Shakespeare's Shadows

Emily Rome
Shakespeare's Shadows

Featuring interviews with both actors and academics, Shakespeare’s Shadows delves into a single Shakespeare character in each episode. Perspectives from the worlds of academia, theater, and film together shape explorations of the Bard’s shadows, his imitations of life — pretty good imitations, ones that reveal enough of ourselves that we’re still talking about them four centuries later.

  1. 2024. 09. 27.

    Duke Senior & Duke Frederick

    "As You Like It" is often remembered for being a rom-com, but it’s also a family drama. Duke Senior (Rosalind’s father) is usurped by his brother Duke Frederick. One brother rules at court while the exiled brother builds a new life in the Forest of Arden. In this episode — about not just one but two characters — we discuss why it is that Frederick banished his brother and then his niece, what makes As You Like It ripe for musical adaption, how to make sense of Duke Senior so eagerly returning to court after he was raving about life in the forest, and more. Guests on this episode are: • Jennifer Lines (she/her), who performed in multiple stagings (including at Shakespeare Theatre Company in Washington, D.C.) of an "As You Like It" featuring Beatles music. This version of the play originated at Bard on the Beach in Vancouver, and Jennifer plays characters known in that version as Dame Senior and Dame Frances. • Darius de Haas (he/him), who played Duke Senior in the 2017 Public Works world premiere of Shaina Taub’s "As You Like It" musical adaptation at the Delacorte Theater in New York’s Central Park • Dr. Alys Daroy (she/her), a professor of English and Theatre at Murdoch University. Alys is also an actor and is co-artistic director of Shakespeare South, recognized as Australia’s first eco-Shakespeare company. She is co-author of the forthcoming book "Shakespeare, Ecology and Adaptation: A Practical Guide." To view video footage from Jennifer's and Darius's productions, visit shakespearesshadows.com/duke-senior-frederick-video

    1시간 4분
  2. 2024. 03. 27.

    Caliban

    featuring interviews with actor Michael Blake, Pilobolus choreographers Matt Kent and Renée Jaworski, and SUNY New Paltz professor Matthieu Chapman A Shakespeare play that can be at turns heartwarming and troubling, “The Tempest” features two major characters who don’t look like the humans around them: Caliban and Ariel. Caliban, repeatedly described as “monstrous” by other characters, is enslaved by Prospero, the play’s protagonist. This episode delves into discussion about post-colonial interpretations of this play written in the early 17th century, about the significance of Caliban’s mother being a witch from Algiers, and about varying approaches to “The Tempest” theme of choosing forgiveness over revenge and the question of whether Caliban’s ending is one with reconciliation. Guests on this episode are: • Matt Kent (he/him) and Renée Jaworski (she/her), artistic directors of the acclaimed modern dance company Pilobolus. They crafted the choreography for “The Tempest” directed by Aaron Posner and Teller (of Penn and Teller), a stage production that depicts Caliban as a two-headed creature played by two performers • Michael Blake (he/him), who played Caliban for the Stratford Festival in 2018, among his nine seasons at the Stratford, Ontario festival. Michael is currently portraying the Player in “Rosencrantz and Guildenstern Are Dead” opposite Billy Boyd and Dominic Monaghan. • Dr. Matthieu Chapman (he/him), a theatre studies professor at the State University of New York at New Paltz whose publications include the books “Anti-Black Racism in Early Modern English Drama” and “Shattered: Fragments of a Black Life.” This episode contains discussion of slavery, racial violence, involuntary intoxication, and an accusation of rape. To view photos and video footage of the performances crafted by Pilobolus and by Michael Blake, visit shakespearesshadows.com/caliban-video

    1시간 24분
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소개

Featuring interviews with both actors and academics, Shakespeare’s Shadows delves into a single Shakespeare character in each episode. Perspectives from the worlds of academia, theater, and film together shape explorations of the Bard’s shadows, his imitations of life — pretty good imitations, ones that reveal enough of ourselves that we’re still talking about them four centuries later.

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