Dig Me Out

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Музыкальное обозрение

Музыкальное обозрение

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Музыкальное обозрение

Музыкальное обозрение

Каждые две недели

-1 ДН.

Singles of 1995 | Roundtable

Here at Dig Me Out we spent the last ten years starting each new season by looking back at the albums from each year that stood the test of time, disappeared without a trace, and everything in between. We kicked off with a roundtable in 2015 and revisited the albums of 1995, so it made sense to start a new series of roundtables in 1995 as well. This time we're checking out the singles of each year, looking at the year-end Modern Rock/Alternative and Hot 100 charts in the US, as well as charts from Canada, the UK and Australia for comparison. Like with all roundtables, we enlisted the help of some special guests to revisit this interesting transitional year that saw the rise of the second generation of grunge bands like Bush and Silverchair, the continued success of 1994's pop-punk breakthroughs by Green Day and The Offspring, and the juggernaut that was Jagged Little Pill by Alanis Morissette. But that doesn't tell the entire tale, so former A&R executive and audio tech writer James Barber and music writer Kevin Alexander join us to talk about all the hits, the near misses, and the weirdness that was 1995. Lastly, our third guest, S.W. Lauden aka Steve Coulter was unable to attend due to the tragic loss of his and his family's home in the Eaton, CA. fires. If you are able, please consider donating to the Go Fund Me set-up by Steve's friends. Songs In This Episode Intro - You Oughta Know by Alanis Morissette (Jagged Little Pill) 12:15 - Possum Kingdom by Toadies (Marvel's Thunderbolts 2025 trailer) 24:48 - A Girl Like You by Edwyn Collins (Empire Records soundtrack) 33:18 - Bright Yellow Gun by Throwing Muses (University) 53:24 - No More I Love You's by Annie Lennox (Medusa) 1:00:23 - Common People by Pulp (Different Class) Outro - Alright by Supergrass (I Should Coco) Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

-1 дн.

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1 ч. 16 мин.
7 ЯНВ.

Papa Vegas - Hello Vertigo | 90s Album Review

Papa Vegas' 1999 album Hello Vertigo offers a radio friendly mix of alternative rock with polished production. It showcases the band's bi hit potential, but the songwriting occasionally feels formulaic, relying on the familiar soft/loud trope from the mid to late '90s rock scene. Tracks like "Bombshell" stand out with catchy hooks and a radio-friendly vibe, but others struggle to maintain the same level of energy or memorability. While the album has moments of creativity, such as its layered guitar work and atmospheric touches, it tends to play it safe, rarely straying from the verse/prechorus/chorus format. The album is more than competent at delivering a chorus, but the safe rhythm section and lack of dynamics give the overall record a consistency that could use a shake-up from time to time. Songs In This Episode Intro - Super Telepathy 17:57 - Something Wrong 20:42 - No Destination 36.37 - Mesmerized 46:38 - Bombshell Outro - Sermon Underground Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

7 янв.

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1 ч. 2 мин.
31.12.2024

Arcwelder - Pull | 90s Album Review

Despite being a three piece, the Midwestern trio Arcwelder put each instrument to optimum use on their 1993 album Pull. A big, post-hardcore sound without layer upon layer of overdubs thanks to off-kilter chord and melody choices that recall heavier 90s acts like Helmet and the next in the vein of noisier drone of Swervedriver. Arcwelder find a consistent, engaging sound that balances indie rock intensity with an accessibility that reveals itself over the course of several listens, the definition of a slow grower. Songs In This Episode Intro - Truth 14:04 - Lahabim 20:08 - Cranberry Sauce 23:33 - Remember to Forget 34:59 - What Did You Call It That For Outro - It's A Wonderful Lie Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

31.12.2024

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42 мин.
26.12.2024

Rush - Permanent Waves | 80s Metal Revisited

Picture this: It’s a crisp January morning in 1980. The new decade is fresh, brimming with possibility, and you’re flipping through the racks at your favorite record store. Disco is slipping out of fashion, punk’s rebellious roar still echoes, and the New Wave is gathering momentum. Amidst all this change, Rush—a band known for their sprawling progressive rock epics—is about to redefine themselves. The moment you unwrap Permanent Waves and place the needle down, something shifts. The opening notes of “The Spirit of Radio”cut through the speakers like a beacon for the new era. You’re swept into a world where Rush balances complexity with accessibility, progressive rock with mainstream ambition. The album was a turning point for a band about to define their legacy. A Balancing Act Between Complexity and Accessibility Permanent Waves, recorded at the now-legendary Le Studio in Morin Heights, Quebec, marked the beginning of Rush’s iconic 80s run. With Terry Brown returning as producer, the album showcased a deliberate pivot. Gone were the sprawling epics of Hemispheres (1978). In their place were tightly constructed, thematically sharp tracks that leaned into shorter runtimes while still showcasing the band’s virtuosity . This album reached number four on the U.S. Billboard 200 and number three in Canada, earning gold and platinum certifications. Not only was it a commercial success, but it also marked the first time the band broke even on a tour, thanks to nine months on the road supporting the record . A Showcase of Rush’s Evolution The album opens with “The Spirit of Radio”, an anthem to music’s transformative power. Lifeson’s shimmering guitar riff, Peart’s intricate drumming, and Lee’s powerful vocals meld into a track that bridges progressive rock and radio-friendly melodies. Its unexpected reggae breakdown was a bold experiment, cementing the song’s status as a classic. “Free Will”, the second single, explores existentialism with blistering technical interplay between guitar and bass. Meanwhile, deeper cuts like “Jacob’s Ladder” unfold like a storm—a dark, atmospheric journey that builds into an otherworldly crescendo. A surprising inclusion as a single was “Entre Nous”, released in April 1980. Despite its relatively low profile in Rush’s live sets, it encapsulates the album’s lyrical intimacy, proving that even Rush’s quieter moments pack a punch . Is Rush Metal? The Permanent Waves episode of Dig Me Out reignited the perennial debate: Is Rush a metal band? While their technical prowess and influence on the genre are undisputed, Rush has always been more at home in progressive rock. However, their heavier tracks, like those from 2112 and even moments on Permanent Waves, ensured they earned respect among metal fans and artists alike . Why Permanent Waves Still Resonates With its release, Permanent Waves wasn’t just another Rush album; it was a declaration of intent. The band embraced the future while honoring their past, delivering an album that remains a cornerstone of progressive rock. Decades later, it’s still finding new fans and delighting old ones. As a Dig Me Out listener said: “This album has grown with me. I’ve owned it on every format, and it never gets old” . Dust off your vinyl or pull it up on your favorite streaming platform—Rush’s Permanent Waves deserves a fresh listen. If this record still gives you chills or you’re discovering it for the first time, let us know. Songs in this Episode * Intro - The Spirit of the Radio * 27:20 - Jacob's Ladder * 35:33 - Natural Science * 41:17 - Freewill * Outro - The Spirit of the Radio Make Your Voice Heard! Rush fans, prog rock enthusiasts, and curious listeners, this one’s for you! Your input drives our journey into the music that defined eras. From underrated classics to monumental masterpieces like Permanent Waves, we rely on you to shape the episodes we bring to life. By joining the DMO Union on Patreon, you help keep us independent and ad-free while gaining the power to vote on and choose the albums we dive into each year. Together, we’ll continue celebrating the art, the stories, and the magic of progressive rock and beyond—one listener-powered episode at a time. Dig Me Out is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

26.12.2024

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1 ч. 3 мин.
29.10.2024

Smashing Pumpkins - Gish | 90s Album Review

The 1991 debut album Gish by The Smashing Pumpkins marked the band's entry into the alternative rock scene with a unique mix of psychedelic rock, heavy metal, and dream pop elements. Produced by Butch Vig, who would later work with Nirvana on Nevermind, the album showcases the band's early experimentation with layered guitars, intricate rhythms, raw energy, and dense sonic textures that would become hallmarks of the Pumpkins sound. Although Gish did not initially achieve mainstream success, it garnered a strong underground following, helping to set the stage for the band's breakthrough with Siamese Dream in 1993. Celebrated for its unique blend of intensity and melody, it serves as an early glimpse into the Pumpkins' evolving musical ambitions, complete the fingerprints of Jane's Addiction, Van Halen, and Black Sabbath. Songs In This Episode Intro - Tristessa 16:57 - I Am One 21:57 - Rhinoceros 30:36 - Window Paine 33:46 - Siva Outro - Bury Me Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

29.10.2024

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46 мин.
21.11.2024

Ratt - Out of the Cellar | 80s Metal Revisited

March 1984. Prince, Kenny Loggins, and Bruce Springsteen dominated the pop charts, but something heavier was brewing. Hard rock and metal were clawing their way into the spotlight, and MTV was playing a pivotal role in this revolution. Enter Ratt, with their major-label debut, Out of the Cellar. In a year defined by arena-ready riffs and eye-catching videos, Ratt burst onto the scene with an album that captured the spirit of the times and proved that metal could be more than just a passing trend. Ratt’s Out of the Cellar is a quintessential snapshot of a band balancing grit and glam at the height of their powers. Released in March 1984, the album combines raw energy with slick production, delivering a sound that’s equal parts rebellious and radio-ready. With tracks like “Round and Round” and “Wanted Man,” Ratt crafted an album that helped define the MTV era of glam metal while staying grounded in the Sunset Strip’s hard rock roots. A Band Ready for the Big Stage By the time Out of the Cellar dropped, Ratt was no overnight success. Years of grinding it out in the Los Angeles club scene had sharpened their skills, and their 1983 self-titled EP had already sold an impressive 100,000 copies independently—a testament to their undeniable appeal. The band’s lineup had solidified around frontman Stephen Pearcy, guitarists Warren DeMartini and Robin Crosby, bassist Juan Croucier, and drummer Bobby Blotzer, creating a dynamic chemistry that carried them to the top of the hard rock heap. Ratt’s dual-guitar approach set them apart, with DeMartini’s sharp, groove-heavy riffs balancing Crosby’s bold, melodic solos. Pearcy’s distinctive snarl gave the band a rougher edge compared to many of their contemporaries, adding a layer of grit to their glam. Their sound wasn’t just catchy—it had character. The Tracks That Made Out of the Cellar Legendary “Round and Round” remains the standout hit, with its infectious hooks and soaring dual-guitar solo. The track epitomizes Ratt’s ability to create music that’s equal parts heavy and accessible. Then there’s “Wanted Man,” a cinematic opener that channels old-school Western vibes, and “Back for More,” a slow-burning anthem that builds from acoustic introspection to full-on rock power. Ratt’s rhythm section deserves its own spotlight. Blotzer’s drumming, especially on tracks like “Lack of Communication,” is far more dynamic than your average 80s metal backbeat. His clever use of cymbal accents and syncopated rhythms brings depth to the album, making it as danceable as it is headbang-worthy. A Sound That Defined Its Era Ratt hit their stride at the perfect moment, just as glam metal was breaking into the mainstream. Out of the Cellar is a product of its time, but its rawness and unique qualities keep it relevant. While the production leans a little thin by modern standards, it complements the band’s high-energy style, letting their dual guitars and blistering solos shine. Thematically, the album balances tales of outlaws (“Wanted Man”) with relationship struggles and party anthems. It’s a snapshot of a time when rock bands weren’t afraid to have fun, but Ratt did it with a touch more grit and attitude than their more polished peers. The Legacy of Out of the Cellar Ratt wasn’t just another glam band—they were trailblazers for the MTV generation of hard rock. Out of the Cellar went on to sell over 3 million copies in the U.S., cementing the band’s place in 80s rock history. Its success wasn’t just about “Round and Round” dominating MTV; it was about Ratt’s ability to craft songs that could move between stadiums and smoky clubs with equal swagger. This album helped set the stage for the glam metal explosion that defined the mid-to-late 1980s. Its raw edges, blazing guitars, and distinct personality made it stand out in a crowded field, giving Ratt a voice that’s still celebrated today. Why Out of the Cellar Still Rocks Listening to Out of the Cellar today, it’s clear why this album endures. Its energy, musicianship, and unapologetic attitude make it more than a nostalgia trip. It’s a cornerstone of 80s rock that still feels fresh and fun, especially when tracks like “Back for More” or “Lack of Communication” hit your speakers. Ratt didn’t just release an album—they created a moment in time. Out of the Cellar captures the raw ambition of a band poised to take over the world, and for a while, they did. Songs in this Episode Intro - Round and Round 30:16 - In Your Direction 35:17 - Lack of Communication 36:08 - Back for More 39:06 - Lack of Communication 44:10 - Wanted Man 1:09:09 - One Like a Son (Vertex) Outro - Round and Round Make Your Metal Voice Heard! We’re on a mission to dig deep into the heart of 80s metal, and we can’t do it without you. Your album suggestions fuel the show—whether it’s an overlooked classic or a hidden gem that deserves the spotlight. When you join the DMO Union on Patreon, you’re not just helping us stay independent and ad-free; you’re getting a say in the albums we explore. Together, we’ll uncover the anthems, riffs, and stories that shaped a decade. Let’s rediscover 80s metal, one listener-driven episode at a time. Thanks for reading Dig Me Out! This post is public so feel free to share it. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

21.11.2024

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1 ч. 14 мин.
31.10.2024

KIX - Midnite Dynamite | 80s Metal Revisited

October 1985: hair was big, riffs were bigger, and rock was veering toward an electrified blend of glam, grit, and decadence. Metalheads and rock fans everywhere were tuning in to MTV, where every week, a new video was promised to capture their attention. This era was when albums weren’t just records; they were statements dripping with attitude and energy. Bands like Quiet Riot, Ratt, and Mötley Crüe were heating the charts, and fans were hungry for high-energy anthems to keep the adrenaline pumping. Into this scene dropped Midnite Dynamite, the third album from Maryland rockers KIX, an underdog act grinding it out in clubs with a mix of hard rock bravado and glam-metal flash. For KIX, this was a make-or-break moment, a chance to pull up from the underground and make their mark with a record that didn’t just play to the rock crowd but demanded attention. Building to a Big Break KIX had been around since the early 80s, putting out two albums and gaining a reputation for their high-energy performances and raw sound. They were a staple on the Maryland rock circuit, where fans recognized their signature mix of tight musicianship, outrageous on-stage antics, and the ability to turn a live show into a real experience. Despite the grind, KIX hadn’t yet found a breakout record that would push them to national attention. That’s where Midnite Dynamite comes in—this album was set to be a game-changer, and the band knew it had to deliver. Enter Bob Halligan Jr.: The Songwriter Who Got Kix When it came time to make Midnite Dynamite, KIX partnered with songwriter Bob Halligan Jr., a musician with a gift for digging into a band’s core and translating it into unforgettable tracks. Halligan’s resume included writing credits with Judas Priest, so he knew a thing or two about blending melody with the heaviness that KIX needed to reach new fans. Initially, Halligan admitted he thought they’d meant KISS when he heard the name “KIX.” But once he met the band, the creative spark was instant, especially with bassist and primary songwriter Donnie Purnell. The Dynamic Duo: Halligan and Purnell Donnie Purnell was the force behind KIX’s sound, with a drive to keep each song fresh and meaningful. Together, Purnell and Halligan struck a balance, crafting lyrics and riffs that stood out from the era’s typical glam-rock fare. Halligan brought in elements that polished KIX’s raw power without taking away the band’s edge. With a focus on memorable choruses and punchy lyrics, their collaborative magic helped produce songs that would resonate long after the first listen. For Halligan and Purnell, Midnite Dynamite wasn’t about writing cliché rock songs—it was about giving the audience something they hadn’t heard before. Tracks like “Walking Away” became anthems for teens going through the highs and lows of young love, while “Sex” offered a tongue-in-cheek take on rock’s fascination with romance. Instead of glamorizing indulgence, KIX’s songs had humor and perspective that elevated them above the typical fare of the day. One of the things that makes Midnite Dynamite stand out is its dynamic range. The album plays with tempo and mood, jumping from high-energy riffs to introspective moments, keeping listeners on their toes. Lead singer Steve Whiteman’s vocals add to this dynamic, often hitting octaves higher than the songs were initially written for, adding an electrifying edge to each track. Halligan also brought a production approach similar to Def Leppard, using digital drums to layer the sound and make the album feel slick without losing its rawness. The Legacy of Midnight Dynamite: An Underdog Classic Nearly 40 years after its release, Midnite Dynamite remains a cult classic, especially for fans who were there in the golden era of 80s rock. It’s an album that captures everything we love about the era—huge riffs, clever lyrics, and a commitment to pushing the boundaries of rock without losing its soul. For KIX, this album marked a turning point and solidified their place in rock history. If you’re feeling nostalgic or want to experience the thrill of 80s hard rock, give Midnite Dynamite a spin. Whether you’re an old fan or discovering KIX for the first time, this record captures the rebellious, energetic spirit of an era that rocked music to its core. Songs in this Episode * Intro - Midnite Dynamite * 24:36 - Cold Shower * 34:44 - Here She Comes Again (Night Ranger) * 46:11 - Don't Close Your Eyes * 52:20 - Walkin Away * 1:09:11 - Scarlet Fever * Outro - Bang Bang (Balls of Fire) Make Your Metal Voice Heard! In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time. Suggest an Album → | Support the Mission → This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

31.10.2024

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1 ч. 27 мин.
07.11.2024

Ace Frehley - Frehley's Comet | 80s Metal Revisited

In the summer of 1987, the music scene was shifting: the larger-than-life sounds of glam rock and heavy metal were at their peak, and the neon-drenched days of the MTV era were in full swing. Hair metal dominated, with bands like Def Leppard, Whitesnake, and Bon Jovi ruling the charts and radio. Rock fans were riding high on guitar solos, power ballads, and the theatrical spectacle of live shows. Amidst this, a familiar name from a different era, Ace Frehley, the original “Spaceman” of Kiss, reemerged with Frehley’s Comet—a solo album that would go on to become a cult favorite, bridging his past as a member of Kiss with his fresh start as a solo artist. The Road to Frehley’s Comet Frehley’s Comet, released in April 1987, was Ace’s first attempt to break out independently since his 1978 solo album with Kiss. This time, however, it wasn’t just a side project—it was an opportunity for Ace to stand alone. After a rocky exit from Kiss, characterized by struggles with addiction and brushes with death (including a notorious car accident in his DeLorean that he references in the track “Rock Soldiers”), Ace had a point to prove. With support from Eddie Trunk, who helped secure him a spot on the Megaforce label, Ace was back in the game, determined to reclaim his legacy in rock. A Blend of Grit and Melody As the Dig Me Out hosts delved into Frehley’s Comet, they highlighted its unique blend of Ace’s signature gritty style mixed with melodic, almost pop-rock elements that made it different from a typical heavy metal album. Tracks like “Rock Soldiers” served as a rallying cry, a self-reflective anthem about overcoming personal demons, while “Into the Night,” a mid-tempo stomp, showcased Ace’s ability to craft a compelling hook that stuck with listeners long after the song ended. The hosts also noted how “Stranger in a Strange Land” exemplified Ace’s unmistakable style: raw yet melodic guitar riffs combined with a vocal delivery that was uniquely his own, both rough and endearing. The Todd Howarth Factor What made Frehley’s Comet stand out wasn’t just Ace’s return. The album also benefited from the contributions of Todd Howarth, whose more polished, AOR-style vocals and songwriting contrasted with Ace’s grittier approach. Tracks like “Calling to You” and “Something Moved” reflected this dynamic, adding a surprising level of variety to the album. This blending of styles made Frehley’s Comet feel like more than just a solo project—it felt like a band effort, and the result was a sound that was both nostalgic and refreshingly modern for its time. Embracing the Strange and the Nostalgic Despite its strengths, Frehley’s Comet isn’t without its quirks. Some tracks, like “Dolls,” with its odd, almost creepy lyrics about mannequins or inanimate “dolls,” veered into strange territory. And while songs like “We Got Your Rock” aimed to pump up the listener, the lyrics felt somewhat clichéd even for the ’80s, as the hosts pointed out with humor. Yet, these moments only added to the album’s charm, capturing a time when rock didn’t take itself too seriously, embracing both the raw and the ridiculous in equal measure. Legacy of a Comeback Album Looking back, Frehley’s Comet isn’t just a product of its era but a testament to Ace Frehley’s resilience and talent. The album succeeded in reminding fans why they fell in love with the “Spaceman” in the first place while introducing him to a new generation eager for guitar heroes. While Ace may have never reached the commercial heights of Kiss in his solo career, Frehley’s Comet endures as a cult classic, cherished by fans who appreciate its rough edges, varied styles, and unapologetic rock ethos. For Ace, it was more than just an album—it was a comeback, a declaration that, indeed, the Ace was back. Songs in this Episode * Intro - We Got Your Rock * 21:55 - Stranger in a Strange Land * 25:14 - Breakout * 32:17 - Rock Soliders * 37:28 - Into the Night * 42:05 - Dolls * Outro - Calling to You Make Your Metal Voice Heard! In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time. Suggest an Album → | Support the Mission → Dig Me Out is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

07.11.2024

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1 ч.
10.09.2024

Green Day - Dookie | 90s Album Review

The only way a radio listener or MTV watcher could avoid Basket Case, Longview, Welcome To Paradise, or When I Come Around in 1994 or 1995 was to be in a remote jungle or alone on the moon. The pop-punk explosion, led by the Bay-area trio Green Day and followed a few months later by The Offspring, would unseat grunge as the dominant underground scene making waves in the mainstream and open the door for a plethora of bands getting signed to major labels, like Rancid, NOFX, and Jawbreaker. With Dookie, the band found the perfect collaborator in producer Rob Cavallo, who kept punk energy and edge while helping the band dial in the guitars, bass, and drum sounds that would pop off the speakers. Thirty (!) years later, the album retains its energy, and repeated listens get under the hood of the band, showcasing the lock-step rhythm section of drummer Tre Cool and bassist Mike Dirnt that often carries the songs while lead singer Billie Joe Armstrong crafts catchy, relatable lyrics with tasteful harmonies that elevate the album to something special. Songs In This Episode Intro - Burnout 19:35 - Basket Case 37:41 - Longview 42:44 - F.O.D. 47:59 - When I Come Around Outro - She Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

10.09.2024

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1 ч. 15 мин.
17.01.2023

Albums of 1993 | 90s Roundtable

By 1993, it was an alternative world, from MTV to mainstream radio. The Smashing Pumpkins, Nirvana, Counting Crows, Depeche Mode, Radiohead, Tool, and many more became household names with million selling albums while college radio and indie labels saw bands take off unexpectedly, with hits from The Breeders, The Lemonheads, Mazzy Star, Juliana Hatfield, Letters to Cleo, Ween, and many more. While pop music maintained its position with the likes of Mariah Carey, Billy Joel, and Duran Duran scoring hits, hip-hop was also ascendant with landmark albums from A Tribe Called Quest, Snoop Doggy Dogg, The Wu-Tang Clan, and more. We dive into it all, talking about records that have stood the test of time and those that haven't, albums overlooked upon their release and those best left to the dustbin of history. Songs In This Episode: Intro - 1993 Medley (Lemon by U2, Animal Nitrate by Suede, Fade Into You by Mazzy Star, 20th Century by Brad, Give Back The Key To My Heart by Uncle Tupelo) Outro - I Feel You by Depeche Mode Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

17.01.2023

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1 ч. 53 мин.

Dig Me Out is dedicated to unearthing the rock of the 80s and 90s. Our journey through time is led by passionate fans and experts, inviting you to revisit the golden era of rock and metal. "Dig Me Out: 90s Rock" is your weekly time machine from the 1990s, the era that redefined rock music. Our podcast is a tribute to the diversity of grunge, alternative, indie rock, emo, Brit-pop, shoegaze, power pop, and post-punk. We offer an in-depth exploration of albums, exclusive interviews, and cultural discussions that define the 90s. Our community-driven approach means you, the listeners, shape the journey. Whether you're a fan of Nirvana, Built to Spill, Elastica, or Radiohead, this podcast is your gateway to reliving the unmatched creativity of the 90s. Calling all 80s metal enthusiasts! Join Jay, Chip, and Tim on "Dig Me Out: 80s Metal" as they dive deep into the world of 80s Glam Rock, Hard Rock, Hair Metal, and Heavy Metal. Our trio of hosts, blending nostalgia with fresh insights, explore the hidden stories and underrated gems of this electrifying era. If you cherish the sounds of Mötley Crüe, Whitesnake, Guns N' Roses, or if flipping through Metal Edge or Circus was your pastime, this podcast is your new haven. Get ready for detailed album breakdowns, artist interviews, and an immersive journey into the soul of 80s Metal. "Dig Me Out" is more than a podcast series; it's a mission driven by our passionate, listener-supported community. For over 14 years, we've been the voice of 90s music, and now we're expanding our horizons with 80s Metal. By subscribing, you join a dedicated community of fans committed to reviving and discussing the lost and forgotten rock of the 80s, 90s, and today.

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Singles of 1995 | Roundtable

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Rush - Permanent Waves | 80s Metal Revisited

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Ratt - Out of the Cellar | 80s Metal Revisited

KIX - Midnite Dynamite | 80s Metal Revisited

Ace Frehley - Frehley's Comet | 80s Metal Revisited

Green Day - Dookie | 90s Album Review

Albums of 1993 | 90s Roundtable

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Dig Me Out

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Singles of 1995 | Roundtable

Papa Vegas - Hello Vertigo | 90s Album Review

Arcwelder - Pull | 90s Album Review

Rush - Permanent Waves | 80s Metal Revisited

Smashing Pumpkins - Gish | 90s Album Review

Ratt - Out of the Cellar | 80s Metal Revisited

KIX - Midnite Dynamite | 80s Metal Revisited

Ace Frehley - Frehley's Comet | 80s Metal Revisited

Green Day - Dookie | 90s Album Review

Albums of 1993 | 90s Roundtable

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