My Favorite Feminists

My Favorite Feminists
My Favorite Feminists Podcast

My Favorite Feminists is a podcast released every other week, exploring feminists figures in the arts and sciences. Best friends Megan & Milena deconstruct the patriarchy, dinosaur bones, savaging hoards of hyenas & more, all while sharing their favorite F word. And feminism too.

  1. 31/12/2021

    Ep. 54 I Like Big Sloths & I Cannot Lie

    In this end of season episode Milena & Megan cover Brazilian educator, activist and ceramic artist Celeida Tostes (1929 – 1995) & Native American archaeologist Bertha Parker (1907–1978) Celeida Tostes One thing you’ll learn today about Megan that you didn’t need to know, is that as a ceramic artist there are times she wants to cover herself in clay. Well, today we’re talking about an artist that did just that. While Megan is driven by the primal urge to become one with the earth, today we learn the rich symbolism that prompted Brazilian artist Celeida Tostes to create her most iconic work – the 1979 performance piece Passage. This piece is only once of many artworks this prolific artist created in her decades long career. Today we cover key points of Celeida’s work – why she covered herself in clay, the community work she did in Rio de Janeiro’s favelas and her creative investigation of ovenbird nests. This episode is informative as always with a little TMI thrown into the mix. Selected Work Passagem (Passage) performance from 1979. Photographed by Raquel Silva Wanna know more? Always a book for that (usually) (or article) Celeida Tostes by editors Marcus de Lontra Costa & Raquel Silva. Available to read for free, this is a great collection of essays in both Portuguese and English Bertha Parker Keeping our earth theme going, today Milena brings us the first Native American woman archaeologist Bertha Parker. Working as a self taught scientist, Bertha contributed to our understanding of ancient people (and giant sloths) here in North America. In her 71 years, Betha work encompasses both the dig sites and silver screen. Today Milena shares how this woman from NY state ended up on the West coast documenting the history of native peoples, cohosting her own tv show and advising

    1h 16m
  2. 27/09/2021

    Ep. 53 Working for NASA and Paperfolding Drama Llamas

    Today Milena & Megan cover American aerospace engineer Judith Love Cohen & 20th century Argentinian paper artist Ligia Montoya Judith Love Cohen Judith pictured with the Atlas-Able satellite she worked on, 1959 Every now and again Milena covers a person that makes you think ‘Gee, what was I doing when I was their age?’ That’s the case on a few occasions with aerospace engineer, author and occasional dancer Judith Love Cohen. Today Milena profiles how this engineer was one of the few, if only, women in her science programs, the importance of equal representation in careers, and how to pass the time while giving birth (spoiler: solving a math problem). Ligia Montoya Crop from cover of Paper Life: The Story of Ligia Montoya by Laura Rozenberg Today Megan covers our first paper artist, Ligia Montoya. Looking to find an escape from from the ever-depressing news cycle, we jump into the niche community of paperfolding AKA origami. What we expected to find: carefully crafted objects, inventive use of technique & solitary hours devoted to the artformWhat we didn’t expect to find: suicide, unrequited love & professional smack talk Megan give us the details on the life of this quiet Argentinian artist who would have been forgotten if not for the work of paper enthusiast Laura Rozenberg, who wrote Paper Life: The Story of Ligia Montoya. Much thanks to Laura, who has written the most extensive English language biography of Ligia to date. Selected Work Examples of Ligia’s flower designs, instructions to make them can be found HERE Assortment of designs by Ligia. Most of her paperart was created from small pieces of airmail paper from the post office As always, music by EeL

    1h 4m
  3. 27/08/2021

    Ep. 52 Plankton & Painting & Feeling for Squidward

    Milena & Megan cover African American octogenarian abstract painter Alma Thomas (1891–1978) and Spanish marine biologist María de los Ángeles Alvariño González (1916-2005) Alma Thomas © Michael Fischer, 1976; Courtesy of National Museum of American Art, Smithsonian Institution, Washington, DC Alma Thomas was an artist who didn’t subscribe to the idea that she was ‘too old’ to be making work. Born in 1891, from a young age her parents supported their daughter and her sisters despite the severe racial discrimination of their rural Georgia hometown. Moving to Washington D.C in order to provide a better life for them, Alma took to the expanded educational opportunities – becoming an artist and educator in the capital city. Today Megan covers Alma’s path as a teacher and artist, discrimination in the Art World and how after Alma’s retirement her career really took off. Alma is yet another artist that proves that even going into your 60’s it’s possible enjoy a creative career. Next time you think ‘I’m to old for ___’ – think again. Selected Work Example of Alma’s early abstract work. Bright colors and crisp brushwork are characteristic of her initial exploration of abstract painting. Another early example of Alma’s abstract work. This is her 1970 piece The Eclipse Examples of Alma’s later paintings done in a more muted style. Left, 1973 work Arboretum Presents White Dogwood. Right, 1972  Dogwood Display II. Both acrylic on canvas Largest painting Alma ever did, 1976 work Red Azaleas Singing and Dancing Rock and Roll Music. About 4 x 13 feet in dimension. María de los Ángeles Alvariño González Today’s episode is inadvertently sponsored by SpongeBob. Milena covers Spanish research biologist, oceanographer, scientific historian, discoverer of over 20 types of marine species and all around expert of plankton, María de los Ángeles Alvariño González. While technically she studied the type of plankton featured in the cartoon show SpongeBob, Milena shares the numerous types of plankton out there – and they range from ‘oh that’s cute’ to utterly terrifying. As funny looking as plankton maybe, María helped establish their importance within an ocean’s ecosystem while asserting her place as a woman scientist. This episode we learn how humans would be dead without them, the importance of learning a second language and how having a woman on a boat will not actually bring out the end times. As always, music by EeL

    56 min
  4. 01/08/2021

    Ep. 51 A Lifesaving Orifice & Painting Pussycats

    Today Milena & Megan cover British aeronautical engineer & motorcycle badass Beatrice Shilling (1909-1990) & financially savvy Dutch-Belgian animal painter Henriëtte Ronner-Knip (1821-1909) Beatrice Shilling There are times that hands down, Milena covers the cooler person in an episode. Now that’s not to say that Megan’s artist isn’t pretty neat – she’s just not an engineering PhD and an award winning motorcycle racer. Today Milena gives us the details on the amazing life of Beatrice who is best known for her WWII solution to the British Royal Air Force’s fighter planes engine problem. Milena profiles the impact of women mentoring young women in STEM, how fast Beatrice could go on a Norton M30 motorcycle and the sexist backlash when a woman solves a man’s problem. Henriëtte Ronner-Knip Megan will be the first to admit that the artwork of 19th century romantic painter Henriëtte Ronner–Knip is not feminist. Sure, the content is cute and adorable and commercially successful – but feminist? No. Now how Henriëtte developed her painting career and finances? Feminist AF. Today Megan profiles this prolific and commercially savvy painter, who saw an chance to capitalize on a niche and did just that. While painting stereotypical ‘women’s work’, Henriëtte subverted the expected role of a woman artist. Megan explores what contributed to Henriëtte’s artistic and financial independence, the tradition of passing on a trade within the family and how royalty will pay big money for paintings of their little pets. Selected Wor Look at all these silly kitties getting up to no good Henriëtte’s 1876 watercolor on paper The dogs of Marie-Henriette, the Queen of Belgium No painting of Megan’s will ever be as cute as this 1890’s oil on panel, Kitten with a ball of wool As always, music by EeL

    51 min
  5. 06/07/2021

    Ep. 50 Growing up Curie & Crafting Curiosities

    Today Milena & Megan cover Nobel prize winner radiochemist Irène Joliot-Curie (1897–1956) & Polish sculptor and Holocaust survivor Alina Szapocznikow (1926–1973) Alina Szapocznikow Every now and again Megan comes across a piece of artwork and instantly needs to know more. That was the case after seeing Alina Szapocznikow’s 1968 stone sculpture Big Bellies. Today for our 50th episode Megan gets self-indulgent covering this figurative Polish sculptor. While her artwork is amazing, Alina’s life itself is not the most pleasant. Topics we cover in her biography? Cancer, tuberculosis, Nazis and infertility. By far, not one of our feel-good episodes but one in which Megan fangirls over the curiously abstracted figurative work of this under appreciated 20th century artist. Hands down this is one of Megan’s favorite pieces of artwork to date – Alina’s 1968 stone sculpture Big Bellies Early work from the 1960’s, prior to Alina experimenting with mixed media. Left, a ceramic face jug. Right, stone and cast plaster Double Self Portrait Selection of work from Alina’s mid 1960’s series of ​Illuminated Lips lamps, breast forms were incorporated in the late 60’s 1969 work Motherhood, pigmented polyester resin, photographs, gauze Alina pictured left with her first husband Ryszard Stanisławski and baby Piotr in 1952. Right, Alina and Piotr in the late 1950’s * Museum of Modern Art in Warsaw – Has an amazing photographic collection of not only Alina’s artwork, but personal, candid photos as well * Socialist Realist art – Art style propagating idealized depictions of Soviet life* Poland’s post-WWII ‘thaw’ period – Period after Stalin’s 1953 death when Poland started gradually distancing itself from the USSR’s communist rule * You can read Amy Chmielewski’s essay Alina Szapocznikow: and her sculpture of plastic impermanence HERE* You can watch scholar Griselda Pollock’s talk Too Early and Too Late: The Sculptural Dissolutions of Alina Szapocznikow In and Out of Time HERE, part of the 2012 exhibition Alina Szapocznikow: Sculpture, Undone, 1955–1972, at The Museum of Modern Art, New York and at The Hammer Museum, Los Angeles* Read about the LGBTQIA “free” Polish towns HERE Wanna know more? Always a book for that (usually) (or article) Celeida Tostes by editors Marcus de Lontra Costa & Raquel Silva. Available to read for free,

    1h 7m
  6. 14/06/2021

    Ep. 49 Humble Bragging with Comets & the Commie Frida Kahlo

    Today Milena and Megan cover the first professional woman astronomer, Caroline Herschel (1750-1838) & queer, communist painter, the one, the only, Frida Kahlo (1907 – 1954) Caroline Herschel Sometimes with the people we cover, everything works out in the end. They’re appreciated in their lifetime, credited with their ground breaking work and most importantly, no one dies of tuberculosis. That’s the case with the first Western professional woman astronomer, Caroline Herschel. Today Milena covers this 18th century scientist, revealing the impact of family relationships, just what the hell a comet actually is and most importantly, how to humble brag like a pro. Frida Kahlo There are some artists that just about everyone can name – Mexican painter Frida Kahlo is one of them. But how much do people actually know about the 20th century Magical Realist artist? On Megan’s end, turns out she didn’t know a lot. Megan corrects that today by exploring the biography of one of the leading modern feminist artists. Along the way we cover the heteronormative whitewashing that’s taken place, stripping Frida of her agency as a queer, disabled, communist artist. Selected Works Painted corset of Frida’s, showing not only a much desired child but featuring the iconic symbolism of her political ideology, Communism 1946 work The Wounded Deer, capturing Frida’s long term pain from an accident years prior 1932 painting Henry Ford Hospital (the flying bed) depicting Frida’s miscarriage while her and Diego were living in Detroit Wedding portrait Frida painted not long after getting married in 1929 at the age of 22 (Diego being 20 years her senior) Diego being creepy AF Wanna know more? Always a book for that (usually) (or article) Celeida Tostes by editors Marcus de Lontra Costa & Raquel Silva. Available to read for free, this is a great collection of essays in both Portuguese and English As always, music by EeL

    1h 22m

About

My Favorite Feminists is a podcast released every other week, exploring feminists figures in the arts and sciences. Best friends Megan & Milena deconstruct the patriarchy, dinosaur bones, savaging hoards of hyenas & more, all while sharing their favorite F word. And feminism too.

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