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Actress Nancy Carroll and critic Sarah Crompton offer an insider's view of theatre from different sides of the curtain. It's a frank conversation between friends that aims to reveal what really goes on behind the scenes of both their professions. There's a bit of history, and a lot of stories, some serious, some funny and all revealing some truths about what happens on stage and off.
Hosted on Acast. See acast.com/privacy for more information.

As the Actress said to the Critic Sarah Crompton & Nancy Carroll

    • Kunst
    • 5,0 • 1 beoordeling

Actress Nancy Carroll and critic Sarah Crompton offer an insider's view of theatre from different sides of the curtain. It's a frank conversation between friends that aims to reveal what really goes on behind the scenes of both their professions. There's a bit of history, and a lot of stories, some serious, some funny and all revealing some truths about what happens on stage and off.
Hosted on Acast. See acast.com/privacy for more information.

    Tom Holland's Romeo and Ian McKellen's Falstaff

    Tom Holland's Romeo and Ian McKellen's Falstaff

    Huge, enthusiastic queues are surrounding the Duke of York's theatre where Tom Holland, famous for Spider-Man is playing Romeo opposite Francesca Amewudah-Rivers as Juliet. Next door, veteran actor and star of Lord of the Rings, Ian McKellen is performing Falstaff for his own adoring fans. In this week's episode Nancy and Sarah discuss the two productions and what it shows us about Shakespeare - and about the new generation of actors.
    Hosted on Acast. See acast.com/privacy for more information.

    • 34 min.
    Food on stage - and guests for the dream dinner party

    Food on stage - and guests for the dream dinner party

    Nancy and Sarah discuss their attitudes to food on stage and off. Does Nancy eat before a show? Does Sarah write hungry or stuffed? And are there perilous foodstuffs that you might want to avoid on stage? Plus: who would they both invite to their dream dinner parties?
    Hosted on Acast. See acast.com/privacy for more information.

    • 44 min.
    The secrets of learning lines - plus Machinal and Love's Labour's Lost

    The secrets of learning lines - plus Machinal and Love's Labour's Lost

    Nancy and Sarah discuss terrific new productions of Love's Labour's Lost at the Royal Shakespeare Company and Machinal at the Old Vic and Nancy reveals the secrets of memorising long parts - and why the writers whose words are hard to learn aren't always the ones that you'd expect.
    Hosted on Acast. See acast.com/privacy for more information.

    • 38 min.
    Last word on the Oliviers - and two new plays about friendship

    Last word on the Oliviers - and two new plays about friendship

    Sarah and Nancy have been watching the Oliviers on screen - and wondering why it's so difficult for television to catch the spirit of theatre. Plus Nancy has been to see An Actor Convalescing in Devon at Hampstead Theatre and Sarah has watched The Comeuppance at the Almeida which prompts a conversation about two great American writers - Richard Nelson and Brandon Jacobs-Jenkins - and how they find ways into examining friendship, illness, death and the human condition.
    Hosted on Acast. See acast.com/privacy for more information.

    • 35 min.
    Brian Cox, Patricia Clarkson, the Brontes - and why cutting the creative arts is mad

    Brian Cox, Patricia Clarkson, the Brontes - and why cutting the creative arts is mad

    Sarah and Nancy talk about a new compelling new production of Eugene O'Neill's Long Day's Journey Into Night, starring Brian Cox and Patricia Clarkson, and the new play Underdog: the other, other Bronte - both stories that lay bare the rivalries and difficulties of family life. And what is the UK government thinking about with its latest plan to cut funding for creative arts courses at universities? Plus more praise for Andrew Scott in All of Us Strangers, and tributes to Adrian Schiller and Trevor Griffiths.
    Hosted on Acast. See acast.com/privacy for more information.

    • 47 min.
    What's the point of critics if they can't agree?

    What's the point of critics if they can't agree?

    The reviews of Opening Night, a new Rufus Wainwright musical starring Sheridan Smith, have ranged from utterly brilliant to absolutely abysmal. Sarah and Nancy talk about what this means about the state of criticism and whether this is a good or bad thing. Plus Andrew Scott's emotional speech at the Critics Circle awards
    Hosted on Acast. See acast.com/privacy for more information.

    • 44 min.

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