100 Things we learned from film

100 Things we learned from film

Two friends take a light hearted deep dive in to film in an attempt to learn 100 things from a different movie each week. Expect trivia to impress your friends and nonsense from the start.

  1. 4D AGO

    Episode 206 - Pirates of the Caribbean: The Curse of The Black Pearl

    Hoist the colours and prepare to set sail — this week we’re diving headfirst into the swashbuckling blockbuster that resurrected the pirate genre. In this episode of 100 Things We Learned From Film, John and Planty explore the behind-the-scenes chaos, casting stories, production madness, and surprising trivia behind Pirates of the Caribbean: The Curse of the Black Pearl. From the moment Johnny Depp turned Jack Sparrow into a swaggering rock-star pirate, to the tropical storms that battered the production and the ground breaking skeleton visual effects created by Industrial Light & Magic, this film had no right to work… and yet it became one of the biggest adventure movies of the 2000s. We’ll uncover how a Disneyland ride became a $650 million global hit, why Disney executives thought Depp was ruining the movie, and how Keira Knightley, Orlando Bloom, and Geoffrey Rush helped turn a risky theme-park adaptation into a cinematic phenomenon. This episode was chosen by our Patreon supporter Jen, who backs the show for £1 a month proving that even a single doubloon can help steer the ship. If you'd like to pick a film for a future episode and support the podcast, you can join our Patreon crew. You can also follow us and find all of our social media links and the Patreon page at our website: 100thingswelearnedfromfilm.co.uk So grab a bottle of rum, watch out for cursed Aztec gold, and join us as we try to learn 100 things from Pirates of the Caribbean: The Curse of the Black Pearl.

    1h 14m
  2. MAR 2

    Episode 205 - Cool Runnings

    How accurate is Cool Runnings? Did the Jamaican bobsled team really crash? And what actually happened at the 1988 Winter Olympics? This week on 100 Things We Learned From Film, we break down the true story behind Disney’s 1993 sports classic from Walt Disney Pictures, starring John Candy. We separate movie myth from Olympic reality, including: The real origins of the Jamaican bobsled teamThe truth about the famous crashHow much Disney changed for dramatic effectWhy Jamaica’s later Olympic results matter more than the movie ending The real story is colder, riskier, and far more impressive than the film suggests. 🎧 Support the podcast and get a shout out as well as bonus content: Patreon.com/100thingsfilm 🌐 All our links, episodes and socials: 100thingswelearnedfromfilm.co.uk --- Cool Runnings is a 1993 American sports comedy film directed by Jon Turteltaub from a screenplay by Lynn Siefert, Tommy Swerdlow, and Michael Goldberg, and a story by Siefert and Michael Ritchie. It is loosely based on the debut of the Jamaican national bobsleigh team at the 1988 Winter Olympics, and stars Leon, Doug E. Doug, Rawle D. Lewis, Malik Yoba and John Candy. In the film, former Olympian Irving Blitzer (Candy) coaches a novice four-man bobsleigh team from Jamaica, led by sprinter Derice Bannock (Leon). The film was originally envisaged as a sports drama, and Jeremiah S. Chechik and Brian Gibson were attached to direct before dropping out, leading to Turteltaub being hired. Leon was cast in 1989, followed by Doug and Yoba a year later. Lewis, who had little acting experience prior to the film and was first sought as a dialect coach, joined in November 1992. Principal photography began in February 1993 and lasted until that March, with filming locations including Kingston, Discovery Bay, and Calgary. Cool Runnings is Candy's final film released in his lifetime. Its score was composed by Hans Zimmer. Cool Runnings was theatrically released in the United States on October 1, 1993, by Buena Vista Pictures. It received positive reviews from critics, with praise for its humor, tone, and cast performances. The film grossed $154.9 million worldwide and its theme song, a cover of "I Can See Clearly Now" by Jimmy Cliff, reached number 18 on the US Billboard Hot 100.

    1h 1m
  3. FEB 2

    Episode 203 - The Untouchables

    This week at 100 Things Towers, we’re diving headfirst into Brian De Palma’s operatic gangster classic The Untouchables: a film where history takes a back seat and pure cinema grabs the wheel. We break down: The myth vs reality of Eliot Ness and Al CaponeBehind-the-scenes production stories and casting choicesSean Connery’s career-reviving, Oscar-winning performanceWhy De Palma treated crime like opera, not reportageIconic moments like the Union Station steps, baseball bats, and moral absolutes This episode was picked by Lovely Rob Jones, one of our brilliant Patreon supporters proof that backing the show really does let you shape what we cover next. ❤️ Support the Show on PatreonIf you enjoy the podcast and want to keep it independent, consider joining us on Patreon: 👉 patreon.com/100thingsfilm Our “Give Us a Quid” tier gets you: Shout-outs on every episodeThe chance to pick your own episodes, just like Rob Jones did todayOur eternal gratitude (and possibly mild power over future content) Every quid helps keep the mics on and the facts flowing. 🌐 Find Us OnlineWebsite: https://100thingswelearnedfromfilm.co.ukMore episodes, archives, and all things 100 Things We Learned From Film --- Rob also wants us to highlight the Stop Portland Incinerator Campaign (SPIC), a grassroots project currently fundraising via Chuffed.org to support independent air-quality monitoring equipment. SPIC’s aim is to begin their own air-quality monitoring from January 2026, rather than relying solely on self-monitoring by incinerator operators. By gathering baseline data now, the group hopes to make meaningful comparisons in the future and potentially launch a citizen science project, helping local residents better understand the real environmental impact should the incinerator go ahead. You can find and support the campaign here: 👉 https://chuffed.org/project/spic

    1h 9m
  4. JAN 12

    Episode 202 - The Limey

    Steven Soderbergh’s The Limey (1999) isn’t just a revenge film it’s a study of grief, memory, and barely contained rage. Starring Terrence Stamp in one of his most powerful performances, the film follows a father tearing through Los Angeles after the death of his daughter, driven by anger, regret, and unresolved history. In this episode of 100 Things We Learned From Film, we are joined by friend and regular guest Paul Payne to break down The Limey through behind-the-scenes facts, casting choices, editing decisions, and production stories pulled from respected interviews, commentaries, and film criticism. From Soderbergh’s radical use of non-linear storytelling to the repurposing of Stamp’s 1960s film Poor Cow, this is a deep dive into one of the most emotionally precise crime films of the 1990s. We explore why The Limey feels so different from traditional revenge movies, how memory is used as a narrative weapon, and why Terrence Stamp’s Wilson might just be the angriest dad in cinema history. Whether you’re revisiting the film or discovering it for the first time, this video looks at why The Limey remains one of Steven Soderbergh’s most daring and underrated works. --- 🎧 Support the Show If you enjoy deep-dive film analysis and behind-the-scenes stories like this, you can support 100 Things We Learned From Film over on Patreon. Patreon supporters get: Bonus episodes and extended cutsEarly access to new videos and podcastsExclusive film deep dives and research notesHelp shaping future episode topics 👉 Support the show on Patreon: https://www.patreon.com/100thingsfilm 🌐 Visit Our Website You can also find full episode lists, our socials and more on our website. 👉 Visit the official site: https://www.100thingswelearnedfromfilm.co.uk --- The Limey is a 1999 American crime film directed by Steven Soderbergh and written by Lem Dobbs. The film features Terence Stamp, Lesley Ann Warren, Luis Guzmán, Barry Newman, Nicky Katt, Joe Dallesandro, and Peter Fonda.[2] The plot concerns an English career criminal (Stamp) who travels to the United States to investigate the recent suspicious death of his daughter. It was filmed on location in Los Angeles and Big Sur. Critical reception was positive, but the film was not a financial success upon release. The film was nominated for five Independent Spirit Awards, including Best Film, Best Director, and Best Screenplay. Stamp and Guzmán were nominated for Best Male Lead and Best Supporting Male Lead respectively.

    1h 17m
  5. JAN 6

    Episode 201 - Taken

    Liam Neeson didn’t just make an action film: He accidentally reinvented himself, launched a franchise, and created an entire genre of extremely motivated dads. When Taken arrived in 2008, it looked like a modest European thriller: short runtime, simple premise, middle-aged lead actor, and no interest in subtlety. What it became was a cultural hand grenade redefining modern action cinema and turning a respected dramatic actor into one of the most unlikely action icons of the 21st century. In this episode of 100 Things We Learned From Film, we pull Taken apart piece by piece from it's famously calm phone threat to its frantic editing, lean storytelling, and unexpectedly huge box office impact. We dig into how the film was never meant to be a hit, why its most famous scene nearly didn’t survive the edit, and how a €25 million thriller ended up reshaping what audiences expect from action heroes. We also explore Taken’s roots in vigilante cinema, its uncomfortable real-world inspirations, and how it functions as a modern echo of films like Death Wish grief, rage, and moral simplicity stripped down to their rawest form. This is a film built on efficiency: no subplots, no excess, no distractions. Just a father, a ticking clock, and a very particular set of skills. --- New episodes of 100 Things We Learned From Film are available wherever you get your podcasts. 🌐 Website: 👉 100thingswelearnedfromfilm.co.uk 💥 Support the show on Patreon: 👉 patreon.com/100thingsfilm Patreon supporters get bonus episodes, extended cuts, early access, and the occasional deep dive that absolutely did not make it into the main feed. --- Taken is a 2008 English-language French action-thriller film directed by Pierre Morel and written by Luc Besson and Robert Mark Kamen. It stars Liam Neeson, Maggie Grace, Leland Orser, Jon Gries, David Warshofsky, Katie Cassidy, Holly Valance and Famke Janssen. In the film, Bryan Mills, an ex-CIA officer, sets out to track down his teenage daughter Kim and her best friend Amanda after they are kidnapped by Albanian human traffickers while on vacation in France. Taken was released in France on February 27, 2008. The film received mixed reviews from critics, and was a financial success, grossing $226 million against a $25 million budget. Numerous media outlets cited the film as a turning point in Neeson's career that redefined him as an action star. It also launched a franchise, consisting of two sequels and a television series.

    1h 12m
  6. 12/22/2025

    Episode 200 - Event Horizon

    We're Back with episode 200! Some said we'd never make it, others said we shouldn't have bothered... Event Horizon is remembered as a cult sci-fi horror classic: but the film released in 1997 is only part of the story. In this episode of 100 Things We Learned From Film, we dive deep into the making of Event Horizon, uncovering the disturbing behind-the-scenes history, the missing footage that may never be recovered, and the far darker film audiences almost saw. We explore how Paul W.S. Anderson set out to make a “haunted house in space,” why test screenings terrified studio executives, and how entire sequences of extreme imagery were cut — then quietly lost. From gothic spaceship design inspired by cathedrals, to rushed post-production, to the film’s journey from box-office disappointment to beloved cult nightmare, this is the full story of one of the most infamous sci-fi horrors ever made. We also break down the cast, the infamous “visions of hell,” the production chaos, and why a true director’s cut of Event Horizon is almost certainly impossible. If you’ve ever wondered why this film feels so uniquely unsettling or what horrors were left on the cutting-room floor this episode has you covered. ⚠️ Listener discretion advised. --- 🎙 Support the show on Patreon This episode was picked by the Listeners! If you enjoy 100 Things We Learned From Film, you can support the podcast on Patreon for bonus content, extended episodes, early access, and exclusive extras you won’t hear anywhere else. 🌐 Visit the show website Find past episodes, show notes, and more at www.100thingswelearnedfromfilm.co.uk

    1h 4m
4.4
out of 5
20 Ratings

About

Two friends take a light hearted deep dive in to film in an attempt to learn 100 things from a different movie each week. Expect trivia to impress your friends and nonsense from the start.