Bring Me The Axe! Horror Podcast Bryan and David White

Bryan and Dave are joined by Tyler Hyde, co-host of the That's Spooky podcast to close out their 2024 Pride series and talk about James Whale's 1935 Magnum Opus, Bride of Frankenstein. It's an absolutely gonzo gothic horror from the dawn of the talkies featuring more thrills and excitement in one of the earliest sequels that somehow manages to end up a better movie than the original. Bride of Frankenstein is a high-energy affair packed with unbelievable characters and performances from some a-list weirdos of their era such as Ernest Thesiger as the sinister Doctor Praetorius and the lovely Elsa Lanchester playing duo roles and Mary Shelley and the iconic Bride who, despite your expectations, occupies the screen for a scant few minutes but still manages to leave a powerful mark on the history of film. There is also a deeply queer interpretation of the movie which begs the question, was this subtext intended by James Whale? Was it purely subconscious? Are we just reaching?


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It's astounding! Time is fleeting! For the third week of their Pride 2024 series, Bryan and Dave take a look at the notoriously queer-as-hell midnight movie sensation, perhaps the greatest midnight movie of all time, The Rocky Horror Picture Show. It's an episode packed with everything you could ever want to know about the phenomenon, the audience participation, the movie and the social experience as a haven for LGBTQ+ people who may not have found their tribe yet. It's also a movie music packed with hit song after hit song and a tour de force from Tim Curry who knocked it out of the park on his first feature film. Listen to the episode and do The Timewarp with us.


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Pride 2024 continues apace as Bryan and Dave take a real deep dive into Robert Wise's unimpeachable horror movie classic, The Haunting. It's a foundational piece of horror and one of the finest haunted house movies ever made with a thousand ways to interpret it including a very particular queer read which places it firmly in the queer horror canon. Come for the horror movie discussion, stay for the discussion on representation and learn about Shirley Jackson, one of the greatest gothic horror authors of all time in the process.


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Bryan and Dave kick off their 2024 Pride series by settling in for some QUEER VENGEANCE, Canada style! Siege is a by-the-numbers riff on Assault on Precinct 13 which makes one wonder, did Siege director Paul Donovan also watch Cruising at the same time? The movie pits a desperate struggle to survive the night against the 1981 Halifax police strike and despite it being such an obvious derivative of another movie, taking full advantage of the Canadian film tax shelter era, it's a solid action picture that is alarmingly suspenseful and it wears its ACAB sensibilities squarely on its sleeve. If you're in the mood to watch a bunch of homophobes get arrowed in the neck, shot in the face, and electrocuted by Home Alone-style traps, have we got a movie for you!


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This week Dave and Bryan take their first steps into the 1990's and go deep with a real hard look at The Blair Witch Project. Joining them on this trek through the forest is Ash Kelley and Alaina Urquhart from the Morbid Podcast.

Though, not the first found-footage horror movie, Blair Witch is definitely the one that convinced budding indie horror directors that yes, they too could make a horror movie on very little money. Dave and Bryan struggle to understand the appeal while Ash and Alaina do their best to articulate just what it is about this movie that they love so much.


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This Week, Bryan and Dave put the brakes on to talk about Roger Corman, one of the most important filmmakers in the history of pop cinema and the genres, most notably horror and science fiction. He died at age 98 on May 9, 2024 and left behind a legacy of nearly 500 films which bear his name in one way or another. Bring Me The Axe picks 4 movies of Corman's that are formative horror movie experiences and enduring favorites. Hear all about A Bucket of Blood, House of Usher, The Raven, and Death Race 2000 and the outsized influence Corman had on the larger industry in filmmaking.


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