Sneople At The Movies

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Podden: Sneople At The Movies

The Sneople are just three queer nerds who grew up at the beginning of the digital era of fandom and are here to offer a fresh take on what movies mean to them, what it means to be represented in cinema as a queer person and who should win Best Picture this year.

  1. 11 JULI

    Driving Cars and Kicking Ass (and I'm All Out of Ass)

    IT’S THEIR BIRTHDAY and by they we mean Matty and by it’s their birthday we mean it was their birthday two weeks ago. The important part is it’s their Birthday Episode and they have a doozy of a triple feature this week - Mad Max 2, Max Mad: Fury Road, and Escape from New York! After their new accidental segment, Concert Talk, Matty gives a brief summary of all three films (more or less), as well as the reasoning behind pairing the three together - spoiler, its mostly how Fury Road and Escape from New York connect to Mad Max 2. From asshole protags to apocalyptic wastelands to Kurt Russell’s marker tattoo and everything in-between (including Bruce Spence, who loves to be in a sequel), the Sneople compare and contrast these three films and why they work well together. There’s also a fair amount of Mad Max: Beyond Thunderdome affection and Waterworld dunking, if that’s your jam. Also Matty forgot to mention this in the episode, but they noticed during their most recent Fury Road rewatch that they drive their cars the American Way (with the driver sitting on the left) in that movie vs the previous three movies, where they all drive the Australian Way (ie with the driver sitting on the right). It’s been haunting Matty ever since. Why did it take them so long to notice? Was the change because it was produced by an American company? What does George Miller have to say about this? George please pick up the phone the people need to know.

    1 tim 41 min

Om

The Sneople are just three queer nerds who grew up at the beginning of the digital era of fandom and are here to offer a fresh take on what movies mean to them, what it means to be represented in cinema as a queer person and who should win Best Picture this year.

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