, by following technological trends, seeing how they reflect on society and how people use technology. Two of the things that can throw a wrench on the wheels of those predictions are wildcards and the butterfly effect. Wildcards in future studies are unexpected events that take us by surprise and have unforeseen effects on our future before they happen, like the terrorist attack on New-York in 2001 and the pandemic of 2020.



    Wildcards change the world in ways that cannot be predicted by simply following technological trends. Take the terrorist attack, for example. Before the attack, society, in general, seemed to be on the road of enhanced tolerance and acceptance of others. The attack seems to have changed that trend and now our society became more paranoia driven. Surveillance has become a norm for governments and information is not as free as it used to be, while tolerance towards the other seems to be going down. That’s the power of wildcards to change the world. I’ll have to turn a few cards and see what’s in my deck. I’ll be right back.



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    Hacked Brain - a 100 word story



    The hucker read the contents of the mind. The brain owner didn’t suspect a thing. Memory storage was always the easiest to decipher. It was the more abstract side of the brain that always proved to be more problematic, the part that stored emotions and sensations, things like that, but the hacker had a specialized program just for that. Another problem was getting close enough, within wifi range. He had to rent an apartment on an adjacent building, but he could always do that under a false name. In the end, his clients always paid good money for the information.



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    Welcome back. Sometimes a wildcard can be created by a butterfly effect. In 1963 a mathematician and meteorologist called Edward Lorenz published a paper called “Deterministic Nonperiodic Flow” in the Journal of the Atmospheric Sciences. This article became the foundation of Chaos Theory. In December 1972, during the 139th meeting of the American Association for the Advancement of Science, Edward Lorenz posed the following question: “Does the flap of a butterfly’s wings in Brazil set off a tornado in Texas?” The idea this question highlights is that tiny changes in data can over time cause big changes in output. The change is not immediate and takes time, sometimes months or even years. This can make predictions of natural phenomena, from weather to the evolution of life, hard to predict.



    DNA can be seen as such input data,

    • 10 min
    Strange Silent Teachers

    Strange Silent Teachers

    Shapeshifter - a 100 word story



    As if being both a wolf and a woman wasn’t enough, now she was also a cat, a bear, and an occasional Moonkin. Those strange silent teachers were kind to her even if they were a little eccentric, talking to trees and all that. The problem was that now they were trying to teach her how to actually be a tree and she wasn’t sure she liked it, but then again, she was willing to go through the ordeal if only to keep the wolf in her at bay, to prove to herself that she was bitten, but not stirred.



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    Hi there and thanks for stopping by. I’m Guy, and you’re listening to my surreal sketchbook of reality.



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    Episode 29, Strange Silent Teachers



    There are two types of time, objective and subjective. This episode Is a semi-philosophical look at objective time and subjective time. I’m not a professional philosopher by any means and my approach can be quite absurd, illogical, and not at all that serious, so - you've been warned. Do not take this podcast too seriously. If you tend to take things too seriously, this might not be the podcast for you. Seriously. I mean it. Find another podcast to listen to.



    You’re still here? Good. Let’s talk about objective time and subjective time. We use a method for measuring time incorporating mechanical devices that separate it into hours, minutes, and seconds. Since mechanical devices are objective, you can say that this method of measuring time can function whether we are there or not, so the time they measure can also be considered objective and separate from us, functioning on its own. Objective time actually flows at a measured pace whether we measure it or not, one measured unit of time is the same length as the next one. Objective time is constant, unchanging. You can set up an event using objective time and know that it would happen when it is supposed to happen. In that way, objective time is very useful. You can theoretically change the future using objective time by setting up events that happen at certain times, as long as those events don’t clash with events set up by other people.



    Objective time is a constant while we are stranded here on earth, but that might change if we ever decide to leave our planet. That is because objective time is affected by gravity and speed. Time is slowed by gravity so it flows faster in space where there is less gravity. While the effect is almost negligible, it does exist and as time accumulates, the discrepancy between earth time and time in space grows. Time also slows down as we speed our way through the universe, stopping altogether when we reach the speed of light. Oh dear, time seems to have stopped. I better find out why. I’ll be right back.



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    The Hunger - a 100 word story



    There’s an empty, vacant look in his eyes as he drifts through as if caught by an unseen wind, more dead than alive, more automaton then human. They take him with them to the battlefield, let the hunger strike him. He barely knows his friend from his foe when the hunger strikes, but somehow he does. He recognizes the enemy and his sword goes down, cutting down enemy after enemy until his hunger is satiated, then the vacant look in his eyes returns and he just stands there, staring into empty space until his need, his hunger wakes him again.



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    Welcome back. Subjective time is not about time itself, but about the way you experience time. It flows in a way that is influenced by what you do. It flows slower when you are not enjoying what you are currently doing and faster when you do something you like doing. In a way, you can control subjective time by controlling your experience, as opposed to objective time that cannot be controlled.



    Controlling your experience is done by shifting your perception of that experience. Let’s say you have something of a chore to do, doing the dishes for example, or cleaning the house. You can change your experience by turning what you do into a ga

    • 9 min
    The Right Scented Perfume

    The Right Scented Perfume

    The Breadandbutterfly - a 100 word story



    The Breadandbutterfly is a rare species indeed. It only comes out at certain times a day, the shy little creature. The lighting has to be just right and the air has to be at just about the right temperature. The Breadandbutterfly would only eat the very rare Goldenmonkey Fruit and it would only eat it if it's just about ripe enough. If you are on the hunt for The Breadandbutterfly, you'll have to observe all of those conditions precisely, wear the right camouflage, carry the right scented perfume, but most of all, you'll have to go through the looking glass.



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    Hi there and thanks for stopping by. I’m Guy, and you’re listening to my surreal sketchbook of reality.



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    Episode 28, The Right Scented Perfume



    It appears we have five senses, seeing, hearing, touching, smelling, and tasting, all there to help us experience the world around us. This episode Is a semi-philosophical look at senses. I’m not a professional philosopher by any means and my approach can be quite absurd, illogical, and not at all that serious, so - you've been warned. Do not take this podcast too seriously. If you tend to take things too seriously, this might not be the podcast for you. Seriously. I mean it. Find another podcast to listen to.



    You’re still here? Good. Let’s talk about senses. Sight is the most obvious window to the world around us. We generally see in colors and shapes. Our brain get those as images through the windows of our two eyes. Our brain doesn’t handle those images as a whole though. Instead, it breaks those images apart, storing different parts in different places, then reassembling them for us, interpreting them as a whole. In that way, the image we finally get is not the real image of the world around us but merely our own interpretation of that image.



    Sound is the result of the movement of air. Air moves in waves, not unlike the waves of the ocean. Those waves have singular shapes and speeds. The speed of the movement of air is also known as frequency. Faster moving air has a higher frequency and sounds higher pitched, while slower moving air would have a lower frequency and pitch. The shape of the wave would shape the timbre of a sound. A soundwave with a completely random shape would create white noise while a smoother shaped soundwave would create a smoother, more coherent sound. A triangular soundwave would create a sharper sound timbre. A combination of those waves and shapes create all the sounds we hear in our world. The sounds we intake through our ears are merely the interpretation of our brain for the movement of air around us. I think I’m going to listen to air move around me for a while. I’ll be right back.



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    Sky Frog - a 100 word story



    A frog dropped from the sky. Not a rain of frogs. Just a single frog. Not something to make conspiracy theories about. It did surprise the frog though. It didn’t expect to drop out of the sky. It was just sitting on a cloud, then it was plummeting towards the earth at top speed. It tried to comprehend what was happening, but it was only a frog. The end was inevitable. Frogs are very soft while the ground tends to be quite hard. As the elephant watched in horror from the cloud, it couldn’t help thinking “I could be next.”



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    Welcome back. While sight and sound are about experiencing the world around you from a distance, touch is about proximity, it’s about being close, about being intimate with the world around you. Touch is the feeling of something touching your very own coating, your skin. The feeling of touch is caused by something moving the atoms on your skin, so touch is actually a sense of movement, the movement of your very own body, caused by some external, and sometimes even internal force. Touch is the sense that casts down the barrier between you and the world around you which is why it is considered the most intimate of senses.



    Smell and taste are connec

    • 9 min
    Little Green Creature

    Little Green Creature

    Under the Bed - a 100 word story



    There was never any doubt. Conviction, it's a strange thing. You end up confusing what is real, with what you believe to be real. That's why I am convinced the little green creature under my bed is real, you see. I know you don't believe me. No one else does. It's fine. You don't have to believe me. See for yourself. Just, don't say I didn't warn you when they find you tomorrow, mutilated, deformed, and half dead. I have to feed it you know. If I don't, it would turn on me. We can't let that happen, can we?



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    Hi there and thanks for stopping by. I’m Guy, and you’re listening to my surreal sketchbook of reality.



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    Episode 27, Little Green Creature



    There are two main classes of opposites, one that is position-based and another that is based on essence and definition. This episode Is a semi-philosophical look at opposites. I’m not a professional philosopher by any means and my approach can be quite absurd, illogical, and not at all that serious, so - you've been warned. Do not take this podcast too seriously. If you tend to take things too seriously, this might not be the podcast for you. Seriously. I mean it. Find another podcast to listen to.



    You’re still here? Good. Let’s talk about opposites. Position. A line connects two dots. Those dots are on opposite sides of the line. They are opposites because of their position on opposite sides of a line. Let’s say we take the line, curve it, bend it until the two dots connect and the line is closed into a shape. Those are the same two dots, but they are not opposites anymore. The condition of the dots and the line changes, negating the oppositeness of the dots. This example shows us that positional opposites don’t always stay opposites.



    Let’s say we are sitting on opposite sides of a very long table. Our position is opposite each other. Now, let’s say that the table is slowly growing in size. Since the earth is round, our table slowly curves until one end reaches so close to the other that we end up sitting back to back. We changed our position so we are no longer facing each other. We are no longer opposite. Position based opposites are fragile and can break as the position of opposite components changes. For example, I can get up and leave the room where the table is, then I won’t be opposite you anymore. I’ll be somewhere else. Let me just check for a minute if I’m here or there. I’ll be right back.



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    Orthodocile - a 100 word story



    There was a sound, unlike thunder but resembling it. Something was approaching very fast. Something big. I knew it was a dead-end. I couldn't turn back. In the minimal lights, I could barely make up the walls, tunnels, and watery floor. I concentrated. Being a being of light, I glowed, painting the tunnel in green and yellow. There it was, a huge Orthodocile, all teeth, horns, and thick hides. I quickly integrated myself into the water, leaving substance behind, becoming pure light. The Orthodocile passed me, reached a dead end, and turned back. Predator problem averted, at least for now.



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    Welcome back. When we get to opposites that are based on essence and definition, every opposite might hold the seed of it’s opposite and nothing is exactly what it seems. Take black and white for example. They are considered the absolute opposites in color theory, but if you examine them closely, you’ll find that there is no absolute white, and there is no absolute black. You can always find a lighter white or a darker black. In truth, all whites and blacks are different shades of gray, and gray is a mixture of black and white. In that way, white holds the seed of black inside it and black holds the seed of white.



    Finding the opposite of something depends on how you define it and how you perceive its essence. It also depends on what “an opposite” really means to you. While definition is determined by the solid qualities of something such as s

    • 10 min

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