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This is Moshtalgia. A podcast about albums we love, albums that were important to us growing up. 
As the scent of cinnamon and pine fills the air, there's nothing quite like the discomfort of Christmas music to truly unhinge the festive spirit. In our latest podcast episode, we unwrap the tinsel-covered tales of Christmas past, revisiting some of the most iconic holiday tunes that have become as much a part of our celebrations as the tree itself.
From the nonsense of The Darkness's 'Christmas Time (Don't Let the Bells End)' to the heartsquirming Moshtalgia of Wham's 'Last Christmas,' each song carries a story, a memory, and a magic that's undeniably Christmas. We delve deep into the making of these tracks, the artists who brought them to life, and the legacies they've created.
But it's not all jingle bells and choir carols. Our episode takes a turn down memory lane, exploring the poignant narratives behind songs like 'Fairytale of New York' by The Pogues and the raucous cheer of Slade's 'Merry Xmas Everybody.' We discuss the impact of these songs on our holiday traditions and why they continue to resonate year after year.
As you deck the halls and trim yer tree, let our podcast be the soundtrack to your festive preparations. Join us as we celebrate the sounds of the silly season and maybe even discover the stories behind the Christmas classics you thought you knew. Pour yourself a glass of Eggnog, settle in snug by the fire, and tune in to our Christmas Special – it's an audio gift that keeps on giving.
So, what makes a Christmas song endure the test of time? Is it the melody that echoes through the shopping centre speakers, the lyrics that tug at our heartstrings, or the artists whose songs have become synonymous with the festive season? Find out in this episode, filled with laughter, insights, and a touch of alcholic yuletide cheer.
There's absurdity, snark, and blistering twin-microphone facts from Taylor and Bourney, fully harmonised with double-tracked wailing and complaining. We men do play on ten, to Valhalla and back.
Best served with beer and a side of silliness. Lie back and enjoy it. Come join us on a review of those now-vintage LPs we loved in the 1980s from the bands that parted us from our money.
It isn't just two friends chatting in front of microphone about their long-haired heavy metal days. Well it is, but also it's much more.
Dive deep into the spurious subconsious of two middle-aged metallers regaling the days of their youth with squirming stories, analogue anectodes, and antsy accusations from the east coast of Ireland. We name and shame, mostly ourselves. 
Remember that first metal album? First concert? The rock ballad you first copped off to on a disco dancefloor with nervous hands and dry lips? Yeah, you do. 
We let the hair on down the back, steal tapes, photocopy covers, and even buy a bullet-belt. We deftly sew patches on our denim jackets, and pilfer magazines in the shop.
Offering our metal heroes no quarter. We praise and prosletyse, we ridicule and rile. We spar with each other and the teenage illusions we had when hearing these masterpieces.
Armed with a sonic scalpel, we cleave our way through track by track, appraise hits and filler a generation on. Who dared battle the Saracen? Who gave love a bad name? Who danced on glass? Listen and find out.
Tune in to rock radio again, hear it as it was, all entombed by fat and freckled guitar segues brought to you by our resident riffer, that man from Annamoe; Pat 'The Fingerer' Shaughnessy! 
We rifle through the pages of once-mighty UK rock organ Kerrang for hot takes of the late Eighties. Hear the words of Malcolm Dome, Dante Bonutto, Sylvie Simmons, Howard Johnson, Chris Watts, Alison Joy, and Mick Wall as they gurn over the news, interviews, and reviews of the day.
Moshtalgia exposes many a metal mistake, a misheard lyric, and as much madness as your mind can muster. You will hear the voices of the bands giving comment directly here on ou

This is Moshtalgia. A podcast about albums we love, albums that were important to us growing up. 
As the tightly riffed strains of 'Enter Sandman' filled the airwaves in August of 1991, a generation of teenagers found a voice that echoed their own angst and dreams. On today's episode of our podcast, we plunge into the depths of Metallica's seminal work, the Black Album, a record that not only defined an era but also shaped the lives of two young men growing up on Ireland's east coast.
Through the lens of our mightly Moshtalgia, we dissect the album track by track, uncovering the layers of raw energy and emotion that have cemented its place in rock history. From the hefty plodder 'Sad But True' to the soul-stirring get-yer-lighter-out ballad 'Nothing Else Matters,' we explore the evolution of Metallica's sound and the tenacity of producer Bob Rock.
But this episode isn't just about the music. It's a tapestry woven with the threads of our personal stories, the trials of adolescence, and the bittersweet memories of secondary school. We share anecdotes of creeping into school grounds, the nervous anticipation of exam results, and the camaraderie of listening to this groundbreaking album with friends.
Join us as we take you back to a time when music wasn't just background noise but the soundtrack to our lives. We'll laugh, we'll debate, and we might even shed a tear as we revisit the days when the Black Album reigned supreme. Tune in and let the power of Metallica's magnum opus transport you back to your teenage years, no matter where you grew up.
There's absurdity, snark, and blistering twin-microphone facts from Taylor and Bourney, fully harmonised with double-tracked wailing and complaining. We men do play on ten, to Valhalla and back.
Best served with beer and a side of silliness. Lie back and enjoy it. Come join us on a review of those now-vintage LPs we loved in the 1980s from the bands that parted us from our money.
It isn't just two friends chatting in front of microphone about their long-haired heavy metal days. Well it is, but also it's much more.
Dive deep into the spurious subconsious of two middle-aged metallers regaling the days of their youth with squirming stories, analogue anectodes, and antsy accusations from the east coast of Ireland. We name and shame, mostly ourselves. 
Remember that first metal album? First concert? The rock ballad you first copped off to on a disco dancefloor with nervous hands and dry lips? Yeah, you do. 
We let the hair on down the back, steal tapes, photocopy covers, and even buy a bullet-belt. We deftly sew patches on our denim jackets, and pilfer magazines in the shop.
Offering our metal heroes no quarter. We praise and prosletyse, we ridicule and rile. We spar with each other and the teenage illusions we had when hearing these masterpieces.
Armed with a sonic scalpel, we cleave our way through track by track, appraise hits and filler a generation on. Who dared battle the Saracen? Who gave love a bad name? Who danced on glass? Listen and find out.
Tune in to rock radio again, hear it as it was, all entombed by fat and freckled guitar segues brought to you by our resident riffer, that man from Annamoe; Pat 'The Fingerer' Shaughnessy! 
We rifle through the pages of once-mighty UK rock organ Kerrang for hot takes of the late Eighties. Hear the words of Malcolm Dome, Dante Bonutto, Sylvie Simmons, Howard Johnson, Chris Watts, Alison Joy, and Mick Wall as they gurn over the news, interviews, and reviews of the day.
Moshtalgia exposes many a metal mistake, a misheard lyric, and as much madness as your mind can muster. You will hear the voices of the bands giving comment directly here on our podcast. Their voices voiced through our own larynxes that is.
Hear the doyen of UK rock radio, Tommy Vance, along with producer Tony Wilson, deliver rock and metal weekly for a scant-yet-prescious two FM hours on the UK's BBC Radio One. If you know it, you're in for a treat on this show. If you

This is Moshtalgia. A podcast about albums we love, albums that were important to us growing up. 
Step into Taylor and Bourney's metal time machine as we revisit one of the most flared-nostril albums of the 80s: Mötley Crüe's 'Girls, Girls, Girls'. Our latest podcast episode is a deep dive into the hedonistic world of a band that defined an era with their wild antics and unapologetically simple sound.
With over 4 million copies sold, 'Girls, Girls, Girls' skyrocketed to the top of the charts and became a staple for the Sunset Strip. But what's the real story behind the songs? From the adrenaline-fuelled title track to the syrupy 'You're All I Need', we explore the music, the myths, and the men behind the piss-stained mascara madness.
We'll take you behind the scenes of the album's creation, recorded at studios One on One in Los Angeles and Conway in Hollywood. Hear about producer Tom Werman's influence, the band's struggles with addiction, and the wild lifestyle that nearly ended it all.
But it's not just about the chaos. We delve into the craftsmanship of hits like 'Wild Side' and the infamous 'Girls, Girls, Girls', examining the lack of lyrical depth and missing musical mastery that often gets necessarily overshadowed by the band's notorious image.
There's absurdity, snark, and blistering twin-microphone facts from Taylor and Bourney, fully harmonised with double-tracked wailing and complaining. We men do play on ten, to Valhalla and back.
Best served with beer and a side of silliness. Lie back and enjoy it. Come join us on a review of those now-vintage LPs we loved in the 1980s from the bands that parted us from our money.
It isn't just two friends chatting in front of microphone about their long-haired heavy metal days. Well it is, but also it's much more.
Dive deep into the spurious subconsious of two middle-aged metallers regaling the days of their youth with squirming stories, analogue anectodes, and antsy accusations from the east coast of Ireland. We name and shame, mostly ourselves. 
Remember that first metal album? First concert? The rock ballad you first copped off to on a disco dancefloor with nervous hands and dry lips? Yeah, you do. 
We let the hair on down the back, steal tapes, photocopy covers, and even buy a bullet-belt. We deftly sew patches on our denim jackets, and pilfer magazines in the shop.
Offering our metal heroes no quarter. We praise and prosletyse, we ridicule and rile. We spar with each other and the teenage illusions we had when hearing these masterpieces.
Armed with a sonic scalpel, we cleave our way through track by track, appraise hits and filler a generation on. Who dared battle the Saracen? Who gave love a bad name? Who danced on glass? Listen and find out.
Tune in to rock radio again, hear it as it was, all entombed by fat and freckled guitar segues brought to you by our resident riffer, that man from Annamoe; Pat 'The Fingerer' Shaughnessy! 
We rifle through the pages of once-mighty UK rock organ Kerrang for hot takes of the late Eighties. Hear the words of Malcolm Dome, Dante Bonutto, Sylvie Simmons, Howard Johnson, Chris Watts, Alison Joy, and Mick Wall as they gurn over the news, interviews, and reviews of the day.
Moshtalgia exposes many a metal mistake, a misheard lyric, and as much madness as your mind can muster. You will hear the voices of the bands giving comment directly here on our podcast. Their voices voiced through our own larynxes that is.
Hear the doyen of UK rock radio, Tommy Vance, along with producer Tony Wilson, deliver rock and metal weekly for a scant-yet-prescious two FM hours on the UK's BBC Radio One. If you know it, you're in for a treat on this show. If you don't, you're still in for a treat on this show. Rock on Tommy! It doesn't matter what age you are.
We absorb musician autobiographies and gorge on metal authors to skull it back, slurp it down, and regurgitate back up for your listening pleasure. 
Moshtalgia is a delirious day trip to the past w

This is Moshtalgia. A podcast about albums we love, albums that were important to us growing up. 
Saxon's 'Crusader' was released in 1984, an album that not only didn't define the band's career but also left a delible mark on the hearts of metal fans across the globe. In our latest podcast episode, we strap on our bullet belts and dive deep into the tight leather trousers of this Marmite album.
'Crusader' was the follow-up to Saxon's 'Power and the Glory,' and it quickly rose to become their biggest-selling album. Recorded at the renowned Sound City Studios in Van Nuys, California, it reached number 18 on the UK album charts and charted in the US Billboard Albums at 174. But what made this album resonate with so few?
Our episode explores the wayward production by Kevin Beamish, whose previous works with REO Speedwagon hinted at the commercial sound Saxon was aiming for. We discuss the band's desire to crack the American market and how this ambition influenced the direction of 'Crusader.' Yet, as came the commercial sheen, the album contained less raw energy that captured the essence of Saxon's sound.
Throughout the episode, we dissect each track, from the anthemic title track "Crusader" to the soft rock single 'Sailing to America.' We share stories from the recording studio, insights from the band members, and the reception from fans and critics alike. The episode is packed with Moshtalgia, laughter, and a fair share of headscratching moments.
Whether you're a lifelong Saxon fan or a newcomer to their oeuvre, our podcast episode offers something for everyone. Join us as we relive the power and the potential glory of 'Crusader,' and discover why this album still rankles the metal community today. Tune in, turn 'er up, and let the Moshtalgia wash over you like the greasy riffs of Saxon's metallery.
There's absurdity, snark, and blistering twin-microphone facts from Taylor and Bourney, fully harmonised with double-tracked wailing and complaining. We men do play on ten, to Valhalla and back.
Best served with beer and a side of silliness. Lie back and enjoy it. Come join us on a review of those now-vintage LPs we loved in the 1980s from the bands that parted us from our money.
It isn't just two friends chatting in front of microphone about their long-haired heavy metal days. Well it is, but also it's much more.
Dive deep into the spurious subconsious of two middle-aged metallers regaling the days of their youth with squirming stories, analogue anectodes, and antsy accusations from the east coast of Ireland. We name and shame, mostly ourselves. 
Remember that first metal album? First concert? The rock ballad you first copped off to on a disco dancefloor with nervous hands and dry lips? Yeah, you do. 
We let the hair on down the back, steal tapes, photocopy covers, and even buy a bullet-belt. We deftly sew patches on our denim jackets, and pilfer magazines in the shop.
Offering our metal heroes no quarter. We praise and prosletyse, we ridicule and rile. We spar with each other and the teenage illusions we had when hearing these masterpieces.
Armed with a sonic scalpel, we cleave our way through track by track, appraise hits and filler a generation on. Who dared battle the Saracen? Who gave love a bad name? Who danced on glass? Listen and find out.
Tune in to rock radio again, hear it as it was, all entombed by fat and freckled guitar segues brought to you by our resident riffer, that man from Annamoe; Pat 'The Fingerer' Shaughnessy! 
We rifle through the pages of once-mighty UK rock organ Kerrang for hot takes of the late Eighties. Hear the words of Malcolm Dome, Dante Bonutto, Sylvie Simmons, Howard Johnson, Chris Watts, Alison Joy, and Mick Wall as they gurn over the news, interviews, and reviews of the day.
Moshtalgia exposes many a metal mistake, a misheard lyric, and as much madness as your mind can muster. You will hear the voices of the bands giving comment directly here on our podcast. Their voices voiced through

This is Moshtalgia. A podcast about albums we love, albums that were important to us growing up. 
Revisit the era when heavy metal was not just music but a way of life. Our latest podcast episode is a tribute to the heart-pounding, headbanging masterpiece that is Pantera's 'Vulgar Display of Power'. This album, which became the anthem for a generation of metalheads, is more than just a collection of tracks—it's a cultural phenomenon that defined the 90s metal scene.
From the moment you hear the opening riff of 'Mouth for War', you're transported back to a time when tattoos were symbols of rebellion and mosh pits were sacred grounds. As we dissect each track, we explore the meticulous production by Terry Date, the same genius behind Soundgarden's earth-shattering sounds.
But it's not just about the music. We delve into the stories of the band members, like bassist Rex Brown and his autobiography 'Official Truth 101 Proof', giving us a raw look at the lives behind the legends. We reminisce about the days when Pantera's music videos were a staple on Beavis and Butthead, and how their sound evolved from glam rock beginnings to the iconic groove metal that still resonates with fans today.
Our episode is a Moshtalgic journey that will reignite your passion for heavy metal. It's a chance to remember the sweat, the tattoos, the pogoing in the stalls, and the unapologetic spirit of Pantera. So put on your moth-eaten band t-shirt, dust off your air guitar, and join us to pay homage to an album that wasn't just heard—it was felt.
There's absurdity, snark, and blistering twin-microphone facts from Taylor and Bourney, fully harmonised with double-tracked wailing and complaining. We men do play on ten, to Valhalla and back.
Best served with beer and a side of silliness. Lie back and enjoy it. Come join us on a review of those now-vintage LPs we loved in the 1980s from the bands that parted us from our money.
It isn't just two friends chatting in front of microphone about their long-haired heavy metal days. Well it is, but also it's much more.
Dive deep into the spurious subconsious of two middle-aged metallers regaling the days of their youth with squirming stories, analogue anectodes, and antsy accusations from the east coast of Ireland. We name and shame, mostly ourselves. 
Remember that first metal album? First concert? The rock ballad you first copped off to on a disco dancefloor with nervous hands and dry lips? Yeah, you do. 
We let the hair on down the back, steal tapes, photocopy covers, and even buy a bullet-belt. We deftly sew patches on our denim jackets, and pilfer magazines in the shop.
Offering our metal heroes no quarter. We praise and prosletyse, we ridicule and rile. We spar with each other and the teenage illusions we had when hearing these masterpieces.
Armed with a sonic scalpel, we cleave our way through track by track, appraise hits and filler a generation on. Who dared battle the Saracen? Who gave love a bad name? Who danced on glass? Listen and find out.
Tune in to rock radio again, hear it as it was, all entombed by fat and freckled guitar segues brought to you by our resident riffer, that man from Annamoe; Pat 'The Fingerer' Shaughnessy! 
We rifle through the pages of once-mighty UK rock organ Kerrang for hot takes of the late Eighties. Hear the words of Malcolm Dome, Dante Bonutto, Sylvie Simmons, Howard Johnson, Chris Watts, Alison Joy, and Mick Wall as they gurn over the news, interviews, and reviews of the day.
Moshtalgia exposes many a metal mistake, a misheard lyric, and as much madness as your mind can muster. You will hear the voices of the bands giving comment directly here on our podcast. Their voices voiced through our own larynxes that is.
Hear the doyen of UK rock radio, Tommy Vance, along with producer Tony Wilson, deliver rock and metal weekly for a scant-yet-prescious two FM hours on the UK's BBC Radio One.
If you know it, you're in for a treat on this show. If you don't, you're still in

This is Moshtalgia. A podcast about albums we love, albums that were important to us growing up. 
Ever wondered what it's like to be catapulted from obscurity into rock stardom? Our latest podcast episode is an electrifying journey back to 1989, where we dissect the raw energy and wild stories behind Skid Row's self-titled debut album. 
In an era where the rock scene was saturated with big hair and even bigger egos, Skid Row emerged as a force to be reckoned with. Their blend of heavy riffs and anthemic choruses captured the hearts of rebellious youths and seasoned headbangers alike. As we delve into the making of this monumental record, we uncover the genius of producer Michael Wagener and the undeniable charisma of frontman Sebastian Bach.
From the defiant shouts of 'Youth Gone Wild' to the heart-wrenching narrative of '18 and Life,' Skid Row's music was a cocktail of raw emotion and unapologetic rock 'n' roll. But it wasn't just the music that made headlines; the band's off-stage antics and tumultuous relationships added layers of intrigue to their legend.
Join Taylor and Bourney to explore the album's climb to the heady heights of the US Billboard charts, the role of Atlantic Records in catapulting the band to fame, and the impact of tracks like 'I Remember You' on the hearts of fans worldwide. We also dive into Sebastian Bach's candid autobiography, revealing the man behind the microphone and the mayhem that followed the band like a pox.
This episode is more than just a drunken fumble down memory's hairy lane; it's a testament to the enduring power of music to define a generation. Whether you're a die-hard Skid Row fan or a newcomer to their discography, this episode will leave you feeling Moshtalgic.
Craving a dose of high-octane Moshtalgia? Listen to our podcast and experience the wild ride that is Skid Row's debut album. It's time to relive the glory days of rock – you won't be disappointed.
There's absurdity, snark, and blistering twin-microphone facts from Taylor and Bourney, fully harmonised with double-tracked wailing and complaining. We men do play on ten, to Valhalla and back.
Best served with beer and a side of silliness. Lie back and enjoy it. Come join us on a review of those now-vintage LPs we loved in the 1980s from the bands that parted us from our money.
It isn't just two friends chatting in front of microphone about their long-haired heavy metal days. Well it is, but also it's much more.
Dive deep into the spurious subconsious of two middle-aged metallers regaling the days of their youth with squirming stories, analogue anectodes, and antsy accusations from the east coast of Ireland. We name and shame, mostly ourselves. 
Remember that first metal album? First concert? The rock ballad you first copped off to on a disco dancefloor with nervous hands and dry lips? Yeah, you do. 
We let the hair on down the back, steal tapes, photocopy covers, and even buy a bullet-belt. We deftly sew patches on our denim jackets, and pilfer magazines in the shop.
Offering our metal heroes no quarter. We praise and prosletyse, we ridicule and rile. We spar with each other and the teenage illusions we had when hearing these masterpieces.
Armed with a sonic scalpel, we cleave our way through track by track, appraise hits and filler a generation on. Who dared battle the Saracen? Who gave love a bad name? Who danced on glass? Listen and find out.
Tune in to rock radio again, hear it as it was, all entombed by fat and freckled guitar segues brought to you by our resident riffer, that man from Annamoe; Pat 'The Fingerer' Shaughnessy! 
We rifle through the pages of once-mighty UK rock organ Kerrang for hot takes of the late Eighties. Hear the words of Malcolm Dome, Dante Bonutto, Sylvie Simmons, Howard Johnson, Chris Watts, Alison Joy, and Mick Wall as they gurn over the news, interviews, and reviews of the day.
Moshtalgia exposes many a metal mistake, a misheard lyric, and as much madness as your mind can muster. You wi