New Weird Australia

Stuart Buchanan
New Weird Australia

Host Stu Buchanan (Resonance FM / FBI Radio) talks with artists and labels across a wide spectrum of eclectic and experimental Australian music. Neither one genre nor another, New Weird Australia challenges our collective understanding of what music can and should be. Hosted on Acast. See acast.com/privacy for more information.

  1. Makeda, Tangents, Robin Fox + | NWAP124

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    Makeda, Tangents, Robin Fox + | NWAP124

    In episode 124, we take in a preview of the new EP from Brisbane electronic experimentalist Makeda; as well as the debut release from Canberra's E Fishpool and the new album from Sydney's unclassifiable quartet Tangents. We expand our genre expertise by delving into psychedelic dark wave from Ov Pain, vaporised stretched electronica from Planktan Sanquin (battling the demos of King Gizzard and The Lizard Wizard) and molecular gamelan from Astasie-Abasie. We also hear two cuts from the Flash Forward project out of Melbourne, featuring releases from Female Wizard and Mindy Meng Wang; and two different tales from the world of modular, featuring Robin Fox and the various artists from Modular Theme Time Sessions. Featured in this episode: Tangents - Survival (from Timeslips & Chimeras)E Fishpool - Under Flecked Light (Emily) (from E Fishpool)Makeda - Professors, Lovers, Critics (from Venus Leak)Ov Pain - Daytripping (from The Churning Blue of Noon)King Gizzard and The Lizard Wizard x Planktan Sanquin - Tezeta (Pumpking Seedle Eloping Mix) (from Music To Eat Bananas II)Robin Fox - Quarantine Variation II (from Waking Fever Dream)Female Wizard - Post Post (from TIE-EE-YIE-EEYIE-EE-YIME)Mindy Meng Wang - Activation 异变 (from Phoenix Rising)Modular Theme Time Sessions - MTTSS#005 Blue (from Sharewave Session #005 - Three Module Challenge)Astasie-abasie - Expulsion (from Molecular Gamelan)Cover Image: Makeda Hosted on Acast. See acast.com/privacy for more information.

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  2. Michelle Nguyen, Snawklor, Megan Alice Clune + | NWAP122

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    Michelle Nguyen, Snawklor, Megan Alice Clune + | NWAP122

    In this episode, NWAP 122, we listen to ritual electronics from Melbourne artist Sandpit Alias; as well as new solo work from PVT’s Richard Pike. Sydney saxophonist Jorja Chalmers unites with David Lynch collaborator Dean Hurley on her new album; and we hear new work recorded in Korea from interdisciplinary artist Melanie Eden.   We also check out the new release from Little Songs Of The Mutilated collective, featuring Nat Grant and Michelle Nguyen; as well as the first album from visual-art duo Snawklor in over a decade; and a piece taken from the new retrospective collection by Adelaide’s Panoptique Electrical.  And to round out the episode, a preview of the new album from Megan Alice Clune on Room 40 and the latest ‘decolonial ambient’ work from Amby Downs. Featured in this episode: Sandpit Alias - Gawl Mountain (from Spinal Data)Richard Pike - Goodbye, Good Luck / Xerust (from How To Breathe)Jorja Chalmers - Underwater Blood (from Midnight Train)Melanie Eden - Dreaming (from 공 空)Nat Grant - Slow Motion Storm Roll (from A Tightfisted Molten Sellout)Michelle Nguyen - Baby Fog (from A Tightfisted Molten Sellout)Snawklor - Language Laid Bare (from Perfumed Ground)Panoptique Electrical - Never Sleep Again (from Decades 2001-2021)Megan Alice Clune - The Swirl of the Void (from If You Do)Amby Downs - Quietly Quietly Catchee Monkey (GUK) (from Liminal)Cover Image: Michelle Nguyen Hosted on Acast. See acast.com/privacy for more information.

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  3. The Omega Point, Jobfit, Loose-y Crunché + | NWAP121

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    The Omega Point, Jobfit, Loose-y Crunché + | NWAP121

    The New Weird Australia radio-not-radio show returns in its original form, for the first time since 2012, with sixty minutes of new mutant music from the upside down, presented by Stu Buchanan. In this first episode of the rebooted show, we hear the new single from agitprop synth-punk duo Laughing Gear; plus two cuts from a new compilation from Oxtail Recordings from Loose-y Crunché and OVRSCN; experimental jungle meets dark and delirious storytelling courtesy of Jobfit; and Altered States Tapes gives us something old and something new with releases from Carnage and Low Flung. We also listen to a wild brand of apocalyptic art-music from Melbourne’s Omega Point; beautiful broken piano and dismembered electronics from London based ex-pat Laila Sakini; a cut from the new album from violinist and vocalist Happy Axe; and we take a journey into alt-pysch and freak-disco on the debut release from Glass Beams. Featured in this episode Laughing Gear - New Estate (from Freak Lemons)Loose-y Crunché - It's Got a Groove (Industrial Murk) (from Undercurrents)OVRSCN - Chromium (from Undercurrents)jobfit - Strike Pneumatic Tension (from Longer Form Cat Calls)Carnage - Lung Cancer (from Untitled)Low Flung - Stub (from Reflections From The Campsie Centre For Electronic Music Research)The Omega Point - High Rise (from High Rise)Laila Sakini - Into The Traffic (from Into the Traffic, Under the Moonlight (Vinyl Edition))Happy Axe - The One That Remembers (from Maybe It'll Be Beautiful)Glass Beams - Mirage (from Mirage EP)Published on 24 July 2021 Hosted on Acast. See acast.com/privacy for more information.

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Host Stu Buchanan (Resonance FM / FBI Radio) talks with artists and labels across a wide spectrum of eclectic and experimental Australian music. Neither one genre nor another, New Weird Australia challenges our collective understanding of what music can and should be. Hosted on Acast. See acast.com/privacy for more information.

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