Abandon Normal Devices Podcast

Abandon Normal Devices
Abandon Normal Devices Podcast Podcast

Conversations and highlights from Abandon Normal Devices, an arts organisation devoted to promoting digital culture and new cinema. andfestival.substack.com

  1. 26/06/2023

    Ep. 16 \\ Yearning for new ways to make and circulate: towards an infrastructure of being longing

    Welcome to Episode 16 of the Abandon Normal Devices podcast, ‘Yearning for new ways to make and circulate: towards an infrastructure of being longing’. This podcast is a recording of a keynote given by writer, researcher and producer Jemma Desai, as part of our first-ever New Cinema Days in April 2023. What happens when we use the phenomenology of yearning to appraise our cultural production infrastructure? Not yearning to belong to what we have, but yearning to be longing: to embody a desire for something else? Instead of envisaging ‘resilient’ systems that re-form, adapt and shift, might we be able to imagine systems of transmutation that can hospice old ways of being, led by new practices of longing?What new images might appear? How might they circulate differently? In caring for our longing, what might we no longer accept and what might we fight to care for? Note from Jemma Desai: This audio piece is a recording of a performance which took place at New Cinema Days which I called Infrastructures of Yearning. In the live version I spoke over a reel of clips that I had assembled as part of my research. During this research I was thinking about the invitation to deliver a keynote, and what that meant. I thought about “Keynote” as a sound that might be translated into an image - the first note or the key on which the rest of music plays. If there is a keynote to these images it is one of contradictory desires - yearnings that compete with one another.  I gather here some moments I had come across or been drawn to where images had been made through desire for change, or movement, or attentiveness. I was drawn to both utopic and more sinister longings and so I gathered clips where images had been made of everyday resistance which felt seismic for those who were there when they happened or when grand historical inequities mingled with moments of celebration or spectacle. Moments where a feeling of yearning was distilled into a filmed clip or performance, and moments where yearnings and desires clashed with each other, creating discordance that appeared harmonious due to the ways that it was performed, the ways it was or was not filmed, preserved, presented or written about.  The reel showed clips from: A 2018 news report  of a gathering Bollywood actors called Bollywood Shalom where  Israeli PM Benjamin Netanyahu  recreated the viral 'Oscar selfie'posed with Bollywood superstars as a sign of the 'great friendship' between India and Israel. Ceddo Film and Video Workshop’s The People’s Account (1985)  detailing the way that media misrepresentation suppressed, misrepresented and hindered justice for victims of state violence;  Little Simz performing Heart on Fire, a song about the artists search for freedom and integrity in capitalist and historically racist structures and industries at the EE BAFTA Film Awards 2023 in front of the Prince and Princess of Wales, the charity’s patrons;  actress Shabana Azmi speaking out (to applause and in the presence of the people she directly addressed) at the hypocrisy of the political and artistic establishment at the International Film Festival of India in 1989 shortly after the the murder of a prominent communist playwright Safadr Hashmi; archival footage of Grunswick protestors including Jayaben Desai clashing with the police; the trailer, including press quotes from American and English critics, of Indian director Payal Kapadia’s  A Night of Knowing Nothing (2021), a clip of a domestic workers’ union’s demands as recorded in the Yugantar Film Collectives Maid Servant (1981), sections of musings on geopolitics and belonging in Alnoor Dewshi’s Latifah and Himli’s nomadic uncle (1992) and a 1976 performance of Nina Simone singing I Wish I Knew How It Would Feel To Be Free. During the Q&A the reel continued to show footage of the M11 Link Road protests in East London, pre-gentrification Hackney including images of activists and places of community significan

    34 min
  2. 20/10/2021

    Ep. 10 \\ Suzanne Dhaliwal - AND ' 21

    The cultural shift required to address the climate crisis calls on the cultural sector to look closely at the sites of ecocide globally, to understand the relationship between white supremacy, colonialism and ecological degradation. Frontline communities resisting extraction have been at the forefront of challenging the current rate of exploitation and exposing the absence of monitoring and restoration of vital ecosystems that have brought us to this planetary tipping point. In this talk, Suzanne will explore how the climate crisis intersects with the ongoing colonial exploitation of crucial ecosystems such as the Athabasca Delta in the Canadian Tar Sands to the Niger Delta.  She will share her practice as a climate justice creative to expose the webs of corporate and financial power that have led to the current crisis. Through working in international, intergenerational solidarity, her work has sought to uplift those challenging the paradigm which has led to the devastation which characterizes the Anthropocene. Suzanne Dhaliwal was voted one of London’s most influential people in Environment in 2018 by the Evening Standard. In 2009 she co-founded the UK Tar Sands Network, which challenged BP and Shell investments in the Canadian tar sands in solidarity with frontline Indigenous communities, spurring the internationalisation of the fossil fuel divestment movement.  Her corporate and financial campaigning spans over a decade, including spearheading a European coalition to challenge the insurance industry on their underwriting of highly polluting coal and tar sands projects. Suzanne has led artistic interventions to challenge fossil fuel investments globally, and currently works as a creative practice tutor and freelance consultant.  This conversation is part of Resurface, our conversations programme looking at how we work together and reshape the future of art. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit andfestival.substack.com

    39 min

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Conversations and highlights from Abandon Normal Devices, an arts organisation devoted to promoting digital culture and new cinema. andfestival.substack.com

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