love and care

shaun deeney
love and care

shaun deeney writer and producer

  1. happy hashtag

    EPISODE 16

    happy hashtag

    These are unhappy times, but is there any comfort to be found? The last place we might think to look would be a shoot ’em up spaghetti western, but these are also strange times… The Good, the Bad, and the Ugly, as many millions of people around the planet know, is the title of a 1967 movie directed by Sergio Leone. Quentin Tarrantino describes it as ‘the greatest achievement in the history of cinema’, but what does he know about making movies? Clint Eastwood is Il Buono, the good guy, though in the Italian Wild West that doesn’t exclude being a bounty hunter greedy for gold. Lee Van Cleef is Il Brutto, the bad guy, who takes pleasure in killing and Eli Wallach draws the short straw as Il Cattivo, the ugly, though the moniker refers less to his appearance than his ‘fast-talking, comically oafish yet also cunning, cagey,’ character. Many millions of people who have not seen the film will still recognise, and maybe even be able to whistle, Ennio Morricone’s theme tune with its unforgettable two-note melody…which I can quote for illustration, thus…though for copyright reasons, you’ll have to go to the love and care website to hear the real thing, with the added attraction that you get to see the three main characters slinging guns and bullets around like proverbial confetti, or is that spaghetti. But alongside the music, the acting and directing, the incredible locations and the even more incredible body count, what’s unique about The Good, the Bad, and the Ugly, is the fact that the movie’s title has entered the lexicon as a way of divvying up the world. My favourite source, Wiki, has this to say: ‘the respective phrases refer to upsides, downsides and the parts that could, or should have been done better, but were not.’ With a definition like that, it’s just too tempting for me to resist applying those phrases to Covid-19 and the official response to the pandemic, particularly here in the UK. So forgive me, I’m taking a day off from our personal story of love and care, to talk about the big picture, because the upsides, downsides and especially the parts that could, or should have been done better, are becoming more apparent with every passing day. But let’s draw out those parallels in reverse, partly because the bad and the ugly elements of this disease are painful to hear and need little rehearsal, but mostly because, if we get those out of the way, I can spend time on the good. As I say these words, deaths directly attributable to coronavirus here in the UK have topped 31,000, the highest in Europe and the second highest in the world, after America. Everybody with any sense knows that estimate to be low and the real figure to be much higher, but still thirty thousand people with children, parents, partners, friends and colleagues means hundreds of thousands of lives touched by tragedy and loss in the course of a couple of months. And we know there are many more to come. None of us expected to face this kind of ugliness in our lifetimes, and the shock is terrible. I say none of us, but that’s not strictly true. Virologists and epidemiologists – job titles that sounded arcane and foreign just weeks ago – knew this would happen. They knew, because this kind of pandemic has happened before, many times over, going all the way back to the Spanish Flu pandemic that in its turn killed up to fifty million people. Besides Smallpox, responsible for 500 million deaths in the hundred years leading up to it’s eradication in 1977 and HIV/Aids, reported to have killed between thirty and forty million people up to 2018, and still killing people today, the last fifty or sixty years have seen many more coronavirus-like outbreaks like Spanish flu. Asian Flu in the late nineteen-fifties – about two million deaths – so-called Hong Kong Flu which only resulted in about a million, SARS and H1N1, which did not kill millions but were every bit as deadly,

    20 min

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shaun deeney writer and producer

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