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With the New Yorker office closed for the July 4th holiday, The Political Scene brings you a recent episode from Vanity Fair’s “Inside the Hive,” hosted by the special correspondent Brian Stelter. Tina Nguyen, a national correspondent for Puck, and the Washington Post’s Isaac Arnsdorf, a national political reporter, join Stelter to discuss how Steve Bannon helped rehabilitate Donald Trump among Republicans after January 6th. Bannon’s popular “War Room” podcast has been galvanizing the far right at the local and national level, and his four-month prison sentence for contempt of Congress could actually burnish his bona fides with the base. “It’s amazing clout,” Nyugen says of Bannon’s prison sentence, “for someone in the MAGA world, in these MAGA times, with a MAGA audience.”This episode originally aired on June 20th, 2024.To discover more from “Inside the Hive” and other Vanity Fair podcasts, visit vanityfair.com/podcasts.

At the beginning of 2021, it seemed like America might be turning a new page; instead, the election of 2024 feels like a strange dream that we can’t wake up from. Recently, David Remnick asked listeners what’s still confounding and confusing about this Presidential election. Dozens of listeners wrote in from all over the country, and a crack team of political writers at The New Yorker came together to shed some light on those questions: Susan B. Glasser, Jill Lepore, Clare Malone, Andrew Marantz, Evan Osnos, Kelefa Sanneh, and Benjamin Wallace-Wells.

The Washington Roundtable: Susan B. Glasser, Jane Mayer, and Evan Osnos discuss President Joe Biden’s flubs, and Donald Trump’s lies, in the first Presidential debate. Plus, how American politics arrived at this point and what is next for the Democratic Party. This week’s reading:
“Was the Debate the Beginning of the End of Joe Biden’s Presidency?” by Susan B. Glasser
“The Writing on Joe Biden’s Face at the Presidential Debate,” by Vinson Cunningham
“Do the Democrats Have a Gen Z Problem?” by E. Tammy Kim
“Some Faint and Likely Temporary Relief on Abortion Rights,” by Jessica Winter
To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send in feedback on this episode, write to themail@newyorker.com with “The Political Scene” in the subject line.

The New Yorker staff writer Amy Davidson Sorkin joins Tyler Foggatt to examine the biggest Supreme Court decisions of the year—those already decided and those yet to come. They discuss the Court’s attempt to moderate its radical rulings on guns and abortion, its politicized selection of which cases to hear, and its influence on the 2024 election. This week’s reading:
“The Supreme Court Steps Back from the Brink on Guns,” by Amy Davidson Sorkin
“Yet More Donald Trump Cases Head to the Supreme Court,” by Amy Davidson Sorkin
To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send feedback on this episode, write to themail@newyorker.com.

Kevin Costner has been a leading man for more than forty years and has starred in all different genres of movies, but a constant in his filmography is the Western. One of his first big roles was in “Silverado,” alongside Kevin Kline and Danny Glover; he directed “Dances with Wolves,” which won seven Oscars, including Best Director and Best Picture; more recently, Costner starred as the rancher John Dutton in the enormously successful “Yellowstone.” Perhaps no actor since Clint Eastwood is more associated with the genre. Throughout his career, Costner has also been working on a project called “Horizon: An American Saga.” Too lengthy and expensive for studios (Costner put up tens of millions of dollars to fund it), “Horizon” evolved over decades into a series of four films about the founding of a town in the West. Part 1, which involves the destruction wrought on Native communities by white settlement, comes out next week. While the politics of the genre have evolved, “there were certain dilemmas that [Westerns] established,” he tells David Remnick, that were timeless. “They talked to me about character and just as important, lack of character.”

The Washington Roundtable: Susan B. Glasser, Jane Mayer, and Evan Osnos discuss whether the debate  will affect the outcome of the November election. The historian Doris Kearns Goodwin, who is the author of “An Unfinished Love Story: A Personal History of the 1960s,” joins the conversation to look at what the 1960 Kennedy-Nixon debate can tell us about the upcoming event.This week’s reading:
“Project Trump, Global Edition,” by Susan B. Glasser
“Biden Is the Candidate Who Stands for Change in This Election,” by James Lardner
“Trump’s Brazen Pact with the One Per Cent,” by John Cassidy
“The American Election That Set the Stage for Trump,” by Isaac Chotiner
To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send feedback on this episode, write to themail@newyorker.com with “The Political Scene” in the subject line.