Producing The Beatles

Jason Kruppa

4.9(442개의 평가)
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The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.

1월 14일

016 Now and Then

Beatle author Ken Womack and Ranking the Beatles host Jonathan Pretus join me to discuss the tech that made the Beatles’ new single “Now and Then” possible. And from John's haunting vocal to Giles Martin's stirring string arrangement, we peel back the layers of the production and consider Paul's nearly 30 year mission to complete John's demo.

32분
1월 14일

015a A closer look at the "Live and Let Die" Orchestration

A little extra mini-episode examining George Martin’s orchestration for “Live and Let Die,” with a recreation of part of the arrangement.

5분
1월 14일

015 Paul McCartney and Wings, "Live and Let Die"

In our penultimate Season 1 bonus episode, we examine another solo recording, this time Paul McCartney’s thrilling theme song for the 1973 James Bond film, Live and Let Die. I’m joined by Allan Kozinn, co-author of The McCartney Legacy Volume 1, who takes us through all the details of the writing and recording process. We also learn how Paul debuted the song before the film’s release, we walk through George Martin’s Grammy-winning arrangement, and we consider Martin’s droll story about the film’s producer, as well as what Martin left out of that story.

29분
2022. 12. 20.

014 George Harrison, "Isn't It A Pity"

In the second episode looking at the making of All Things Must Pass, we explore the recording of the largest production on the album. We hear from participants at the sessions, listen to outtakes and isolations, peek into Mal Evans’ diaries, and sample a reconstruction of the song’s epic orchestral score.

24분
2022. 04. 25.

013 George Harrison, "My Sweet Lord"

Today, the first of two episodes exploring the production of George Harrison’s first solo album, All Things Must Pass, with new research and interviews drawn from the book Ken Womack and I wrote on the making of the album. In this episode, we cover the intricate and painstaking production of “My Sweet Lord.” We explode the myth of Phil Spector’s contributions, speak to a number of people who were there, and get an exclusive sneak preview of the contents of Mal Evans’ diary entries about these sessions, courtesy Ken Womack.

38분
2021. 02. 22.

012 John Lennon, "Love" (S1 bonus episode)

In the first bonus episode for Season 1, we step outside of our regular format and take a peek into solo Beatles territory, with a look at the recording of John Lennon’s song “Love” from his first post-Beatles solo album, John Lennon/Plastic Ono Band. We trace the song’s development all the way from home demo to finished recording, sampling the session tapes and discovering the role both Yoko and Phil Spector played in reaching the final take.

22분
2020. 04. 13.

011 Nothing Is Real: Strawberry Fields Forever, take 26

Recording Strawberry Fields Forever was a complicated, layered process, famously requiring the cutting together of two different takes in two different keys and tempos. Today we put our magnifying glass on the second of those takes, take 26, with special attention given to George Martin’s dramatic score for three cellos and four trumpets. We go into the recording studio with seven musicians to re-record Martin’s complete score, and cellist Karen Ray returns to help us deconstruct the arrangement and understand what Martin was doing with this composition.

27분
2019. 09. 09.

010 It's Gonna Be Alright: Revolution — Part II (single version)

In Part 2 of our look at the trio of songs titled “Revolution,” we dive into the recording of the electric guitar driven single version of the song.

24분

모두 보기(18개)

Jason Kruppa

호스트

4.9

최고 5점

442개의 평가

Love it!

2월 26일

DamDamDammy

I don’t know how Jason does this without ads but I’m not complaining. I just found the podcast last night and have listened to every episode, a few of them twice. Thank you for providing listeners such a high quality foray into the production aspect of the Beatles’ work. I hope you can keep them coming; I’ll keep listening!
We miss you. More, please.

2023. 12. 18.

Atticus25

One of my favorite listening experiences, in any medium, ever. I always learn something new, am frequently stunned, and always re-listen to each episode. Thanks for the high quality and well-produced show. It’s been since April’s stellar Strawberry Fields deep-dive, so we’re more than ready for what’s next. Thanks for bringing such a great show to life. ~ Atticus Santa Cruz, CA
Re: “Now and Then.”

2월 22일

SPSaylor

Removing the bridge was a terrible decision. Musically it’s beautiful and makes the song richer, and lyrically it complicates the song’s ideas in a way that is typical of Lennon, who, by the way, would have abhorred Beatles myth-making as a motivation in the studio.
Always great.

2023. 11. 15.

Liverpool Bound

Once again, great content!! Thanks. Ready for the next episodes.

The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.

제작진

Jason Kruppa
방송 연도

2018년 - 2024년
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18
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Producing The Beatles

016 Now and Then

015a A closer look at the "Live and Let Die" Orchestration

015 Paul McCartney and Wings, "Live and Let Die"

014 George Harrison, "Isn't It A Pity"

013 George Harrison, "My Sweet Lord"

012 John Lennon, "Love" (S1 bonus episode)

011 Nothing Is Real: Strawberry Fields Forever, take 26

010 It's Gonna Be Alright: Revolution — Part II (single version)

호스트 및 게스트

Jason Kruppa

Love it!

We miss you. More, please.

Re: “Now and Then.”

Always great.

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좋아할 만한 다른 항목

Producing The Beatles

에피소드

016 Now and Then

015a A closer look at the "Live and Let Die" Orchestration

015 Paul McCartney and Wings, "Live and Let Die"

014 George Harrison, "Isn't It A Pity"

013 George Harrison, "My Sweet Lord"

012 John Lennon, "Love" (S1 bonus episode)

011 Nothing Is Real: Strawberry Fields Forever, take 26

010 It's Gonna Be Alright: Revolution — Part II (single version)

호스트 및 게스트

Jason Kruppa

평가 및 리뷰

Love it!

We miss you. More, please.

Re: “Now and Then.”

Always great.

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