Backstage Babble cbroadwaypodcast

The Tonys are coming up! And Backstage Babble is giving you the perfect way to celebrate. On this episode, I am joined by Eila Mell, the author of the wonderful new book “The Tony Awards: Celebrating Excellence in the Theater,” a must-have for any theater fan, and Heather Hitchens, the CEO of the American Theater Wing, which presents the Tonys every year. Tune in for some fascinating anecdotes and insights, including how the legacy of Antoinette Perry influences the Tony Awards later on, how the Obie Awards were incorporated into the American Theater Wing, the Tony nominee that was hardest to track down for an interview, the many photo collections that were used in creating the book, the best Tony performances and biggest upsets from over the years, a last minute pedi-cab incident in getting to the ceremony, the logistics of choosing a host and a venue, the beauty of the Working in the Theater series, the Tony-nominated theater writers who received the Wing’s Jonathan Larson grant (and one who didn’t!), the experience of watching all the awards ceremonies, and so much more. Don’t miss this fascinating insider glimpse into the biggest night of the season!

Today, I’m thrilled to announce my interview with legendary lyricist Susan Birkenhead. Tune in to hear the stories of her great career, including how Shirley Bernstein introduced her to Mary Rodgers, the song of hers that was cut from WORKING, the Patti LaBelle-led project that led to JELLY’S LAST JAM, the show she gets recognized for the most, the hardest role to cast in THE SECRET LIFE OF BEES, how she became involved in BOOP, the lyric that Frank Sinatra loved, how Jule Styne became her mentor, the advice she got from Stephen Sondheim, workshopping the music of Cole Porter with Carolee Carmello, why she ultimately pulled out of FANNY HACKABOUT JONES, the musical she initiated, how she ended up in Lehman Engel’s workshop, adapting MOONSTRUCK, working with Cy Coleman on SWEET SMELL OF SUCCESS, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most fascinating figures.

Today, I’m thrilled to announce my interview with 2024 Tony nominee for Best Actress in a Play, Betsy Aidem. She was nominated for her staggering performance in Prayer for the French Republic, and you can tune in today to hear more about that process as well as some of the great stories of her legendary career, including the advice she got from Tom Stoppard, crashing auditions with John Malkovich and Des McAnuff, making her Broadway debut at the age of 57, meeting Lucille Ball and Elizabeth Taylor backstage at Steel Magnolias, originating the role of Toni in Appropriate, working with David Cromer on Prayer for the French Republic and other plays, the joy of collaborating with Marian Seldes, what it’s like being nominated for a Tony, and so much more. You won’t want to miss this interview.

Today, I’m thrilled to announce the release of my episode with legendary comedian and Broadway performer Rita Rudner. Tune in to hear her talk about all the facets of her career, including learning wings for Gower Champion, the show she calls “the first feel-bad musical,” the advantages of working with her husband, the difficult transition from musical theater into comedy, why she doesn’t do topical material, the ins and outs of making jokes about your family, why Bob Fosse would never hire her, how she almost did a musical with Gary Beach, running into Robert Morse at Starbucks, adapting her novel into a play, the ageism she’s faced in the comedy business, why she was never in A Chorus Line, the word she’s removed from her act, forming a close friendship during Follies, the skills she learned in The Magic Show, opening a new theater with So Long, 174th Street, and so much more.

Today, I’m thrilled to announce my interview with Tony-winning director/choreographer Jerry Mitchell. Tune in for a conversation about his three current projects, Boop!, The Devil Wears Prada, and Becoming Nancy, as well as some fantastic stories and insights from his legendary career, including how Broadway Bares led to his Broadway debut, what it was like being fought over by Lauren Bacall and Ann Miller, why Michael Bennett’s musical Scandal never came to fruition, the inspiration for the conga line in On Your Feet!, how he cast Jasmine Amy Rogers in Boop! and Laura Bell Bundy in Legally Blonde, the direct line from Jack O’Brien to him to Sergio Trujillo, his earliest musical Aesop’s Fallibles, using treadmills onstage in Kinky Boots, why he doesn’t like doing revivals, creating dances for non-dancers in The Full Monty, the ins and outs of the 2-year rehearsal process for Jerome Robbins’ Broadway, and so much more. You won’t want to miss this in-depth interview with one of the most influential figures in theater today.

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Today, I’m thrilled to announce my episode with legendary theater critic Frank Rich, who served as the chief theater critic of the New York Times from 1980-1993. Tune in today to hear some of the stories of his great career, including championing August Wilson, making up with Robert Brustein, watching Jerome Robbins stage the second act of FIDDLER ON THE ROOF, the changes made to the second act of THE ODD COUPLE out of town, his thoughts on the decreasing power of theater criticism in affecting the success of a show, working with Boris Aronson on a book about his work, why he tried not to think about the influence he had on shows, what he learned from Walter Kerr and Kenneth Tynan, what musicals he chooses to see today, working with theater actors on SUCCESSION, the giveaway that a critic didn’t personally like a show, and so much more. You won’t want to miss this conversation with a greatly influential figure in so many fields.