Bad Women: The Blackout Ripper

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Bad Women: The Blackout Ripper

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The streets of wartime London are pitch black and the darkness offers cover to a murderer every bit as terrible as Jack the Ripper. During one awful week in February 1942 he viciously attacks women night after night. But the victims of the so-called Blackout Ripper are now all but forgotten.   In this season of Bad Women, historian Hallie Rubenhold and criminologist Alice Fiennes share new details from the archives to tell the extraordinary and moving stories of the women who died and why their deaths were swept from view.     And don't miss season one of Bad Women about a cold case like no other. In the fall of 1888, five women were brutally murdered in the slums of London. But everything you think you know about Jack the Ripper and those murdered women is wrong. Hallie reconstructs the lives of the five victims - revealing the appalling treatment they faced as women in the 1880s, and completely overturning the accepted Ripper story.

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  1. EPISODE 1

    S2 E1: Murders in a City Without Light

    London's West End - once a glittering Mecca of nightlife - is pitch black. The lights are off to hide the city from waves of Nazi bombers - but in the darkness a merciless killer is hunting down the women of this district.  Join hosts Hallie Rubenhold and Alice Fiennes as they walk those bomb-damaged streets to tell the stories of the women targeted by this "Blackout Ripper" over the course of just one week in 1942.  You'll glimpse inside the theaters, jazz joints and dive bars of Piccadilly and Soho; witness deadly air raids; and criss cross the blacked out streets where a serial killer lurks. You'll learn too of the hardships that blighted the lives of many women in wartime, and the extent of the violence they faced at the hands of men from their own side in the conflict.  Sources:  Bone, James. London Echoing (London: Jonathan Cape, 1948) Caddick-Adams, Peter. Sand and Steel: A New History of D-Day (London: Penguin Random House, 2019). Cederwell, William. Reading London in Wartime: Blitz, the People and Propaganda in 1940s Literature (New York: Routledge, 2018).  Farson, N. Bomber’s Moon (London: Victor Gollancz Ltd, 1941).   See omnystudio.com/listener for privacy information.

    42 min

  2. EPISODE 1 BONUS

    BONUS: Black GIs and their "Brown Babies"

    Unlike white GIs, it was made virtually impossible for African-American servicemen to marry the women they met and fell in love with in the UK during World War Two. If these couples had children, those so-called "Brown Babies" were stigmatized and scorned - with many ending up in grim children's homes.  Pausing the story of the Blackout Ripper - this episode examines the experiences of those Black GIs, their white partners and two "Brown Babies" - Leon Lomax and Terry Harrison - who have both spent decades trying to piece together their family histories.  Professor Lucy Bland's work can be seen here: http://www.mixedmuseum.org.uk/brown-babies Further reading: Bland, Lucy. Britain's 'Brown Babies': The stories of children born to black GIs and white women in the Second World War. (Manchester University Press), 2019 Osur, Alan. Blacks in the Army Air Forces During World War II. (Office of Air Force History), 1977 Schindler, David and Westcott, Mark ‘Shocking Racial Attitudes: Black G.I.s in Europe’, The Review of Economic Studies. (University of Oxford), 2021 See omnystudio.com/listener for privacy information.

    33 min

  3. EPISODE 2

    S2 E2: The Death of a Quiet Druggist

    Evelyn Hamilton has annoyed her bosses in the male-dominated world of pharmacy - they find her quiet and independent nature mystifying and odd. After an unhappy stint at a druggist shop outside London, she's landed a new job and a fresh start in a faraway town.  In February 1942, Evelyn sets out on her long journey – just as the Blackout Ripper is hunting for his first victim…  Join hosts Hallie Rubenhold and Alice Fiennes as they traces Evelyn's life and struggles; and with the help of Lauren Ober (host of The Loudest Girl in the World podcast) examine why the quiet pharmacist's demeanour provoked such hostility.   Sources: Andrews, Maggie and Lomas, Janis. The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (Basingstoke: Palgrave Macmillan, 2014). Diniejko, Dr. Andrzej. ‘A Chronology of Social Change and Social Reform in Great Britain in the Nineteenth and Early Twentieth Centuries’, The Victorian Web, 2014 Neale, Alexa. ‘Case Files For Murder Trials: The Case of Cyril Johnson’, “Domestic Murder” She Wrote, September 2016 Webb, Laura and Webb, Kevin. ‘Selina Cooper: The Story of a Working Class Suffragist’, March 2019, UK Vote 100 See omnystudio.com/listener for privacy information.

    40 min

  4. EPISODE 2 BONUS

    BONUS: The Music from 'The Blackout Ripper'

    The story of the Blackout Ripper partly takes place in the wartime bars and clubs of West End London. To recreate their sound, Bad Women's composer and sound designer Pascal Wyse put together a quartet to play jazz tunes of the time.   Here Pascal and guitarist Ed Gaughan talk about the history of that music and play some of the numbers in full on this episode on Pushkin Industries' Broken Record show, hosted by Justin Richmond.  The band included Ed Gaughan, Ross Hughes, Christian Miller and Marcus Penrose. They were recorded by Nick Taylor at Porcupine Studios, under the direction of Pascal Wyse. Pushkin’s Ben Tolliday mixed the tracks.    See omnystudio.com/listener for privacy information.

    59 min

  5. EPISODE 3

    S2 E3: The Butchers of Germany

    Evelyn Oatley dreams of becoming a stage star in London's glamorous theaterland. It's a world away from her grim provincial upbringing. The daughter of a German immigrant, her troubled home life was compounded by a wave of anti-German rioting that broke out during World War One.     Tiring of both her job at a textile mill and her relationship with a local farmer, Evelyn ran off to London and transformed herself into budding starlet "Lita Ward". But she found neither fame nor fortune there... only danger.   Sources: Andrews, Maggie and Lomas, Janis. The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (Basingstoke: Palgrave Macmillan, 2014). Arthur, Sue. ‘Blackpool Goes All-Talkie: Cinema and Society at the Seaside in Thirties Britain’, Historical Journal of Film, Radio and Television, Vol. 29, No. 1, March 2019. Denness, Zoe. ‘“A Question which Affects our Prestige as a Nation”: The History of British Civilian Internment’, PhD Thesis, University of Birmingham, October 2012. Denness, Zoe. “Gender and Germanophobia: The Forgotten Experiences of German Women in Britain, 1914–1919’ in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014). Eyles, Allan. ‘Cinemas and Cinemagoing: The Rise of Cinemas’, BFI Screenonline, 2014. Higginbotham, Peter. ‘Boarding Out (Fostering)’, Children’s Homes. Hill, Hector. ‘Russell Street Picturehouse’, Cinema Treasures. Lassandro, Sebastian. Pride of Our Alley: The Life of Dame Gracie Fields Volume 1: 1898 - 1939 (Albany: BearManor Media, 2019). Mazierska, Ema (Ed.). Blackpool in Film and Popular Music (Cham: Palgrave Macmillan, 2020). Mort, Frank. ‘Striptease: The Erotic Female Body and Live Sexual Entertainment in Mid-Twentiety-Century London’, Social History, Vol. 32, No. 1, February 2007. Panayi, Panikos. ‘Germans as Minorities during the First World War: Global Comparative Perspectives’, in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014). Panayi, Panikos. Immigration, Ethnicity, and Racism in Britain, 1815 - 1945 (Manchester: Manchester University Press, 1994). Stone, Peter. ‘The German Community in London during the 19th Century’, History London. Waddington, Keir. ‘“We Don’t Want Any German Sausages Here!”: Food, Fear and the German Nation in Victorian and Edwardian Britain’, Journal of British Studies, Vol. 52, No. 4, October 2013. Walkowitz, Judith R. Nights Out: Life in Cosmopolitan London (New Haven: Yale University Press, 2012). Walton, John K. ‘The Seaside Resort: A British Cultural Export’, History in Focus, Issue 9, Autumn 2005. See omnystudio.com/listener for privacy information.

    38 min

  6. EPISODE 3 BONUS

    BONUS: Hallie Rubenhold and Julia Laite on We Have Ways...

    The murders of The Blackout Ripper - indeed many of the crimes committed against women in World War Two - aren't often spoken about by historians of the conflict. That's changing. The co-host of Bad Women Hallie Rubenhold and regular guest Dr Julia Laite recently appeared on the WW2 podcast We Have Ways of Making You Talk to talk to James Holland about the wartime experiences of women. Here's chance to hear the conversation.   See omnystudio.com/listener for privacy information.

    44 min

  7. EPISODE 4

    S2 E4: "Lita Ward" the Soho Girl

    Though married to chicken farmer Harold, Evelyn Oatley has given up on rural life and returned to live in seedy Soho under her showgirl alias "Lita Ward". The coming of war has meant a boom time for those selling entertainment, liquor and sex to the servicemen flooding the area. It is in this world of dancing and drinking that Evelyn lives.  But beneath a fun-loving facade, Evelyn is lonely. Her male callers help stave off this sense of isolation, but only temporarily. And it’s while working that she’ll meet a cruel and sadistic killer and take him back to her apartment.  Sources:  Iglikowski-Broad, Vicky. ‘The Shim Sham Club: “London’s Miniature Harlem”’, The National Archives, 5 February 2020. National Fairground and Circus Archive, ‘The Second World War’, The University of Sheffield, July 2015. Sladen, Chris. ‘Holidays at Home in the Second World War’, Journal of Contemporary History, Vol. 37, No. 1, 2002. Walkowitz, Judith R. Nights Out: Life in Cosmopolitan London (New Haven: Yale University Press, 2012). See omnystudio.com/listener for privacy information.

    39 min

  8. EPISODE 4 BONUS

    Raising the Dead - Behind the Scenes of Bad Women

    The rich and famous leave many traces in the historical records, but how can you reconstruct the lives of ordinary people who lived decades and decades ago?  That was the challenge facing the team behind the Bad Women podcast. Hosts Hallie Rubenhold and Alice Fiennes sit down with genealogist Kate Healy to discuss the detective work involved in scouring the archives for the scraps of information which - when gathered together -  created a richer picture of the women chronicled in seasons one and two.  See omnystudio.com/listener for privacy information.

    44 min
See All Season 2 (17)

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The streets of wartime London are pitch black and the darkness offers cover to a murderer every bit as terrible as Jack the Ripper. During one awful week in February 1942 he viciously attacks women night after night. But the victims of the so-called Blackout Ripper are now all but forgotten.   In this season of Bad Women, historian Hallie Rubenhold and criminologist Alice Fiennes share new details from the archives to tell the extraordinary and moving stories of the women who died and why their deaths were swept from view.     And don't miss season one of Bad Women about a cold case like no other. In the fall of 1888, five women were brutally murdered in the slums of London. But everything you think you know about Jack the Ripper and those murdered women is wrong. Hallie reconstructs the lives of the five victims - revealing the appalling treatment they faced as women in the 1880s, and completely overturning the accepted Ripper story.

Information

  • Channel
    Pushkin
  • Creator
    Pushkin Industries
  • Episodes
    38
  • Seasons
    2
  • Rating
    Clean
  • Copyright
    2024 iHeartMedia, Inc. © Any use of this intellectual property for text and data mining or computational analysis including as training material for artificial intelligence systems is strictly prohibited without express written consent from iHeartMedia
  • Show Website
    Bad Women: The Blackout Ripper
  • Provider
    Pushkin Industries Inc.

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