Literary Theory - Audio

Paul H. Fry

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(ENGL 300) This is a survey of the main trends in twentieth-century literary theory. Lectures will provide background for the readings and explicate them where appropriate, while attempting to develop a coherent overall context that incorporates philosophical and social perspectives on the recurrent questions: what is literature, how is it produced, how can it be understood, and what is its purpose? This course was recorded in Spring 2009.

06/10/2009

26 - Reflections; Who Doesn't Hate Theory Now?

In this final lecture on literary theory, Professor Paul Fry revisits the relationship between language and speech, language and intention, and language and communication. Over the course of this discussion, he retrospectively defines theory as a means of establishing the extent to which "it is legitimate to be suspicious of communication." Along the way, he reconnects with New Criticism, Jakobson, Bakhtin, Saussure, de Man, Fish, and Knapp and Michaels. Through an analysis of epitaphs and a final tour through Tony the Tow Truck, he underscores the central role of language in the variety of literary theories presented in the course.

2 sec
06/10/2009

25 - The End of Theory?; Neo-pragmatism

In this lecture, Professor Paul Fry takes on Knapp and Michaels's influential article, "Against Theory." The historical context of the piece is given and key aspects of the theorists' critical orientations, specifically their neo-pragmatism, are defined. A lengthy discussion of the relationships between, on the one hand, intention and meaning and, on the other hand, language and speech follows with reference to Saussure, deconstruction, and Russian formalism. Knapp and Michaels's use of Wordsworth's "A Slumber Did My Spirit Seal" to explore the limits of meaning and intention is examined in depth. Ultimately, the case is made, using issues subject to dispute in Knapp and Michaels, that theory is a useful and necessary tool in literary studies.

3 sec
06/10/2009

24 - The Institutional Construction of Literary Study

In this lecture on critical identities, Professor Fry examines the work of Stanley Fish and John Guillory. The lecture begins by examining Tony the Tow Truck as a site for the emergence of literary identities, then brings the course's use of the children's story under scrutiny through the lens of Fish. The evolution of Fish's theory of interpretive communities is traced chronologically through his publications and examined in close-up in Milton's Paradise Lost. John Guillory's work on interpretive communities and the culture wars leads to a discussion of the Western canon and multiculturalism.

3 sec
06/10/2009

23 - Queer Theory and Gender Performativity

In this lecture on queer theory, Professor Paul Fry explores the work of Judith Butler in relation to Michel Foucault's History of Sexuality. Differences in terminology and methods are discussed, including Butler's emphasis on performance and Foucault's reliance on formulations such as "power-knowledge" and "the deployment of alliance." Butler's fixation with ontology is explored with reference to Levi-Strauss's concept of the raw and the cooked. At the lecture's conclusion, Butler's interrogation of identity politics is compared with that of postcolonial and African-American theorists.

2 sec
06/10/2009

22 - Post-Colonial Criticism

In this lecture on post-colonial theory, Professor Paul Fry explores the work of Edward Said and Homi K. Bhabha. The complicated origins, definitions, and limitations of the term "post-colonial" are outlined. Elaine Showalter's theory of the phasic development of female literary identity is applied to the expression of post-colonial identities. Crucial terms such as ambivalence, hybridity, and double consciousness are explained. The relationship between Bhabha's concept of sly civility and Gates's "signifyin'" is discussed, along with the reliance of both on semiotics.

3 sec
06/10/2009

21 - African-American Criticism

In this lecture, Professor Paul Fry examines trends in African-American criticism through the lens of Henry Louis Gates, Jr. and Toni Morrison. A brief history of African-American literature and criticism is undertaken, and the relationship of both to feminist theory is explicated. The problems in cultural and identity studies of essentialism, "the identity queue," expropriation, and biology are surveyed, with particular attention paid to the work of Michael Cooke and Morrison's reading of Huckleberry Finn. At the lecture's conclusion, the tense relationship between African-American studies and New Critical assumptions are explored with reference to Robert Penn Warren's poem, "Pondy Woods."

3 sec
06/10/2009

20 - The Classical Feminist Tradition

In this lecture on feminist criticism, Professor Paul Fry uses Virginia Woolf's A Room of One's Own as a lens to and commentary on the flourishing of feminist criticism in the twentieth century. The structure and rhetoric of A Room of One's Own is extensively analyzed, as are its core considerations of female novelists such as Austen, Eliot, and the Brontës. The works of major feminist critics, such as Ann Douglas, Mary Ellman, Kate Millett, Elaine Showalter, and Sandra Gilbert and Susan Gubar, are mentioned. The logocentric approach to gender theory, specifically the task of defining female language as something different and separate from male language, is considered alongside Woolf's own endorsement of literary and intellectual androgyny.

3 sec
06/10/2009

19 - The New Historicism

In this lecture, Professor Paul Fry examines the work of two seminal New Historicists, Stephen Greenblatt and Jerome McGann. The origins of New Historicism in Early Modern literary studies are explored, and New Historicism's common strategies, preferred evidence, and literary sites are explored. Greenblatt's reliance on Foucault is juxtaposed with McGann's use of Bakhtin. The lecture concludes with an extensive consideration of the project of editing of Keats's poetry in light of New Historicist concerns.

3 sec

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(ENGL 300) This is a survey of the main trends in twentieth-century literary theory. Lectures will provide background for the readings and explicate them where appropriate, while attempting to develop a coherent overall context that incorporates philosophical and social perspectives on the recurrent questions: what is literature, how is it produced, how can it be understood, and what is its purpose? This course was recorded in Spring 2009.