12 episodes

Mendelssohn on the Hudson is a self-guided historical and musical walking tour that follows the footsteps of the German Jews and others who fled 1930s Nazi Germany to settle in Washington Heights, also referred to at the time as "Frankfurt on the Hudson." The self-directed historical tour route – offering autonomy, fresh air, and social distancing – includes West 181 Street to the Heather Garden in Fort Tryon Park, and points in between.

The musical stories presented at their specific locations offer a rare, multi-layered connection between storyteller and listener. It's an unusual, accessible, and free musical experience via smartphone or another internet-enabled device. During the tour, visitors will hear via podcast twelve episodes with songs based on true field-collected stories from neighborhood residents set to Felix Mendelssohn's Songs without Words. Each song offers and retains a snapshot of German Jewish life from the 1930s to the near-present. Mendelssohn on the Hudson is unique in combining oral history, musical theatre, classical music, and local landmarks into a compelling record of the German Jewish culture of Northern Manhattan.

Mendelssohn on the Hudson Inwood Art Works

    • Society & Culture

Mendelssohn on the Hudson is a self-guided historical and musical walking tour that follows the footsteps of the German Jews and others who fled 1930s Nazi Germany to settle in Washington Heights, also referred to at the time as "Frankfurt on the Hudson." The self-directed historical tour route – offering autonomy, fresh air, and social distancing – includes West 181 Street to the Heather Garden in Fort Tryon Park, and points in between.

The musical stories presented at their specific locations offer a rare, multi-layered connection between storyteller and listener. It's an unusual, accessible, and free musical experience via smartphone or another internet-enabled device. During the tour, visitors will hear via podcast twelve episodes with songs based on true field-collected stories from neighborhood residents set to Felix Mendelssohn's Songs without Words. Each song offers and retains a snapshot of German Jewish life from the 1930s to the near-present. Mendelssohn on the Hudson is unique in combining oral history, musical theatre, classical music, and local landmarks into a compelling record of the German Jewish culture of Northern Manhattan.

    Prologue: Welcome to Mendelssohn on the Hudson

    Prologue: Welcome to Mendelssohn on the Hudson

    181st & Fort Washington Ave, Northeast Corner near Fort Washington Collegiate ChurchWhat would you do if your country forced you out, to leave behind everything you loved? Where would you go?"Mendelssohn on the Hudson" is a historical musical walking tour about the refugees from Nazi Germany, who fled fascism, persecution, and violence in Europe to create new lives in Washington Heights - and transformed a neighborhood.Our tour takes you on a journey through the past by walking through the present. You can go at your own pace. You'll hear more about composer, artist, and conductor Felix Mendelssohn (https://en.wikipedia.org/wiki/Felix_Mendelssohn), as well as ten true stories set to his music, taken from oral histories of local residents who lived in "Frankfurt on the Hudson." Plus, you’ll discover other local history, geography, and architecture unique to Northern Manhattan.

    • 4 min
    Episode 1: Rose and Eddie (Opus 30, No. 3)

    Episode 1: Rose and Eddie (Opus 30, No. 3)

    183rd St. and Fort Washington Ave, Southwest CornerNotice the pre-war Art Deco (http://www.artdeco.org/) design of this six-story apartment building at 495 Fort Washington Ave. Throughout the 1930s and corresponding with the arrival of the German Jewish refugees, prominent architects designed buildings like this one to accommodate the area’s growing population.In 1933, the first year of their anti-Jewish decrees (https://encyclopedia.ushmm.org/content/en/article/antisemitic-legislation-1933-1939), the Nazis banned Mendelssohn’s music and that of all Jewish-born German composers, toppled Mendelssohn’s statues and destroyed all his other legacies to erase any traces of his existence.Here, in their adopted country, the German Jews kept Mendelssohn alive. His short piano solos, Songs without Words, or Lieder ohne Worte, were wildly popular; copies of this sheet music were ubiquitous on American German Jewish pianos.Mendelssohn was present in this building when Eddie, a telephone repairman, realized that Rose, an indigent German Jewish woman, couldn’t pay for her phone repair.

    • 5 min
    Episode 2: Bracelet (Opus 62, No. 2)

    Episode 2: Bracelet (Opus 62, No. 2)

    Western entrance to Bennett Park, east of Pinehurst Avenue between 183rd and 185th StreetWe are at Bennett Park (https://www.nycgovparks.org/parks/bennett-park/), which was the site of Fort Washington during the Revolutionary War. A plaque on that large rock outcropping also marks the highest point in Manhattan. If you look west on Pinehurst Avenue, you’ll see Hudson View Gardens (https://en.wikipedia.org/wiki/Hudson_View_Gardens). Completed in 1925, this lovely Tudor-style complex is on the National Register of Historic Places. For decades, Jews and other minority groups were discouraged from buying homes here.On November 9, 1938, in Germany, antisemitism reached a new height on what would become known as Kristallnacht (https://www.ushmm.org/collections/bibliography/kristallnacht), or the “Night of Broken Glass” - as the Gestapo smashed German Jewish-owned store windows, burned centuries-old synagogues, and arrested Jewish men.One afternoon, while sitting here in Bennett Park, a neighbor shared her memories of that world-shattering night.

    • 6 min
    Episode 3: Son of Trujillo (Opus 62, No. 4)

    Episode 3: Son of Trujillo (Opus 62, No. 4)

    East side of Bennett Park near the steps to Fort Washington Avenue at 184th StreetWe see the Art Deco A-train subway entrance designed by Squire J. Vickers (https://www.nytimes.com/2007/08/03/arts/design/03subw.html) across the street. Our Austrian neighbor Rivke, whose story this episode follows, lived on Bennett Avenue near this subway entrance’s lower level.It is also within this episode that the neighborhood’s German Jewish and Dominican immigrant stories intersect. After Kristallnacht, most Jews in Nazi-occupied countries tried to leave for any place that would take them, any way they could. The Dominican Republic, under President-Dictator Rafael Trujillo (https://en.wikipedia.org/wiki/Rafael_Trujillo), was the only country that initially proposed to allow an unlimited number of Jews to emigrate there. The son of Trujillo made a promise to Rivke’s husband that will surprise you.

    • 7 min
    Episode 4: Lillian (Opus 85, No. 6)

    Episode 4: Lillian (Opus 85, No. 6)

    Northwest corner of 185th St. at 551 Fort Washington AvenueWe are outside the current home of the Hebrew Tabernacle of Washington Heights (https://hebrewtabernacle.org/) congregation. It owns a copy of the Gedenkbuch (https://www.ushmm.org/online/hsv/source_view.php?SourceId=30920), the Book of Remembrance, which memorializes the 150,000 Jews lost within German borders between 1933 and 1945. For the religious, synagogues remained an important part of their lives here.Lillian, a member of this congregation, tells a story illustrating the close calls that made the difference between emigrating and not being able to leave Europe at all.

    • 6 min
    Episode 5: Stairs (Opus 19, No. 3)

    Episode 5: Stairs (Opus 19, No. 3)

    187th Street stairs, just off Fort Washington AvenueWe’re standing near the 187th Street stairs, one of New York’s 102 step streets (https://en.wikipedia.org/wiki/Step_street) maintained by the Department of Transportation. Down these steps, west of Broadway, the population was, and still is, largely Orthodox, with several Orthodox synagogues in the area.The bank next door was the original home of Gideon’s bakery, which became kosher under new ownership by the early 1940s. The supermarket next door used to be a Daitch Shopwell, owned by the Ratners, who were German Jews.Richie, who grew up across the street from here at 567 Fort Washington, also worked as a soda jerk at Goody’s at #811 on 187th St. in the late 1940’s through the early 1950’s. His first and only love was Wendie June, a Jewish girl who lived up the block. He, like many other neighborhood kids, often hung out at the stairs with his friends and had great stories to tell.

    • 8 min

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