PodCastle

Escape Artists Foundation
PodCastle

PodCastle is the world’s first audio fantasy magazine. Weekly, we broadcast the best in fantasy short stories, running the gammut from heart-pounding sword and sorcery, to strange surrealist tales, to gritty urban fantasy, to the psychological depth of magical realism. Our podcast features authors including N.K. Jemisin, Peter S. Beagle, Benjamin Rosenbaum, Jim C. Hines, and Cat Rambo, among others. Terry Pratchett once wrote, “Fantasy is an exercise bicycle for the mind. It might not take you anywhere, but it tones up the muscles that can.” Tune in to PodCastle each Tuesday for our weekly tale, and spend the length of a morning commute giving your imagination a work out.

  1. 3日前

    PodCastle 885: Prisoners

    * Author : Si Wang * Narrator : Shingai Njeri Kagunda * Host : Matt Dovey * Audio Producer : Devin Martin * Discuss on Forums PodCastle 885: Prisoners is a PodCastle original. Rated PG Prisoners by Si Wang   The fortress was as large as a city and empty as a dried-up well. During the days, I followed a tattered map annotated by many hands and took many wrong turns through cramped hallways, treacherous stairways, and rusty gates. At night, I couldn’t sleep. Resting on the cold, stone floor, I clutched a delicate metal ringlet weighed down by heavy keys, worried I might lose it. After five days, the claustrophobic ceiling finally opened up into a courtyard. The air was cold and fresh. The full moon illuminated a cloudy sky. At the center of the courtyard, a rusty cage hung a few feet off the ground — just enough distance so that the man’s feet couldn’t touch the stone floor. The man was as gaunt as the cage. They were one and the same with the way he sat: motionless, his thin arms wrapped around the bars, his thin legs protruding from the bottom. He slept with a shallow breath, now and then shuddering and whimpering. His eyes fluttered open, and he groaned. “Who’s there?” he said weakly in an accent I had not heard in a long time. Although his hair was jet black and his face free of wrinkles, the frailty of his words made him appear a hundred years old. He straightened up and said more firmly, “What do you want?” The illusion broke, and he looked like a much younger man. He looked familiar, like a childhood friend. I tried to control the excitement in my voice and hide the reason I was there. “When I heard about you, I had to come see for myself.” “Who are you?” “I’m the Queen.” His face was impassive. “Is that so? Come closer — I can’t see very well.” I stepped forward, a breath away from his reach. His eyes studied me. My red silk gown flowed as smoothly as ocean waves, the jewels in my hair gleamed in the moonlight, and the perfume on my feet smelled of petrichor. The chaos priest had painted the penumbral edge of judgment on my forehead. The heavy set of keys hung on my belt. “Are you going to free me?” he said and laughed bitterly. “That was my intention, but first, I have some questions for you.” “You would have brought guards if you intended to free me. I’ve had this conversation countless times with countless people. I don’t know the answer to what you’re looking for. You’re wasting your time.” “You’ll find it hard to believe how much time I’ve already spent trying to find you.” “Your forebears wanted the same thing. Whatever means they used, it always ended the same way: they died, and I am still here, locked up in this cage.” “They were not my forebears.” The man’s eyebrow arched. “A revolution then? That must be quite a story.” “Allow me three questions. That is all I ask.” He looked tired. He shifted his legs and grimaced. “And you’ll free me afterward?” “That depends on your answers.” The man sneered and nodded. “Of course.” “Why were you put into this cage?” I asked. “I stole a piece of bread,” he said, “Next question.” “I was told you didn’t need food to survive.” “The bread wasn’t for me.” The man’s eyes were like dark pools of water where the depths were deeper than the ocean, and I couldn’t see below the surface. “Please, tell me more.

    33分
  2. 3月25日

    PodCastle 884: TALES FROM THE VAULTS: All of the Cuddles With None of the Pain

    * Author : J.J. Roth * Narrators : Khaalidah Muhammad-Ali, Jen R. Albert, Dagny Paul, Graeme Dunlop, Summer Fletcher, Matt Dovey, Alasdair Stuart, Marguerite Kenner, Eleanor R. Wood and Steven Capps * Host : Emmalia Harrington * Audio Producers : Eric Valdes and Pria Wood * Discuss on Forums PodCastle 884: TALES FROM THE VAULTS: All of the Cuddles With None of the Pain is a PodCastle original. Rated PG All of the Cuddles With None of the Pain By J. J. Roth What is a Reborn? A Reborn is an artist-enhanced baby doll that looks and feels lifelike. Artists create Reborns as one-of-a-kind collectibles, often from ordinary play dolls transformed into art suitable for hands-off display—or hands-on cuddling. While reasonably durable, Reborns are not children’s toys. Rough play may damage them. How do the dolls become “reborn”? An artist re-paints each doll with more lifelike skin-toned paints, mixed to achieve the actual skin tones of real babies across the racial spectrum. Delicate veins and blue wash undertones give the newborn baby a more realistic appearance. Hair is sewn strand by strand into plastic bald or molded hair-grooved heads through a process called micro-rooting. Glass beads weight the baby’s body, head, and limbs for the authentic feel of holding a living infant. Electronic devices can be added that mimic a heartbeat and respiration. Other devices can make the baby warm to the touch, or make it emit infant sounds. Magnets can be inserted in the mouth and glued onto on an actual baby pacifier (Nuk, Avent, Gerber, etc.). When the magnetized pacifier sticks to the magnet in the mouth, the baby appears to be sucking on a binkie, just like a real baby. *WARNING*: Strong magnets! Can be harmful to pacemaker wearers and others with medical implants.   Why are Reborns so expensive? BabyMakerTM uses only real glass eyes imported from Germany, the best mohair available, aquamarine glass beads from the Czech Republic for weighting, and rare earth magnets for each baby. Art, packing, and shipping supplies also contribute to the cost. Each baby takes a minimum of three weeks to create, and goes home with its own layette, which includes a three-piece outfit, sleeper, hat, diapers, and receiving blanket, as well as birth and adoption certificates. Where can I buy a Reborn? What sort of person buys a Reborn? How lifelike are they? Most Reborns are sold through online nurseries, such as BabyMakerTM, or at art conventions and fairs. Almost all purchasers of Reborns are women, though we do have customers of other sexes and genders. Some customers collect Reborns as they would regular dolls. Often, older, single women treat Reborns as substitutes for the children they cannot have. Some customers who have lost a child, or have become empty-nesters,

    32分
  3. 3月18日

    PodCastle 883: Redo

    * Author : Brigitte Winter * Narrator : Julia Rios * Host : Matt Dovey * Audio Producer : Devin Martin * Discuss on Forums Previously published by New Year, New You: A Speculative Anthology of Reinvention Content warnings for violence and coercive control Rated R Redo by Brigitte Winter   3. In our third timeline, I met you on New Year’s Eve. I had slept off a migraine half that day, so I wanted nothing more than to spend the evening by the fireplace cuddling with Jamie and our ancient basset hound. But New Year’s Day would be my fifth wedding anniversary with Jamie — our “wood” anniversary — and he had gotten tickets to a burlesque show because he thought he was hilarious. Predictably, he insisted that it would be wasteful to skip the show because the tickets were fifty dollars each. Plus, booze was included. Plus, he could watch women dance out of their clothes, which was significantly more interesting than watching me sit around all night in the oversized sweater and leggings I’d been wearing since Christmas. “Plus, Mary,” he said, “maybe you’ll surprise yourself and have fun for once.” And so I pulled a black slip dress over my leggings and twisted my unwashed hair into a bun, and Jamie and I squeezed into the dingy black box theater just as the first dancer finished her set. Jamie muttered something about me making him late again before disappearing to the bar. He didn’t ask me if I wanted anything, which was fine because I didn’t. My temples pounded along with the bass blaring from the too-close speaker. Everyone in the audience was standing, and the guy directly in front of me was well over six feet tall and completely blocking the stage. The back of his jacket was a maroon velvet that looked so soft and dark that I longed to press my face against it until the bass stopped pumping and my brain stopped throbbing. And then the bass stopped pumping. I pushed up onto my toes to peer around the velvet jacket as slow piano and the first rich notes of Des’ree’s “Kissing You” wrapped around me and pulled me forward until I found myself standing in front of the tall man. By the time you glided onto the stage, I had somehow edged my way to the front of the crowd. They introduced you as Ale Mary. Your sequined teddy glinted like a disco ball with every slow, luxurious spin, and your arms were clad in long feathery wings, which you used to cover and uncover your body in delicious, teasing motions. You were the most glamorous woman I had ever seen. And each time you spun toward the audience, you looked directly into my eyes. By the time the song ended, Jamie had made his way to the front of the house and draped his heavy arm around my neck. I barely felt it. “I have to pee!” I yelled over the music, untangling myself from him. He nodded, eyes glued to the stage. The next dancer was already down to pasties and a thong, flossing a purple boa between her legs. I didn’t want to fight the crowd to the back of the house, so I slipped through a door to the left of the stage. I realized my mistake as soon as the door clicked shut behind me and an icy wind whipped down the alley outside the theater with enough force to make my eyes water. “Shit.” I grabbed the door handle and yanked. Nothing. “Shit. Shit. Shit.” I spun around and growled, eager to kick the nearest dumpster or brick wall or some other big hard alley thing,

    46分
  4. 3月11日

    PodCastle 882: How to Steal the Plot Armor – PART TWO of TWO

    * Author : Luke Wildman * Narrator : Hollis Monroe * Host : Matt Dovey * Audio Producer : Eric Valdes * Discuss on Forums Previously published in Writers and Illustrators of the Future, Vol. 37 Rated PG How to Steal the Plot Armor by Luke Wildman PART TWO of TWO   Something was obviously wrong from the moment we entered the great hall. Too many folk milled about, too many by far. Logs crackled in the firepit. The tables groaned under a weight of food and drink too profuse for the number of retainers who abided here while the Lord of Omlath was absent, and something was wrong with their eyes . . . a sort of dull light. They moved in a jerky, mechanical way, as if someone had wound them up and set them to clanking from task to task. Disconcerting, to say the least. The explanation soon became apparent. In a flower-carved throne at the head of the hall, the Lord of Shadows presided. The Master of Darkness swung his gaze to us when we entered, and his obsidian eyes seemed to pierce all hopes and disguises. “Ah,” he said, “entertainers. Come! Play a song for your great lord.” Sir Barm stiffened beside me. I followed his gaze and beheld a willowy slip of a teenage girl lounging on the steps at the Shadow Lord’s feet. She wore a fetching red gown, a gold circlet over brown curls, and she possessed the same delicate pasty features as her dad, though they looked better on her. From how Sir Barm was gaping, I knew at once that his love for her was no fickle impulse. There was a story behind it, though I hadn’t listened when he told it to me. This could spell trouble. “Lords and landed gentry!” Bacchus said, bowing. “Behold — we trifling troubadours shall traipse through twittering tunes, endeavoring to entertain for the honor of your encores!” And with that, he began to play. I’d hired the man for a reason. Neither Sir Barm nor myself had the faintest idea what to do with the musical paraphernalia strapped to us, so we banged our drums and blew our pipes at random . . . and somehow, Bacchus made a song of it. He wound our cacophony into a greater melody, sweeping discordant notes along as if they were intentional. The song reared to the vaulted roof, reverberated among the ceiling beams, sank low and mournful into the souls of our listeners. In this song, wrought partially of my own ineptitude, I recalled every grief of my life, relived each failed and faithless moment, remembered all my bitter choices, until I longed to weep. And still it continued. Bacchus was rearing the song toward a triumphant crescendo when jeers interrupted him. His accordion squawked in protest, and the music fell apart. All heads turned toward the source of the desecration. “You call that music?” the Shadow Lord’s daughter asked. “There weren’t even lyrics! When I hear music, I want poetry. I want to hear about ancient deeds of valor. In short . . . I want recitations.” A cruel smile played on her rosebud lips as she rose and sauntered toward us. “Play a good song, a song with words,” she said. “Make them play one, Daddy . . . or chop off their heads!” The Shadow Lord looked bemused. He raised his eyebrows at us. “Well, boys? You heard my daughter.” I clenched my jaw. Bacchus was shooting me worried glances, but he should’ve been more concerned about Sir Barm. The knight was trembling from head to heels, his accordion emitting tiny squeaks as he took shuddering breaths,

    40分
  5. 3月4日

    PodCastle 881: How to Steal the Plot Armor – PART ONE of TWO

    * Author : Luke Wildman * Narrator : Hollis Monroe * Host : Matt Dovey * Artist : Eric Valdes * Discuss on Forums Previously published in Writers and Illustrators of the Future, Vol. 37 Rated PG How to Steal the Plot Armor – PART ONE by Luke Wildman   The day before it started, I had to chase off three more heroes with a stick. I swear, winter is the worst season for them. You get a few enterprising farm boys during the spring and summer, and fall’s the time for disinherited princes looking to reclaim kingdoms that their uncles stole from their murdered fathers, but winter is when the big ones arrive. There’s nothing worse than sitting down in front of the hearth, a tome on your knee and a tankard of ale at your elbow, all cozy while the blizzard howls outside — and hearing a knock at the door. You’ll have no peace till you open it. When you do, you’re greeted by the sight of a hulking, smelly barbarian, snow clinging to his fur cloak, sword bigger than your leg strapped over his back, with a story of an omen-prompted journey into the mountains to seek one who will tutor him in magic, or guide him to hidden paths, or interpret runes on an ancient map, and might you be that one? And, of course, you are. Try to deny it and he’ll point out that the prophecy specified the man he sought would be holding a tome and a tankard, and would be venerable of years, knobby of knees, bearded of chin, and dark-skinned as the night. Really, they might leave out the knobby knees part, just once. Do they think I have no feelings? Over my lifetimes, I’ve developed quite the repertoire of tricks for sending heroes away. They never catch on that a person living in a shabby cottage at the highest pass of the most remote mountain in the farthest corner of the world might not want to be bothered, the insensitive jackanapes. So I always had to use other strategies. The beginner’s mistake is thinking rigor alone will deter your average hero, but it only encourages most of them. Their eyes light up when you swear to only take them on as a ‘prentice if they descend into the Tomb of the Necromancer and steal the ruby eye from the idol of Ang’Vel’Nazsh. If they survive this perilous deed, then you really can’t put them off. No; the secret is to give them dishonorable, icky chores, like cleaning your chamber pot or mucking out your pigsty. That usually works. Unfortunately, there’s a breed of hero that revels in humiliation, and might, I shudder to add, even be a bit turned on by it. Such a one was the young gallant who galloped into my life that winter day. It was one of those bright, cold mornings when life in the mountains feels almost a treat, the pines resplendent with icicles and the snow an unbroken field of dazzling white. He arrived while I was hobbling on my staff from the barn to the cottage, having just fed the old nag. I focused on my footing, and so didn’t immediately notice the rider dismounting outside my door. “Hail, honored wizard!” the man called, startling me half out of my wits. “Lo, I have ridden many weeks and endured many perils to seek you.” I sighed as I looked him over. He had the usual shaggy golden hair and storm-blue eyes, the usual disregard for animals (his poor horse was half dead), and the usual lack of sense when it came to dressing for the weather, clad as he was in silver armor that glittered with frost, and a thin cape of purple silk.

    26分
  6. 2月25日

    PodCastle 880: TALES FROM THE VAULTS – Kiki Hernandez Beats the Devil

    * Author : Samantha Mills * Narrator : Sandra Espinoza * Host : Matt Dovey * Audio Producer : Devin Martin * Discuss on Forums Previously published by Translunar Travelers Lounge and as PodCastle #639. Rated PG-13 Kiki Hernández Beats the Devil By Samantha Mills Kiki Hernández, rock legend of the Southwest, had seven devils on her tail. They scurried through the roadside scrub, not even trying to sneak. She could hear their scrabble-claws and clacker-tails, their dripping maws and teeth. If they were trying to round her up for a crossroad deal-making, they were going about it all wrong. That’s what happened when devils got hungry. They made mistakes. Kiki hummed as she walked, watching eddies of dust form tornadoes on the road ahead. It was a swagger of a walk, born of a perfect record: Kiki 72, Devils 0. She would have been bored, if she hadn’t been so eager for an encore. “Come on out!” she hollered. They tumbled forth in a gray-green tangle of many-jointed limbs, an acrid smell preceding them: sulphur and grave dirt and candy apples stuffed with razorblades. Their voices tangled like a nest of snakes: Are you hungry? Are you thirsty? Are you vengeful? Are you sad? For a moment she felt it—the thirst like three weeks eating salted pork, the grief that could only end in retaliation—and then Kiki popped open her molded-plastic carrying case and pulled out her guitar: Mona Lisa. Mona Lisa was fierce. She was raw. She was a fine-tuned devil-killing music monster. They never stood a chance. Kiki laughed, high and wild, as her fingers danced through “Voodoo Child”—acoustic, sadly, but that was the state of the world these days. In Kiki’s head she was rocking steel strings and a hundred watts. She was playing to a crowd of twenty thousand and crushing it. The first trio of devils hit a solid wall of sound and crumpled, bloody and squealing, to the earth. The others skittered away, and she chased after them, shouting, “Come back, you cowards!” She needn’t have worried. They raced for the crossroad, so desperate they didn’t even notice what was waiting for them there. Kiki’s hellhound. He was short and squat, with the jowls of a Neapolitan Mastiff and the blue-black coat of a Friesian horse. He had curling horns for ears and deep pits of flame for eyes, and he swallowed those devils in two bites apiece. “Ozzy!” Kiki scolded. “What did I say about wandering off?” He slumped hard against her leg, whining, and she pulled out a spare bone pick to loosen the gristle from his fangs. He let out a particularly un-hellish yip when she accidentally jabbed his gum. “Well next time don’t chomp them around the ribs!” she said. “Honestly, Ozzy…” He tilted his head for scratches, and Kiki complied. She was still flush with the high of performing, the heart-fluttering, head-buzzing, loose-muscle happiness that only came from a good tune. It didn’t matter if there was no audience. She had Ozzy. And then a voice like rotting garbage slithered down the breeze: “Isn’t that just too sweet to stomach?” Kiki spun, guitar drawn against her belly. An enormous toad-like devil was sitting on top of an overturned city bus, wide and squat and green, with a short, sharp horn protruding from the center of its forehead. A nasty wall of cacti stood between them, holding the beast out of guitar range. That bit of foresight was alarming.

    42分
  7. 2月18日

    PodCastle 879: The Tawlish Island Songbook of the Dead

    * Author : E. M. Linden * Narrator : Louise Hewitt * Host : Alasdair Stuart * Audio Producer : Eric Valdes * Discuss on Forums PodCastle 879: The Tawlish Island Songbook of the Dead is a PodCastle original. Content warnings for grief, infant death, and a reference to suicide Rated PG-13 The Tawlish Island Songbook of the Dead E.M. Linden   The living have been leaving Tawlish for centuries; this evacuation is only the latest and last. There are good reasons for it: the freshwater spring gone brackish; the water, always encroaching; the colicky, relentless wind. No schools for the children. No doctor. We should have seen it coming, but sometimes we forget what the living need. We cannot cross salt, so we watch from shore. Our loved ones and descendants wade into the sea. The men strain to hold the boats steady against the waves. Everyone’s weighed down by possessions, a village crammed into sacks and lifeboats. Spoons, spindles, fish-hooks, balls of yarn. A clothes-peg doll in a twist of old apron. Seabirds’ eggs wrapped in blankets: habits ingrained by generations of scarcity. They’ve even dug up their potatoes. Katie Zell’s mother is already on the boat. The songbook is tucked inside her jacket. Thirty-seven people. Only some of them look back. They leave cold firepits and fulmar bones, middens, empty crofts with the thatch already collapsing. Sheep they’ve blessed and turned loose to fend for themselves. And us. The dead of Tawlish. Katie Zell’s father has been dead longer than she’s been alive. Before he drowned, he’d hoped to sing her lullabies: the ones he sang to her older brothers, the ones his grandparents sang to him. Now, in farewell, he rests his hand briefly on her curls. Most of the living are oblivious to the dead, but the Zells are a noticing kind of family. Katie raises her hand to his; perhaps she mistakes the cold brush of it for sea-spray. It’s enough. He smiles. That’s all there is time for: Katie’s uncle lifts her from the shore, over the churn of the sea, and seats her next to her cousin on the boat. Old Maureen Stornaway is furious, sees evacuation as defeat. She clenches a knuckle of island rock in her pocket. Tiny luminosities watch her from shore: the ghosts of three of her children. She strains her eyes and peers back through the sea-mist. Maybe something shines there. After decades of loss, of wishing them still with her, this is the first and last time that she almost makes them out. The rector, smug, takes nothing. He doesn’t need to. He has a house on the mainland, and — as far as he’s concerned — he’s saved thirty-seven souls. A Tawlish tradition: the living and dead send each other gifts. The living give tobacco and carved pipes, posies of sea-vetch, griddle-cake. Packets of seeds for Lizzie Knell. Wooden rattles and teething rings. Handkerchiefs embroidered with our names. They slip our gifts into the flames so that they’ll cross over to our side. Burnt offerings. The wind chases the sparks out of the sky. The gifts arrive smelling of smoke. Our gifts are less generous. All we can send are dreams. Tonight, all together, we dream safe passage for the living. Grudgingly, because they’re abandoning us; jealously, because we want them here: their songs and laughter reminding us who we are, their bones buried beside ours in the thin Tawlish soil. We dream them returning.

    42分
  8. 2月11日

    PodCastle 878: The Carving of War

    * Author : Somto Ihezue * Narrator : Mofiyinfoluwa Okupe * Host : Matt Dovey * Audio Producer : Devin Martin * Discuss on Forums Previously published by Tor – Africa Risen anthology   Content warnings for violent murder and the death of an animal Rated R The Carving Of War By Somto Ihezue   Odili was a child when Nkeala, her grandmother, died. All she remembered of her were her braids, a tangle of clouds that reached for the floor. She remembered her eyes, how they swallowed her face. To look into them was to be lost in a vastness. It was to find eyes — owl eyes, bold eyes, brown eyes — staring back at you. Most of all, she remembered her kindness, an unending sea. Nkeala had been dìbìā — keeper, to Idemili; the roaring python, they who drowned oceans, mother of mothers. At the birth of time, Idemili, like beads dancing on a fragile waist, had wound herself around the clans of Obosi. Out of her mouth, the Eke River poured, its brooks and streamlets giving sustenance to the corn in the farmlands, the antelopes of the wild and the Irokos that split the sky. Odili’s family was bound in perpetuity to Idemili. With her grandmother’s passing, the fanged staff fell to her mother, Adaugo. In the past, a few keepers had met their fate with defiance. Odili’s great-great grandfather, Agbadike, had refused the staff when it passed to him. Setting the shrine of Idemili ablaze, he invoked the ritual of blood in a bid to sever the bond that tethered his life to the deity. Three days after, a breadfruit fell from a tree and split his skull in half. Like moth to fire, Adaugo embraced the mantle of keeper. Before her twelfth birthday, she could already perform the passage rites of ancestors. Beneath the glow of a horned moon, she’d slay a ram, its body thrashing beneath her knee. Immersed in its blood, she’d wade into the Eke, bridging the fold between the living and the dead. Ancestors past would come walking through her, blessing and cursing the ones they left behind. When she was heavy with Odili, Adaugo ventured into Idemili’s mouth and emerged unscathed, spirit water coursing through her veins. One of the dwindling few, Adaugo knew the words to the eternal utterances and the anchors that held them. The clans of Obosi had revered Nkeala; Adaugo, they feared. She was power unbridled, her dedication to Idemili undying. Like her mother and keepers before her, Adaugo stayed unwed. “We are the rage of Idemili, unburdened by the constraints of love and companionship,” she’d remind Odili, “We are fire and water, we are rain and lightning, our bodies are nothing but vessels.” Still, keepers were mandated to bear offspring and preserve their line. Without a present father, a mother who in all entirety was of another realm, Odili roamed the village unchecked, her python familiar slithering beside her. More than a companion, it had become a parent, regurgitating rabbits and bush rats for her to roast and eat. When the first missionaries came to their village, Odili was drawn in by their flaky bread and the trinkets that hung from their neck, how they shimmered in the light. At the rooster’s crow, she’d run into the village, into the shack that doubled as a chapel, to watch the priests bless communion, to watch Edward. Edward was a mass server and Edward was beautiful. With her eyes, she’d follow him and when he caught her stare,

    31分

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番組について

PodCastle is the world’s first audio fantasy magazine. Weekly, we broadcast the best in fantasy short stories, running the gammut from heart-pounding sword and sorcery, to strange surrealist tales, to gritty urban fantasy, to the psychological depth of magical realism. Our podcast features authors including N.K. Jemisin, Peter S. Beagle, Benjamin Rosenbaum, Jim C. Hines, and Cat Rambo, among others. Terry Pratchett once wrote, “Fantasy is an exercise bicycle for the mind. It might not take you anywhere, but it tones up the muscles that can.” Tune in to PodCastle each Tuesday for our weekly tale, and spend the length of a morning commute giving your imagination a work out.

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