South Indian Classical (Carnatic) Music Archive: Classes / Lessons Shivkumar Kalyanaraman

pAvana guru

 

RAGAM- hamsAnandi  (53rd Melakartha Ganashrama Janyam)

               https://en.wikipedia.org/wiki/Hamsanandi

AROHANA:        S
R₁ G₃ M₂ D₂ N₃
Ṡ             ||

AVAROHANA:  Ṡ
N₃ D₂ M₂ G₃ R₁
S            ||

taaLam: Rupakam

Composer: Lalita Daasar

Lyrics: Courtesy karnatik.com and Lakshman Ragde

Meanings: ChatGPT Plus with author edits

Version: Ram Kaushik (Youtube: https://www.youtube.com/watch?v=Zn7dVpLB5zA
)

YouTube Class:

Audio Class (MP3): www.shivkumar.org/music/pavanaguru-hamsanandi-class.mp3

 

Pallavi:

pAvanaguru pavana purAdhIshamAshrayE

 

Anupallavi:

jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada
girisham tribhuvanAvanO vEsham

 

caraNam:

pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA
nandakaram ajitam udAram

smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana cakOram laLitA sOdaram param








Meaning: (ChatGPT Plus with author edits)

Pallavi:

Sahityam: "pAvanaguru pavana purAdhIshamAshrayE"

Meaning: "I seek refuge in the pure teacher
('pAvanaguru'), the pure ('pavana') lord of the sacred city
('purAdhIsham')."

This line is an invocation, expressing
devotion and surrender to a divine figure, Lord Krishna, who is seen as a pure
and guiding force.






 

Anupallavi

Sahityam: "jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada girisham
tribhuvanAvanO vEsham"

Meaning: "Like the sustainer of life ('jIvana dhara'),
Krishna ('krSNam'), the lord of Gokula ('gO-lOkEsham'), contemplated by Narada
('bhAvita nArada'), the lord of the mountains ('girisham'), in the guise of the
protector of the three worlds ('tribhuvanAvanO vEsham')."






Caraṇam

Sahityam: "pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA
nandakaram ajitam udAram"

Meaning: "Worshipped in the right way ('pUjita vidhi'),
the glorified bearer of the flute ('rAjita muraLIdharam'), the joy-giver
('nandakaram') to the women of Vraja ('vraja lalanA'), the unconquered
('ajitam') and magnanimous ('udAram')."






Sahityam: "smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana
cakOram laLitA sOdaram param"

Meaning: "Remember ('smara') the one of a hundred
auspicious forms ('shata shubhakAkAram'), endless ('niravadhi') in compassion
('karuNApUram'), like the cakora bird to Radha's face ('rAdhA vadana cakOram'),
the playful ('laLitA') brother ('sOdaram'), the supreme ('param')."

Full Notation -> www.shivkumar.org/music


















shrI krSNam

 

Ragam: Thodi
{8th Melakartha Ragam}

               ARO:     S R1
G2 M1 P D1 N2 S     ||

AVA:     S
N2 D1 P M1 G2 R1 S     ||

Talam: Adi
(2 kalai)

Composer: Muthuswamy
Dikshitar

Version: Ram Kaushik (Youtube Original)
Lyrics Courtesy: Lakshman Ragde

Meanings Courtesy: Guru Guha Vaibhavam: http://guru-guha.blogspot.com/2008/07/dikshitar-kriti-sri-krishnam-bhaja.html


Youtube Class / Lesson: https://www.youtube.com/watch?v=sYIdiqa8uWg


MP3 Class / Lesson: http://www.shivkumar.org/music/srikrishnam-thodi-class.mp3  

 

Pallavi:

shrI krSNam
bhaja mAnasa satatam shritajana paripAlam gOpAlam bAlam

 

Anupallavi:


pAkashAsanAdi
vinuta caraNam shOka mOha bhaya haraNam bhava taraNam

 

Charanam:


shanka
cakra gadA padma vanamAlam vENugAna lOlam krpAlavAlam

kankaNa kEyUra
makuTa maNDita kamanIya kanakamaya cElam

pankajAsanAdi
dEvamahitam shrI guruguha vihitam ramA sahitam

pankajadaLa
nayanam vaTa shayanam guru pavanapurAdhIsham lOkEsham

 

 

Meaning: (Courtesy: Guru Guha Vaibhavam): http://guru-guha.blogspot.com/2008/07/dikshitar-kriti-sri-krishnam-bhaja.html


Pallavi

mAnasa                         - O mind!

satataM                        - always

bhaja                          - worship

SrI kRshNaM                    - Sri Krishna,

Srita jana
paripAlaM           - the protector of
those who have sought refuge,

gOpAlaM bAlam                  - the cowherd child,

 

anupallavi

pAka SAsana-Adi vinuta
caraNaM - the one whose feet are exalted by Indra (slayer of the demon Paka)
and others,

SOka mOha bhaya
haraNaM       - the destroyer of sorrow,
delusion and fear,

bhava taraNam                  - the one who enables the
crossing of (the ocean) of worldly existence,

 

caraNam

Sankha cakra gadA padma
vana mAlaM - the who bears a conch, discus, mace, lotus and a Vanamala (garland
of wild flowers),

vENu gAna lOlaM                - the one revelling in the
music of the flute,

kRpA-AlavAlaM                  - the respository of mercy,

kankaNa kEyUra makuTa
maNDita - the one decked with bracelets, armlets and crown,

kamanIya kanaka-maya
cElam    - the one with a pleasing golden
garment,

pankaja-Asana-Adi dEva
mahitaM - the one venerated by the lotus-seated Brahma and other gods,

SrI guru guha
vihitaM          - the one understood by
Guruguha,

ramA sahitaM                   - the one in the company of
Lakshmi (Ramaa),

pankaja daLa
nayanaM           - the one whose eyes
are like lotus petals,

vaTa SayanaM                   - the one reclining on a
banyan (leaf),

guru pavana
pura-adhISaM       - the lord of
Guruvayur,

lOka-ISam                      - the lord of the world

Full Notation -> www.shivkumar.org/music

KaruNa ceyvAn endu tAamasam

Ragam:  Shree (22th mela janyam)

https://en.wikipedia.org/wiki/Shree_(Carnatic_raga)

                ARO: S R2 M1 P N2 S                                                        ||

                AVA: S N2 P D2 N2 P M1 R2 G2 R2  S                            ||

Note: Alt version is sung in
Yadukula Kamboji

 

Talam: Adi

Composer: Irayimman Thampi (on the deity at GuruvAyUr)

Version: P Jayachandran (Youtube Original); and Dr. GS Balamurali

Lyrics / Meaning Courtesy: (Looking
through my periscope)

Youtube Class: https://www.youtube.com/watch?v=hj13HEQBdeg


Audio MP3 Class: http://www.shivkumar.org/music/karunachaivanenthu-class.mp3


KaruNa ceyvAn entu tAamasam KrishNA,

KazhalinE kai tozhunnEn

 

Anupallavi

sharaNAgathanmArkkishTa varadAnam ceytu cemmE,

GuruvAyurpuram tannil maruvumakhila durita haraNa bhagawan

 

CaraNams 

2. gurutara bhavasindhau 
duritasancayamAkum,

tiratannil muzhukunna 
naragathikkavalambam,

marakata maNivaNNan** hari tannE ennum tava,   (** maNivarNan)

carita varNNanaN^N^aLil 
sakala munikaL paravatarivanadhUna.

 

Meaning: (ChatGPT Plus (with author edits))

 

The composer and musician,
irayimman Thampi (also known as iravivarman) (1783--1856) was the uncle of
Maharaja SwAthi tirumAL (1813-1846) of the ThiruvAnkUr kingdom. The song under
consideration, “KaruNa ceyVAn endu” is in praise of the deity at the temple in
GuruvAyUr. This song is rich in devotional and symbolic language, referencing
Guruvayoorappan Krishna and his attributes.

 

P: Sahityam: KaruNa ceyvAn entu tAamasam KrishNA, KazhalinE kai
tozhunnEn

Meaning:  "Why the
delay in showing compassion, Krishna? I bow at your feet with my hands."

 

"KaruNa ceyvAn entu tAamasam
KrishNA" - "Krishna, why do you delay in showing compassion?"

KaruNa: Compassion

ceyvAn: (to) do, perform

entu: why

tAamasam: delay,
laziness

KrishNA: Krishna

 

"KazhalinE kai
tozhunnEn" - "I bow at your feet with my hands."

KazhalinE: (at your)
feet

kai: hands

tozhunnEn: I bow

 

A Summary: "O Lord residing in Guruvayoor, you grant the
desired boons to those who seek refuge in you, removing all their sins."

 

Sahityam: sharaNAgathanmArkkishTa varadAnam ceytu cemmE,

Meaning "You indeed grant the desired boons to those who
seek refuge."

sharaNAgathanmArkk: to
those who seek refuge

ishTa: desired

varadAnam: boon-giving

ceytu: doing

cemmE: in the place of
Guruvayoor

 

Sahityam: GuruvAyurpuram tannil maruvumakhila durita haraNa
bhagawan

Meaning: "O Lord residing in Guruvayoor, you remove all
sins."

GuruvAyurpuram:
Guruvayoor (a place)

tannil: in that

maruvum: residing

akhila: all

durita: sins, evils

haraNa: remover

bhagawan: Lord








C2 Summary:
"In the heavy ocean of existence, where
sins accumulate, you are the refuge for those immersed in life's hardships.
Your emerald-hued form, O Hari, is always revered in the tales recounted by
sages, who consider you the supreme deity."

 

Sahityam: gurutara bhavasindhau duritasancayamAkum,

Meaning:"In the serious ocean of existence, accumulating
sins."

 

gurutara: heavy, serious

bhavasindhau: in the
ocean of existence

duritasancayamAkum:
accumulating sins

 

Sahityam: tiratannil muzhukunna naragathikkavalambam,

Meaning: "A refuge for those immersed in it, akin to
hell."

 

tiratannil: in the shore

muzhukunna: immersed

naragathikkavalambam:
refuge for hell-bound

 

Sahityam: marakata maNivaNNan** hari tannE ennum tava,

Meaning: "Your emerald-colored form, Hari, is
always."

 

marakata: emerald

maNivaNNan: colored

hari: Hari (Krishna)

tannE: indeed

ennum: always

tava: your

 

Sahityam: carita varNNanaN^N^aLil sakala munikaL
paravatarivanadhUna.

Meaning: "Considered supreme by all sages in their
descriptions of your deeds."

 

carita: deeds

va

Full Notation -> www.shivkumar.org/music

Maa Jaanaki

Ragam: Kambodhi  (Kamboji)
{28th Melakartha (Harikambodhi) janyam)

https://en.wikipedia.org/wiki/Kambhoji


ARO:     S R2 G3 M1 P D2 S                          ||

               AVA:     S N2 D2 P M1 G3 R2 S N3 P D2 S   ||

Talam: Deshadi

Composer: Tyagaraja

Version: Semmangudi & Ram Kaushik (Original YouTube)

Lyrics: Tyagaraja
Vaibhavam

Meanings: TK Govinda Rao book, Tyagaraja
Vaibhavam, ChatGPT



Pallavi:

mA jAnaki cETTa paTTaga maharAjav(ai)tivi

 

Anupallavi:

rAja rAja vara rAjIv(A)ksha vinu

rAvaN(A)ri(y)ani rAjillu kIrtiyu (mA)

 

Charanam:

kAnak(E)gi Ajna mIraka 
mAy(A)kAram(u)nici Sikhi centanE(y)uNDi

dAnavuni veNTanE cani aSOka taru mUlan(u)NDi

vAni mATalaku kOpaginci kaNTa  vadhiyincakanE(y)uNDi

SrI nAyaka yaSamu nIkE kalga jEya lEdA tyAgarAja paripAla
(mA)

 

Meaning:  It is due to having clasped (“battaga”) the
hand (“chetta”) of our JANAKI in wedlock (literally take hand in marriage, You
became (“vaitivi”) great and famous (“maharaja”).

Word-by-Word: mA – Our       ;
     

 jAnaki - Janaki (Sita)    ; 

cETTa - Clasped, referring to the act of holding hands in wedlock

paTTaga - In the act of, or as a result of   

maharAjav(ai)tivi - Became a great king

A – That   ;   rAja – King ;  rAja - Of kings (emphasizing
superiority)

 

Meaning:  O King of Kings (“Rajaraaja”)! Let me tell you
(“vinu”), the one with beautiful eyes (“Rajeevaksha”) this. You owe your fame
(“keerthiyu”) as the Vanquisher of mighty Ravana (“ravanaariyani”) to the great
good (“raajillu”)  fortune of having
clasped the hand of Janaki!Word-by-Word: vara - Best, excellent   ;

rAjIv(A)ksha - Lotus-eyed (Lord Rama)  ; 

vinu - Listen, or let me tell you

rAvaN(A)ri(y)ani- Enemy of Ravana   ; 

rAjillu - Great good fortune   ;

kIrtiyu – Fame   ; (mA) – Our

 

Meaning:  C: She accompanied you to the forests
(“kanakeki”), then obeying your command, she entrusted her real Self to the
care of the fire-God (“Yagna meraka” and “Sikhi Chentane Yundi”)) allowing a a
shadow form of hers(“maayakaaramunichi”) to be carried away by Ravana to Lanka

Word-by-Word: kAnak(E)gi – Proceeding with (Egi) you to the forest (kanaku);  

Ajna – Command   ; 

mIraka – You  (i.e. without disobeying your
command) ; 

  mAy(A)kAram(u)nici – Donning (unici) a form (AkAramu) of illusion (mAyA) which went with RAvanA.

Sikhi – Fire-God  ;

centanE(y)uNDi - remained close (with the
fire-god)

 

Meaning:  Having gone (cani) (in shadow form) along with
(veNTanE) rAvaNa – the demon (dAnavuni), remaining (uNDi) at lanka under
(mUlanu) (literally at the root) (mUlanuNDi) the aSOka tree (taru),

Word-by-Word:  dAnavuni - Demon (referring to Ravana)  
;

veNTanE – Immediately   ;   cani – Killed  ;

aSOka -Ashoka (a garden) ;

taru – Tree  ;

mUlan(u)NDi - In the
presence of

 

Meaning: … by not
reducing him (rAvaNa) to ashes (vadhiyincakanE uNDi) (literally not slaying)
(vadhiyincakanEyuNDi) by her eyes (kaNTa) by getting enraged (kOpaginci) by his
(vAni) words (mATalaku)… didn’t she bring you great fame?

Word-by-Word:   vAni - Her (referring to Sita);  mATalaku - To the words  ;  kOpaginci – Angered  ; kaNTa -Eyes

vadhiyincakanE(y)uNDi - Not killing, i.e.
not reducing him to ashes.

 

Meaning: O
Consort (nAyaka) of lakshmI (SrI)! did She not (lEdA) indeed bring (kalga jEya)
(literally produce) great fame (yaSamu) to You (nIkE)

{. … by not reducing him (rAvaNa) to ashes (vadhiyincakanE uNDi)
(literally not slaying) (vadhiyincakanEyuNDi) by her eyes (kaNTa) by getting
enraged (kOpaginci) by his (vAni) words (mATalaku)? …}

 

O Nourisher (paripAla) of this tyAgarAja! You attained greatness because
you married our Mother jAnaki!!

 

Word-by-Word:  SrI - Goddess (re

Full Notation: www.shivkumar.org/music

SrI pArtha sArathinA

Ragam: Suddha Dhanyasi  (22nd Melakartha (Kharaharapriya) Janyam)

https://en.wikipedia.org/wiki/Udayaravichandrika

ARO:     S G2 M1 P N2 S         ||

AVA:     S N2 P M G2   S                 ||

Talam: Rupakam

Composer: Muthuswami Dikshitar

Version: Ram Kaushik (Youtube Original)

Lyrics / Meaning Courtesy: (Guru
Guha Vaibham)

Youtube Class: https://www.youtube.com/watch?v=jwdAIbnilvg


Audio MP3 Class: http://www.shivkumar.org/music/sriparthasarathina-class.mp3


SrI pArtha sArathinA pAlitO-asmi-ahaM sadA 

samashTi caraNam

gOpa strI mOhita vENu gAnEna

SrI rukmiNI mana-ullAsa karaNEna

 

Madhyama Kala Sahityam:

prapanca-Arti hara dAna nipuNa -

vaikuNTha sthitEna

tumburu nArada nutEna

guru guha sammOditEna

 

Meaning Courtesy: (Guru
Guha Vaibham, and ChatGPT (with edits))

The Pallavi, "SrI
pArtha sArathinA pAlitO-asmi-ahaM sadA," expresses a deep reverence and
gratitude towards Lord Krishna, who is addressed as the noble charioteer
(Sarathi) of Arjuna (Partha). The speaker affirms a constant sense of being
protected by Krishna, indicating a personal and enduring connection with the
divine.

 

"gOpa strI mOhita vENu
gAnEna" highlights Krishna's alluring flute-playing that mesmerizes the
Gopis (cowherd women), showcasing his power to captivate hearts through music.

 

"SrI rukmiNI
mana-ullAsa karaNEna" speaks of Krishna's queen, Rukmini, whose heart
overflows with joy due to Krishna's actions, reflecting his role as a source of
happiness for his devotees.

 

"prapanca-Arti hara
dAna nipuNa - vaikuNTha sthitEna" describes Krishna as a skilled
benefactor who removes worldly sorrows, situated in Vaikuntha, his divine
abode, emphasizing his cosmic role as a caretaker of the universe.

 

"tumburu nArada
nutEna" refers to the celestial sages Tumburu and Narada, who praise
Krishna, suggesting his exalted status in the heavens.

 

"guru guha
sammOditEna" indicates that Krishna pleases even the divine teacher Guha
(Kartikeya), further underlining the universal reverence for Krishna's divine
play and wisdom.

 

 

Sahityam: SrI pArtha sArathinA pAlitO-asmi-ahaM sadA

Meaning:  pAlitO-asmi-ahaM
– I am protected

SrI pArtha sArathinA –
by Lord Parthasarathi, the charioteer of Arjuna(Partha),

sadA – always.

SrI - Revered or holy

pArtha - Referring to
Arjuna, a major character in the Indian epic Mahabharata

sArathinA - By the
charioteer

pAlitO-asmi-ahaM - I am
protected or taken care of

sadA – Always

 

 

samashTi caraNam

Sahityam: gOpa strI mOhita vENu gAnEna

 

gOpa strI mOhita vENu gAnEna  - (By) the one who enchants the Gopika women
with the music of the flute,

gOpa - Cowherd
(referring to Krishna)

strI - Women

mOhita - Enchanted or
captivated

vENu - Flute

gAnEna - By the music or
song

 

 

Sahityam: SrI rukmiNI mana-ullAsa karaNEna

 

SrI rukmiNI mana-ullAsa
karaNEna – the one who delights the heart of Goddess Rukmini,

SrI rukmiNI - Revered
Rukmini, a principal queen of Krishna

mana - Heart or mind

ullAsa - Joy or delight

karaNEna - By causing or
doing

 

 

Madhyama Kala Sahityam:

Sahityam: prapanca-Arti hara dAna nipuNa -

Sahityam: vaikuNTha sthitEna

prapanca-Arti hara – the
remover of the sorrows of the world,

dAna nipuNa – the expert
in giving(desired objects),

vaikuNTha sthitEna
-  the one who dwells in Vaikuntha,

prapanca - World or
universe

Arti hara - Remover of
suffering

dAna - Gift or
benevolence

nipuNa - Expert or
skilled

vaikuNTha - The heavenly
abode of Lord Vishnu (Krishna)

sthitEna - Residing in
or situated 

Sahityam: tumburu nArada nutEna

Sahityam: guru guha sammOditEna

tumburu nArada nutEna –
the one extolled by the sages Tumburu and Narada,

guru guha sammOditEna –
the one well-pleased with Guruguha.

tumburu - A celestial
musician

nArada - A divine sage
and musician

nutEna - Praised or
worshipped by

guru - Teach

Full Notation -> www.shivkumar.org/music

PavanAtmajAgaccha

Ragam: Nattai (36th Mela janya ragam)

https://en.wikipedia.org/wiki/Nata_(raga)
               
ARO:    S R3 G3 M1 P D3 N3 S           ||               
AVA:    S N3  P M1 G3 M R3 S          ||

Talam: Khanda Chapu (Jhampa)

Composer: Dikshitar

Version: Ram Kaushik

Lyrics / Meaning Courtesy: (Guru
Guha Vaibham)

Youtube Class: https://www.youtube.com/watch?v=OvS7VzLajaA


Audio MP3 Class: http://www.shivkumar.org/music/pavanatmaja-nata-dikshitar-class.mp3


Pallavi:

pavanAtmajAgaccha pari-pUrNa svaccha

paramAtma puccha pAhi mAM jaya jaya

 

Anupallavi

nava vyAkaraNa nipuNa nava vidhAntaHkaraNa

Siva rAma hari kRshNa SrI guru guha smaraNa

 

caraNam

kapaTa vAnara vEsha kAvya nATaka tOsha

kapi yUtha paripOsha kamanIya bhAsha

apagatAkhila dOsha hata rAkshasASEsha

upanishatpada ghOsha udita mitra dvEsha

 

Madhyama kAla sAhityam:

abhi-rUpa maNi bhUsha ripu jaya bala viSEsha

japa samAdhyabhilAsha aparimita santOsha



Meaning Courtesy: (Guru
Guha Vaibham, and ChatGPT (with edits))

Pallavi: It invokes
Pavanatmaja (Hanuman), the son of the wind, asking him to come and protect the
singer. "Pavana-Atmaja-Agaccha" means "Son of the Wind,
come"; "Pari-Purna Svaccha Paramatma" refers to the pure,
complete supreme soul; and "Puccha Pahi Mam Jaya Jaya" is a call for
protection and victory.

 

Anupallavi: This section
refers to Hanuman's profound knowledge of grammar and philosophy, invoking the
names of Shiva, Rama, Krishna, and Guru Guha (a name for Kartikeya, another son
of Shiva) in a devotional context.

 

Charanam: This part depicts
Hanuman's deceptive monkey form, his role in the epic Ramayana, his eloquence,
and his freedom from all flaws. It also describes his triumph over demons, his
mastery of the Upanishads, and his eternal contentment and desire for
meditation and chanting.

 

Sahityam: P: pavanAtmajAgaccha pari-pUrNa svaccha

Meaning:  pavana-Atmaja
- O son of Vayu (the God of wind)!

Agaccha
- Come!

pari-pUrNa
- O Complete one!

svaccha
- O Pure one!

 

Sahityam: paramAtma puccha pAhi mAM jaya jaya

Meaning: parama-Atma
puccha - O Ultimate embodiment of the supreme being!

pAhi
mAM - Protect me!

jaya
jaya - Victory to you! Victory to you!

 

Sahityam: A: nava vyAkaraNa nipuNa nava vidhAntaHkaraNa

Meaning: nava vyAkaraNa
nipuNa - O expert in the nine grammar books!

nava
vidha-antaHkaraNa - O one with the nine-fold (devotion in your) heart,

 

Sahityam: Siva rAma hari kRshNa SrI guru guha smaraNa

Meaning: O one evoked by
(remembered by – Smarana) Shiva, Rama, Vishnu (Hari Sri Krishna) and Sri Guruguha!

 

 

Sahityam: C: kapaTa vAnara vEsha kAvya nATaka tOsha

Meaning: kapaTa vAnara
vEsha - O one in the deceptive form of a monkey!

kAvya
nATaka tOsha - O one pleased with poetry and drama!

 

Sahityam: kapi yUtha paripOsha kamanIya bhAsha

Meaning: kapi yUtha
paripOsha - O nourisher of the Vanara army!

kamanIya
bhAsha - O one of eloquent, beautiful speech!

 

Sahityam: apagatAkhila dOsha hata rAkshasASEsha

Meaning: apagata-akhila
dOsha - O one who has removed all defects!

hata
rAkshasa-aSEsha - O one who killed all the Rakshasas!

 

Sahityam: upanishatpada ghOsha udita mitra dvEsha

Meaning: upanishad-pada
ghOsha - O one proclaimed in the words of the Upanishads!

udita
mitra dvEsha - O adversary of the rising sun!

 

Sahityam: abhi-rUpa maNi bhUsha ripu jaya bala viSEsha

Meaning: abhi-rUpa maNi
bhUsha - O one adorned with lovely jewels!

ripu
jaya bala viSEsha - O one who has ( and gives) strength for victory over
enemies!

 

Sahityam: japa samAdhyabhilAsha aparimita santOsha

Meaning:  japa samAdhi-abhilAsha - O one who desires
Japa(chanting of names) and Samadhi (meditative trance),

aparimita
santOsha - O one with unlimited bliss!