Acting Successfully with Michelle Dyer

Michelle Dyer
Acting Successfully with Michelle Dyer Podcast

Hear me chat with friends and interview experts on everything about your career, other than how to sing, dance, and act. Basically, I want to share everything I wish I would have known starting out in Musical Theatre. Send me an email on what other topics you'd like me to discuss. I'd love your input. Thanks! Hosted on Acast. See acast.com/privacy for more information.

  1. 11/03/2018

    #10 - Thinking of changing careers? (My story)

    This episode is only for those of you who have been in acting for a little while - for those of you just starting out - thanks for listening, but I'll talk to you next time. :) Now that it's just us - I wanted to share with you my story on transitioning from an acting career to the office world. If you're thinking of doing the same thing, or just looking for something a little more stable, maybe you'd be interested in learning from my story: In 2007 I was fortunate enough to perform in White Christmas at The Denver Center. Dream housing, dream location, dream show, amazing city, but I was unhappy. Even the perfect dressing room partner! I asked myself, if that wasn't cutting it, what will? Next, I was in A Day In Hollywood/A Night in the Ukraine and Nancy Anderson was my dressing room partner. *(correction from my podcast - she got an Olivier Award nomination for Kiss Me Kate, not the award). She gave me some great insight into the business, as well. My background was: When I was 16, I auditioned at Paramount’s Kings Island. I didn’t get in the show, but I became an usher and worked a few hours as an admin. Then in college I was an intern at The White House. When I moved to NYC, I found out about temp jobs from a friend. I started temping and I liked it! I liked the office world. Then I discovered “temp to perm.” This means you work as a temp with the eventual possibility of staying on permanently. It’s great to do this with long-term temp gigs, like if someone has a maternity leave. There’s also nothing like on-the-job training that you get from temping with a company long-term. From then, I decided I wanted to temp to perm and go full time in my career. I interviewed for a position and got the job. This job let me work with "the street" and it was fascinating! Eventually, they eliminated my position. I was six months pregnant, so I stayed home for a year before I went back to work. Keep in mind: IT’S NOT A STRAIGHT LINE. It’s that way for acting, and it’s that way for business. You just don't have to be an admin, you can work in different departments: social media, graphic design or customer service. Human Resources is great for actors, too! (If you want financial stability, go into finance for the bonus system.) But, I recommend getting experience temping with recruiters. Recruiters get feedback from your employers, and you can use that feedback to improve. Here are some good temp companies: * Beacon Hill Staffing Group * Green Key Resources * Atrium Staffing (click here to get my Survival Job cheat sheet with contact details for the temp agents) Keep in mind, however: the business world is different. Attitude is very important. Actors are adept at this: resilience, improv, friendly, outgoing. Confidentiality, integrity. Office parties: You are there as an employee, and it’s different from theatre opening night parties. In theatre, we live and work with these people and our lives are all out there. In an office, it’s not like that. Put on your best manners. In a new career you are starting from the ground up, like getting your Equity card again. For me, I just wanted to use my brain in a different way, I couldn't handle the monotony of 8 shows a week. At the beginning of my office career, I had to stock sodas, grab lunches, and do filing all day. It’s not glamorous, but you have to start somewhere. Don’t complain - people might call you out! If you can’t be trusted to label a file folder, how can you be trusted with a legal case? Keep in mind the atmosphere is more buttoned up. You can’t talk as freely about your weekend, your political beliefs, things you’d talk about with friends. But the benefits are fantastic: stability, health insurance, 401k and a company match (usually). Think about retirement! Start now. You can’t make up for time. As hard as it was to start all over in the beginning, I felt like I fit in better in the office world, and it was totally worth it in the end. Plus, h

    18 min
  2. 28/01/2018

    #9 - My Money Rant

    I might be listening to a little too much Gary Vaynerchuk lately, because I started ranting (speaking passionately) about why I think we should all talk about money and finances. It’s fun to talk about your interests or the things in which you’re an expert, but it’s usually not fun to talk about finances. Money doesn’t buy you happiness, but it certainly buys you choices. You should be planning for your future. Don’t depend on Social Security - it may not be there when you’re old enough to use it, and when you are, it may buy you next to nothing. You also want to be stable in relationships! When you get older, if you end up in a partnership with kids and a house, you’ll want to have made better choices. In your 20’s, put $2,000 a year into a Roth IRA account. Because of compound interest, you’ll have much more money in your account when you reach retirement if you start when you’re 25 than if you start when you’re 35. Relationships: There are people who were already married or financed by their spouse, so they didn’t need a survival job. However, people do get divorced and relationships end… then what would you do? Also - you shouldn’t have to stay in an unhealthy relationship for this support. Get out! Support yourself. It may not be cool, but pack your lunch.​ Your future self with thank you. Thanks for listening to this episode. Let me know what you think, what topics you're interested in learning more about & have a great day!! All the best, Michelle Hosted on Acast. See acast.com/privacy for more information.

    11 min
  3. 19/11/2017

    #8 - SETC's - Auditions and More - an interview with Marci Duncan

    I knew SETC’s (Southeastern Theatre Conference) as a great audition opportunity for college students, but I learned they have opportunities for actors at all stages of their career. Check out my conversation with Marci Duncan, the audition committee chair, as I get some insider info on how to prepare for and what to expect at the big spring auditions. www.setc.org Marci Duncan -Actor -Audition committee chair for SETC -Florida Theatre Conference Screening Coordinator -Professor at University of West Florida -One-on-one actor coach SETC is one of the largest theatre conferences around - and there are so many different opportunities there. SETC is for: -Professional actors (AEA, SAG/AFTRA) -Just starting out/recent college graduates -Current college students, looking for summer stock/graduation opportunities -Transfer auditions -Grad School prospective students -High School - looking for programs/getting experience/networking/workshops SETC also provides scholarships. -Go to the website and put “scholarships” in the search engine, and you’ll get the info. Workshops -Over 300 workshops during the conference. These are workshops for the actor, professor, musician, technical theatre, etc. QUESTION: I’m in college and looking for summer stock work or just about to graduate, how do I get to audition? -Go to SETC WEBSITE, click on the screening auditions. (If you’re in college, you’ll have to be screened before being sent on to the main conference in the spring). -Each state has a coordinating conference at which they do these screenings. BUT make sure you register on the SETC website and not that state’s website. -The screening auditions are in early fall, starting in October and ending in early December. You don’t have to wait long - notified immediately. QUESTION: What do I need to prepare? What should I expect? -Musical Theatre candidates: You can sing and you can do a monologue, and you have 90 seconds total. You can do just a song, or a song and a monologue. They encourage you to do both as most companies want to hear both. -SETC does NOT encourage a “sandwich audition” - sing, monologue, then sing. Accompanist provided. -Actor only: 60 seconds, choose one monologue. -The time starts with your name and audition number. If you choose to sing, the 90 second limit does not include the time you speak with your accompanist. For the screening auditions: -It’s basically a qualifier. There is no dance call; it’s just your audition. -In the spring at the official conference, it’s set up in the same way to the screening, but you will be called back by whoever wants to see you and if you are called for the dance call. For the main auditions: -You audition in a group, you leave with the same group and go to the holding room. Then you’ll be free to look in the callback room pending instructions. What opportunities/types of companies will be there and what material should I put forward? -Cruise Ships -Shakespeare Companies -Children’s Theatre -Professional Theatre -Repertory Companies -Regional Theatre Companies -All of the attending companies will be posted on SETC website TIP: Shape your audition for what you want to book – check out the attending company websites in advance. QUESTION: Should I change my package between qualifiers? -Wouldn’t recommend - it’s why you qualified. Look up the theatre companies attending. TIPS: -You need to be clear if you want to do musical theatre, straight plays, Shakespeare, or cruise line work. Be specific and tailor to it -List your true availability, especially if you’re in college. Only say you can work year-round if you can. - Make sure you look up who is attending - know who you’re auditioning for and what to prepare. Prepare for the callback. Bring your book - have backup pieces. You never know what a particular company will see you as. Be prepared - they may have you do cold readings. Practice that with your friends. Don’t change your outfit before callb

    35 min

About

Hear me chat with friends and interview experts on everything about your career, other than how to sing, dance, and act. Basically, I want to share everything I wish I would have known starting out in Musical Theatre. Send me an email on what other topics you'd like me to discuss. I'd love your input. Thanks! Hosted on Acast. See acast.com/privacy for more information.

To listen to explicit episodes, sign in.

Stay up to date with this show

Sign in or sign up to follow shows, save episodes and get the latest updates.

Select a country or region

Africa, Middle East, and India

Asia Pacific

Europe

Latin America and the Caribbean

The United States and Canada